The Crimson Pirate

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The Crimson Pirate
Crimson pirate655.jpg
Directed by Robert Siodmak
Produced by Norman Deming
Harold Hecht
Burt Lancaster
Written by Roland Kibbee
Waldo Salt (1st draft)[1]
Starring Burt Lancaster
Nick Cravat
Eva Bartok
Leslie Bradley
Torin Thatcher
James Hayter
Music by William Alwyn
Cinematography Otto Heller
Edited by Jack Harris
Distributed by Warner Bros. Pictures
Release dates
  • September 27, 1952 (1952-09-27)
Running time
105 minutes
Country United States
Language English
Budget $1.75 million[2]
Box office $2.5 million (US)[3]

The Crimson Pirate is a 1952 American Technicolor tongue-in-check comedy-adventure film, produced by Norman Deming and Harold Hecht, directed by Robert Siodmak, and starring Burt Lancaster, who also co-produced with Deming and Hecht. Co-starring in the film is Nick Cravat, Eva Bartok, Leslie Bradley, Torin Thatcher, and James Hayter.

The Crimson Pirate is set in the Caribbean late in the 18th century, on the fictional islands of Cobra and San Pero.

Plot[edit]

In the Caribbean, late in the 18th century, Captain Vallo (Burt Lancaster), a pirate known as "The Crimson Pirate", and his crew capture a frigate of the King's navy. The ship is carrying Baron Gruda (Leslie Bradley), a special envoy to the King on his way to the Island of Cobra to crush a rebellion. Vallo proposes selling the frigate's weapons cache to El Libre, the leader of Cobra's rebels. Baron Gruda counters by proposing that Vallo capture El Libre and bring him to the Baron for a sizable reward. Vallo accepts, and Baron Gruda and his crew are released, while Vallo keeps the frigate. Some of his crew complain that this is not pirate business, but they come around when they find out the large amount of profit to be made.

Vallo and his crew sail to Cobra, where the captain and his lieutenant, Ojo (Nick Cravat), go ashore and meet with the island's rebels, led by Pablo Murphy (Noel Purcell) and Consuelo (Eva Bartok). Vallo and Ojo learn that El Libre has been captured and is in prison on the island of San Pero. The meeting is interrupted by the King's guards, and Consuelo quickly leads Vallo and Ojo to safety. Returning to the frigate, Vallo informs his crew he will rescue El Libre, though Consuelo only believes Vallo is interested in selling weapons to him. While promising Vallo that he will receive his payment, she informs him that El Libre is actually her father.

After sailing to San Pero, Vallo impersonates the Baron and goes to a dinner held in Gruda's honor by the Colonel of the island's garrison (Frank Pettingell). For the disguised Vallo, the Colonel puts on display El Libre (Frederick Leister) and another captured rebel, Professor Elihu Prudence (James Hayter). Vallo orders the prisoners released into his custody, and he leaves, returning with them to the frigate, which sets sail for Cobra.

Consuelo is grateful to Vallo for rescuing her father, but is distraught to hear that Vallo intends on selling her, El Libre, and the professor to Baron Gruda. Ojo suggests that Vallo has fallen in love with Consuelo, but he denies this after releasing all three prisoners. Consuelo now begs Vallo to come with them but he refuses. Vallo's first mate, Humble Bellows (Torin Thatcher), overhears this exchange, and turns against his captain for breaking his word, sending a message ashore to Baron Gruda.

Vallo lets El Libre and Consuelo leave, but the King's guards are waiting, and El Libre is killed and Consuelo is captured. The pirates mutiny against Vallo, and Humble Bellows is elected their new captain. Baron Gruda promises Bellows gold for dealing with Vallo. So the professor, Ojo, and Vallo are cast adrift in a skiff in the outgoing current and left to die. Gruda proposes a toast, presenting the pirates with a barrel of rum. Unknown to them, the rum has been drugged; after consuming the rum and passing out, they are captured and transferred back to Vallo's ship, now prisoners for Gruda to sell to the King.

