The Curse of the Werewolf
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|The Curse of the Werewolf|
UK theatrical release poster
|Directed by||Terence Fisher|
|Produced by||Anthony Hinds|
|Written by||Anthony Hinds (aka John Elder)|
|Narrated by||Clifford Evans|
|Music by||Benjamin Frankel|
|Edited by||Alfred Cox|
1 May 1961 (UK)|
7 June 1961 (U.S.)
The Curse of the Werewolf is a 1961 British horror film based on the novel The Werewolf of Paris by Guy Endore. The film was made by the British company Hammer Film Productions and was shot at Bray Studios. The leading part of the werewolf was Oliver Reed's first starring role in a film. Benjamin Frankel's score is notable for its use of twelve-tone serialism, rare in film music.
The story is set in 18th-century Spain. A beggar is imprisoned by a cruel marquis after making inappropriate remarks at the nobleman's wedding. The beggar is forgotten, and survives another fifteen years. His sole human contact is with the jailer and his beautiful mute daughter (Yvonne Romain). The aging, decrepit Marques makes advances on the jailer's daughter while she is cleaning his room. When she refuses him, the Marques has her thrown into the dungeon with the beggar. The beggar, driven mad by his long confinement, rapes her and then dies.
The girl is released the next day and sent to "entertain" the Marques Siniestro. She kills the old man and flees. She is found in the forest by the kindly gentleman-scholar Don Alfredo Corledo (Clifford Evans) who lives alone with his housekeeper Teresa (Hira Talfrey). The warm and motherly Teresa soon nurses the girl back to health, but she dies after giving birth to a baby on Christmas Day, a fact that Teresa considers "unlucky". (because a child born on Christmas Day would become a werewolf).
Alfredo and Teresa raise the boy, whom they name Leon. Leon is cursed by the evil circumstances of his conception and by his Christmas Day birth. An early hunting incident gives him a taste for blood, which he struggles to overcome. Soon, a number of goats are found dead, and a herder's dog is blamed.
Thirteen years later, Leon as a young man (Oliver Reed) leaves home to seek work at the Gomez vineyard. Don Fernando Gomez (Ewen Solon) sets Leon to work in the wine cellar with Jose Amadayo (Martin Matthews) with whom he soon forms a friendship. Leon falls in love with Fernando's daughter, Cristina (Catherine Feller), and becomes despondent at the seeming impossibility of marrying her, and allows Jose take him to a nearby brothel, where he transforms and kills Vera and Jose, then returning to Alfredo's house. Too late, he learns that Cristina's loving presence prevents his transformation, and he is about to run away with her when he is arrested and jailed on suspicion of murder. He begs to be executed before he changes again, but the mayor does not believe him. His wolf nature rising to the surface, he breaks out of his cell, killing an Old Soak and the Gaoler. Shocked and disgusted by his appearance, the local people summon his scholarly stepfather, who has obtained a silver bullet made from a crucifix blessed by an archbishop. Though torn with grief, Alfredo shoots Leon dead and tearfully covers his body with a cloak.
- Clifford Evans as Don Alfredo Corledo
- Oliver Reed as Leon Corledo/Werewolf
- Yvonne Romain as Servant girl
- Catherine Feller as Christina Fernando
- Anthony Dawson as Marques Siniestro
- Josephine Llewelyn as Marquesa Siniestro
- Richard Wordsworth as Beggar
- Hira Talfrey as Teresa
- Justin Walters as Young Leon Corledo
- John Gabriel as Priest
- Warren Mitchell as Pepe Valiente
- Anne Blake as Rosa Valiente
- George Woodbridge as Dominique the goat herder
- Michael Ripper as Old Soak
- Ewen Solon as Don Fernando
- Peter Sallis as Don Enrique
- Martin Matthews as Jose Amadayo
- David Conville as Rico Gomez
- Denis Shaw as Gaoler
- Sheila Brennan as Vera
- Joy Webster as Isabel
- Renny Lister as Yvonne
- Loraine Carvana as Young Servant girl
- Charles Lamb as Marques' Chef
- Desmond Llewelyn (uncredited) as Marques’s footman
Howard Thompson of The New York Times wrote that some of the color photography was "beautiful," adding that "for a werewolf yarn this Hammer Production has a Gothic type of narrative that is not uninteresting, if broadly acted." Harrison's Reports graded the film as "Good," finding the production values "a big asset" although the review felt there was "not enough action." Variety called it "an outstanding entry of the horror picture genre. Although not a particularly frightening or novel story treatment of the perennial shock film topic (werewolves ranking second only to vampires in cinema), it is a first-class effort in other respects." The Monthly Film Bulletin wrote, "Even by Hammer standards, this is a singularly repellent job of slaughter-house horror ... Surely the time has come when a film like this should be turned over to the alienists for comment; as entertainment its stolid acting, writing, presentation and direction could hardly be more preclusive."
Home video release
In North America, the film was released on 6 September 2005 along with seven other Hammer horror films on the 4-DVD set The Hammer Horror Series (ASIN: B0009X770O), which is part of MCA-Universal's Franchise Collection. This set was re-released on Blu-ray on 13 September 2016.
In other media
The film was adapted into a 15-page comic strip for the January 1978 issue of the magazine The House of Hammer (volume 1, # 10, published by General Book Distribution). It was drawn by John Bolton from a script by Steve Moore. The cover of the issue featured a painting by Brian Lewis as Leon in human and werewolf forms.
- Clemens, Carlos (1968). Horror Movies: An illustrated Survey. London: Panther Books. p. 208.
- David Huckvale, Hammer Film Scores and the Musical Avant-Garde, Introduction, p.4
- Thompson, Howard (June 8, 1961). "Screen: 2 British Horror Films Open". The New York Times: 40.
- "'The Curse of the Werewolf' with Clifford Evans, Oliver Reed, Yvonne Romain, Catherine Feller". Harrison's Reports: 68. April 29, 1961.
- "The Curse of the Werewolf". Variety: 7. May 3, 1961.
- "The Curse of the Werewolf". The Monthly Film Bulletin. 28 (329): 81. June 1961.
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