The Color Purple (film)
|The Color Purple|
|Directed by||Steven Spielberg|
|Screenplay by||Menno Meyjes|
|Based on||The Color Purple|
by Alice Walker
|Music by||Quincy Jones|
|Edited by||Michael Kahn|
|Distributed by||Warner Bros. Pictures|
|Box office||$142 million|
The Color Purple is a 1985 American coming-of-age period drama film directed by Steven Spielberg with a screenplay by Menno Meyjes, based on the Pulitzer Prize-winning 1982 novel of the same name by Alice Walker. It was Spielberg's eighth film as a director, and marked a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It was also the first feature film directed by Spielberg for which John Williams did not compose the music. The film stars Danny Glover, Whoopi Goldberg, Desreta Jackson, Margaret Avery, Oprah Winfrey, Rae Dawn Chong, Willard Pugh, and Adolph Caesar in one of his final film roles.
Filmed in Anson and Union counties in North Carolina, the film tells the story of a young African-American girl named Celie Harris and shows the problems African-American women faced during the early 20th century, including domestic violence, incest, pedophilia, poverty, racism, and sexism. Celie is transformed as she finds her self-worth through the help of two strong female companions.
The film was a box office success, grossing $142 million against a budget of $15 million. The film received positive reviews from critics, receiving praise for its acting, direction, screenplay, musical score, and production values; however, it was also criticized by some critics for being "over-sentimental" and "stereotypical". The film was nominated for eleven Academy Awards, including Best Picture, Best Actress for Goldberg, Best Supporting Actress for both Avery and Winfrey, and Best Adapted Screenplay, without winning any; it also received four Golden Globe Award nominations, with Whoopi Goldberg winning Best Actress in a Drama. Steven Spielberg did not receive an Academy Award nomination for his directing, but did receive a Directors Guild of America Award for Outstanding Directorial Achievement, and a Golden Globe nomination. The film was later included in Roger Ebert's book series The Great Movies.
Celie is an African-American teenager in early 20th century rural Georgia who has lost two children by her abusive father. He gives her away as a wife to Mister, who also abuses her, and his children mistreat her. Celie's loving younger sister, Nettie, runs away from the abusive father and seeks shelter with Celie. The sisters promise to write if they are separated. Mister attempts to sexually assault Nettie, and he kicks her out after she fights him off.
Years later, Celie is meek from abuse. Mister's son Harpo marries Sofia, and Celie is shocked to find her running a matriarchal household. Harpo attempts to overpower and strike Sofia, but he fails. Celie advises Harpo to beat Sofia. Sofia retaliates and confronts Celie, revealing her long history of abuse. She threatens to kill Harpo if he beats her again and tells Celie to do likewise to Mister. Harpo doesn't change, so Sofia leaves and takes their children.
Mister and Harpo bring home the ailing Shug Avery, a showgirl and Mister's long-time mistress. Celie, who has slowly developed a fondness for Shug through a photograph sent to Mister, is in awe of Shug's strong will. She nurses Shug back to health, and Shug, in turn, takes a liking to her, writing and performing a song about her at Harpo's newly opened bar. Shug tells Celie she's moving to Memphis, and Celie confides to Shug that Mister beats her. Shug tells Celie she's beautiful and that she loves her, and they kiss. Celie packs her things to follow Shug to Memphis but gets caught by Mister.
Meanwhile, Sofia has been imprisoned for striking the town's mayor after he slaps her. Years pass, and she, now a shell of her former self, is released from prison – only to be immediately ordered by the judge to become a maid to the mayor's wife, Ms. Millie. Having not seen her children in eight years, Sofia is allotted Christmas to be with her family, and Ms. Millie tries to drive her but panics and turns around after encountering a group of Sofia's family and friends, who were only trying to help her.
Shug returns to Celie and Mister's home with her new husband, Grady, expecting to receive a recording contract. Shug gives Celie a letter from Nettie, who tells her that she's working for a couple who adopted Celie's children. Celie and Shug realize that Mister has been hiding Nettie's letters from Celie; while he and Grady are out drinking, they search the house, finding a hidden compartment under the floorboards filled with dozens and dozens of Nettie's letters.
Engrossed in reading, Celie does not hear Mister's calls to shave him, and he beats her. Celie attempts to kill Mister with his straight razor, but Shug stops her. At a family gathering, Celie finally speaks up against Mister to the delight of Shug and Sofia. This fighting spirit prompts Harpo's new wife, Squeak, to stand up for herself as well. Shug and Grady drive away, taking Celie and Squeak with them.
Years later, Mister is an old drunk and alone, and Harpo has made amends with Sofia; they now run the bar together, and Shug still performs there. Upon Celie's father's passing, she finally learns from Nettie's letters he wasn't their biological father. When their mother passed, "his" property was legally inherited by Celie and Nettie. So, she receives the home and shop that had belonged to her father.
Celie begins to operate a tailor shop. Mister receives a letter from Nettie addressed to Celie, takes money from his secret stash, and arranges for Nettie, her husband, and Celie's children to return to the U.S. from Africa, where they had been living. While Mister watches from a distance, Celie, Nettie, and Celie's children reunite, and the two sisters bond over a hand-clapping game from their childhood.