Baron Gruda informs Consuelo that she will now marry Herman (Eliot Makeham), the governor of Cobra, or he will execute the island's population. Consuelo is compelled to accept, and Gruda announces the wedding date and mandatory attendance by everyone. In the meantime Vallo, Ojo, and the clever professor escape their dilemma by capsizing their skiff, trapping a large air pocket for them to breath; walking along the sea bottom toward Cobra, they come ashore, where they quickly find out about the wedding. Vallo intends to rescue Consuelo, but the professor convinces him to first enlist the island's cooperation. Vallo agrees, and along with the professor's advanced knowledge, the people of Cobra build his advanced weapons for their coming revolt. Nitroglycerin grenades, multiple canon tanks, flamethrowers, rapid-fire rifles on revolving drums, and a large inflatable balloon with gondola are constructed in secret.

On the day of the wedding, the people unleash the advanced arsenal just before the ceremony, over-throwing the governor and his guards. Baron Gruda manages to escape to his frigate, taking Consuelo with him. Vallo and Ojo go after them in the large balloon. They spot their old ship below and slide down the balloon's tie-down ropes to its deck, and release the pirates. They then pursue Gruda's frigate. As the pirate ship gets close, Vallo orders the pirates below deck, making Gruda believe they are about to launch a full broadside. Instead, they sneak out through the gun ports, drop into the sea, and swim underwater to Gruda's frigate. A repentant Humble Bellows stays aboard to keep the ship on course, sacrificing himself after Gruda orders a broadside, which destroys the pirate ship. Vallo and his pirates surface, climbing aboard the frigate; the guards are defeated in the ensuing battle, while the Baron is killed. In victory Vallo and Consuelo embrace.

Cast[edit]

Production[edit]

While the film is set in the Caribbean, it was filmed at Teddington Studios in England and on the island of Ischia in Italy.

The original screenplay by Waldo Salt was rejected by the producers, fearing Salt's so-called Communist ties. Christopher Lee, in his autobiography, claims that director Robert Siodmak changed the original screenplay:

The script started life as serious, nay solemn, but Robert Siodmak, the director, with all the sure touch of real tension behind him in The Killers and The Spiral Staircase, took stock of the material in forty-eight hours and turned it into a comedy. It was like a Boy's Own Paper adventure, except that Eva Bartok was in it.

— Christopher Lee, Tall, Dark and Gruesome[4]

Notes[edit]

Burt Lancaster and his old partner Nick Cravat made nine films together, the most popular being The Crimson Pirate and The Flame and the Arrow (1950). He kept Cravat on his payroll for life, as both a trainer as well as a co-star. Because Cravat's character in both films is mute, the belief persisted that in real life he was mute. Actually, Cravat was given no dialog lines because of his thick Brooklyn accent.[5] About 10 minutes from the end of The Crimson Pirate, Lancaster and Cravat are in a balloon and about to recapture their pirate ship. The film shows a wide shot broadside view of their ship as they are approaching. In the background can be seen a modern luxury liner cruise ship, one that is quite out of place in the 18th century.

Legacy[edit]

The Terry Gilliam short, The Crimson Permanent Assurance, draws its name from this film. According to The Radio Times, the Disneyland ride "Pirates of the Caribbean" was inspired by The Crimson Pirate.[6]

In the 1970s Lancaster attempted to make a sequel. He hired George MacDonald Fraser and later Jon Cleary to write scripts, but no film resulted from their efforts.[7]

References[edit]

  1. ^ http://www.tcm.com/tcmdb/title/71842/The-Crimson-Pirate/articles.html
  2. ^ Kate Buford, Burt Lancaster: An American Life, Da Capo 2000 p 117
  3. ^ 'Top Box-Office Hits of 1952', Variety, January 7, 1953
  4. ^ Lee, Christopher, Tall, Dark and Gruesome, Victor Gollancz, 1997, ISBN 0-575-06497-8
  5. ^ http://www.tcm.com/tcmdb/title/71842/The-Crimson-Pirate/articles.html
  6. ^ http://www.radiotimes.com/servlet_film/com.icl.beeb.rtfilms.client.simpleSearchServlet?frn=3700&searchTypeSelect=5
  7. ^ George MacDonald Fraser, The Light's On at Signpost, HarperCollins 2002 p160-175

External links[edit]