- Whoopi Goldberg as Celie
- Desreta Jackson as Young Celie
- Oprah Winfrey as Sofia
- Margaret Avery as Shug Avery
- Táta Vega as Shug's singing voice
- Danny Glover as Mister
- Akosua Busia as Nettie
- Adolph Caesar as Old Mister, Mister's father
- Willard Pugh as Harpo
- Rae Dawn Chong as Squeak
- Laurence Fishburne as Swain
- Carl Anderson as Reverend Samuel
- Grand Bush as Randy
- Dana Ivey as Ms. Millie
- Bennet Guillory as Grady
- James Tillis as Henry "Buster" Broadnax
- Leonard Jackson as Pa, Celie and Nettie's father
The Color Purple was a success at the box office, staying in U.S. theaters for 21 weeks, and grossing over $142 million worldwide. In terms of box office income, it ranked as the #1 rated PG-13 film released in 1985, and #4 overall.
The film received positive reviews from critics, receiving praise for its acting, direction, screenplay, score, and production merits, but was criticized by some for being "over-sentimental" and "stereotypical". Rotten Tomatoes gives the film a score of 81% based on reviews from 31 critics, with an average score of 6.86/10. The website's critical consensus states: "It might have been better served by a filmmaker with a deeper connection to the source material, but The Color Purple remains a worthy, well-acted adaptation of Alice Walker's classic novel." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 78 out of 100, based on seven critics, indicating "generally favorable reviews".
Roger Ebert of the Chicago Sun-Times awarded the film four stars, calling it "the year's best film." He also praised Whoopi Goldberg, calling her role "one of the most amazing debut performances in movie history" and predicting she would win the Academy Award for Best Actress. (She was nominated but did not win.) Ebert wrote of The Color Purple:
The world of Celie and the others is created so forcibly in this movie that their corner of the South becomes one of those movie places – like Oz, like Tara, like Casablanca – that lay claim to their own geography in our imaginations. The affirmation at the end of the film is so joyous that this is one of the few movies in a long time that inspires tears of happiness, and earns them.
Ebert's long-time television collaborator, Gene Siskel of the Chicago Tribune, praised the film as "triumphantly emotional and brave", calling it Spielberg's "successful attempt to enlarge his reputation as a director of youthful entertainments." Siskel wrote that The Color Purple was "a plea for respect for black women." Although acknowledging that the film was a period drama, he praised its "... incredibly strong stand against the way black men treat black women. Cruel is too kind a word to describe their behavior. The principal black men in The Color Purple use their women – both wives and daughters – as sexual chattel."
Mr. Spielberg has looked on the sunny side of Miss Walker's novel, fashioning a grand, multi-hanky entertainment that is as pretty and lavish as the book is plain. If the book is set in the harsh, impoverished atmosphere of rural Georgia, the movie unfolds in a cozy, comfortable, flower-filled wonderland. ... Some parts of it are rapturous and stirring, others hugely improbable, and the film moves unpredictably from one mode to another. From another director, this might be fatally confusing, but Mr. Spielberg's showmanship is still with him. Although the combination of his sensibilities and Miss Walker's amounts to a colossal mismatch, Mr. Spielberg's Color Purple manages to have momentum, warmth and staying power all the same.
Variety found the film over-sentimental, writing, "there are some great scenes and great performances in The Color Purple, but it is not a great film. Steven Spielberg's turn at 'serious' film-making is marred in more than one place by overblown production that threatens to drown in its own emotions."
In addition, some critics alleged that the movie stereotyped black people in general and black men in particular, pointing to the fact that Spielberg, who is white, had directed a predominantly African American story.
About some criticism the movie received, Steven Spielberg: "Most of the criticism came from directors [who] felt that we had overlooked them, and that it should have been a black director telling a black story. That was the main criticism. The other criticism was that I had softened the book. I have always copped to that. I made the movie I wanted to make from Alice Walker's book. There were certain things in the [lesbian] relationship between Shug Avery and Celie that were finely detailed in Alice's book, that I didn't feel could get a [PG-13] rating. And I was shy about it. In that sense, perhaps I was the wrong director to acquit some of the more sexually honest encounters between Shug and Celie, because I did soften those. I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that."
Filmmaker Oliver Stone defended The Color Purple as "an excellent movie, and it was an attempt to deal with an issue that had been overlooked, and it wouldn't have been done if it hadn't been Spielberg. And it's not like everyone says, that he ruined the book. That's horseshit. Nobody was going to do the book. He made the book live again."
In 2004, Ebert included The Color Purple in his list of "Great Movies". He stated that "I can see its flaws more easily than when I named it the best film of 1985, but I can also understand why it moved me so deeply, and why the greatness of some films depends not on their perfection or logic, but on their heart."
The Color Purple was nominated for 11 Academy Awards (including Best Picture, Best Actress for Goldberg and Best Supporting Actress for both Avery and Winfrey). It failed to win any of them, tying the record set by 1977's The Turning Point for the most Oscar nominations without a single win.
Steven Spielberg received his first Directors Guild of America Award at the 38th awards ceremony for Outstanding Directorial Achievement in Motion Pictures. He became the first director to win the award without even being nominated for the Academy Award for Best Director.
Musical film remake
On November 2, 2018, it was announced that a film adaptation of the 2005 stage musical version was in development. Steven Spielberg and Quincy Jones returned to co-produce this version, alongside the stage musical's producers Scott Sanders and Oprah Winfrey. On August 25, 2020, it was announced that Marcus Gardley will pen the screenplay and Black is King's Blitz Bazawule will direct. On December 23, 2020, it was announced that the film would be released on December 20, 2023 and that Alice Walker, Rebecca Walker, Kristie Macosko Krieger, Carla Gardini, and Mara Jacobs will executive produce the film.
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