The Day of the Triffids (film)

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The Day of the Triffids
Dayofthetriffids.jpg
U.S. theatrical release poster
by Joseph Smith[1]
Directed bySteve Sekely
Freddie Francis
Written byBernard Gordon
Philip Yordan
Produced byGeorge Pitcher
Philip Yordan
Bernard Glasser (uncredited)
StarringHoward Keel
Nicole Maurey
Janette Scott
Kieron Moore
Mervyn Johns
CinematographyTed Moore
Edited bySpencer Reeve (sup.)
Music byRon Goodwin
Johnny Douglas
Production
company
Security Pictures Ltd
Distributed byRank Organisation (UK)
Allied Artists (US)
Release dates
  • July 1962 (1962-07) (UK)
  • 27 April 1963 (1963-04-27) (U.S.)
Running time
93 min.
CountryUnited Kingdom

The Day of the Triffids is a 1962 British science fiction horror film in CinemaScope and Eastmancolor, produced by George Pitcher and Philip Yordan, and directed by Steve Sekely and Freddie Francis. It stars Howard Keel and Nicole Maurey, and is loosely based on the 1951 novel of the same name by John Wyndham. The film was released in the U.K. by the Rank Organisation and in the U.S. by Allied Artists.

Plot[edit]

A meteor shower blinds most people in the world and at the same time spreads triffid plant spores which quickly become animated. Bill Masen, a merchant navy officer who has been lying in hospital overnight with his eyes bandaged, is unaffected and leaves the next day. While at a railway station, he comes across an orphaned schoolgirl named Susan who, having spent the night in the luggage van, is unaffected too. He helps her escape the groping crowds and they commandeer an abandoned car in order to reach his ship. On their way the car gets stuck in mud and while they look for stones to gain traction a mobile triffid ambushes them and they barely escape.

Meanwhile, scientist Tom Goodwin and his wife Karen have been isolated in a lighthouse and only learn of the world emergency over the radio. Karen alerts Tom to a triffid growing on a ledge; inside they discover another and Tom has to battle it off. Though it appears dead, they discover that triffids can apparently regenerate themselves. The couple then barricade themselves in and set to work to discover some means of neutralising the plants.

After Masen and Susan finally make it to the dockyard, they only hear bad news from over the radio. They then cross into France, where they come across Christine Durant at a roadblock. She guides them to a chateau which is serving as a refuge for the blind. While looking for supplies at a grocery store with Mr Coker, a worker at the castle, they discover dozens of the plants stirring before their eyes and Coker dies while they are returning to the chateau to warn the others. Later the place is invaded by escaped convicts and during the mayhem triffids move in and kill everyone except Tom, Susan and Christine, who manage to get away in the prison bus.

After discovering that Toulon is in flames, Masen next heads for the American naval base in Cádiz. On their way they encounter a blind couple, Luis de la Vega and his pregnant wife Teresa, and help her deliver a baby boy. Luis tells Masen that the Cadiz base has been evacuated by submarine since those who were underwater didn't get blinded by the meteor shower. Masen gets de Vega's radio transmitter working just in time to hear the navy broadcasting a message about a final survivor pickup in Alicante the next day and a warning to beware of wandering bands of triffids.

The group decides to leave early in the morning and Masen electrifies the enclosing fence around the villa during the night as a precaution. When triffids arrive, the current is too weak to hold them for long and Masen has to improvise a flamethrower from a fuel truck to keep them off. He also realizes that the triffids are attracted to sound, so he decoys them next day with a musical clown car while the others escape. He himself manages to attract the attention of a naval dinghy, which picks him up and takes him to the submarine.

Back at the lighthouse, the triffids manage to break in while Tom and Karen retreat to the top of the stairs. In a last effort to hold them off, Tom sprays them with a salt-water fire hose and the triffids begin to dissolve in a cloud of green smoke. Tom realizes that sea water was the answer they have been looking for all along and uses the hose to kill the rest of the Triffids in the lighthouse.

At the end, the narrator states that humanity has conquered the triffids by turning to the very thing that gave humans life in the beginning: sea water. Meanwhile, the people from the submarine have disembarked and are heading up to a church to give thanks for their survival.

Cast[edit]

Reception[edit]

Although the film retained some basic plot elements from Wyndham's novel, it is not a particularly faithful adaptation: "It strays significantly and unnecessarily from the book and is less well regarded than the BBC's intelligent (if dated) 1981 TV serial".[2] Unlike in the novel, the triffids arrive from a meteor shower, some of the action is moved to Spain and an important character, Josella Playton, is deleted.[3] Most seriously, the screenplay supplies a simplistic solution to the triffid problem: salt water dissolves them and "the world was saved".[4]

This ending appears to be closer to the ending of The War of the Worlds than to Wyndham's novel. The invading triffids succumb to a substance common on Earth, as do the Martians of The War of the Worlds when they die from bacterial exposure and both films end on a religious note (which is quite unlike Wyndham). This water ending was also used in M. Night Shyamalan's science fiction invasion film Signs (2002), and Night of the Big Heat (1967).

Simon Clark, author of The Night of the Triffids, stated in an interview: "The film version is enjoyable, luring the effective looking Triffids away with music from an ice-cream van and some other good action scenes. The Triffids' death-by-seawater climax is weak and contrived though. But it would still rank in my all-time top 100 films".[5]

Halliwell's Film Guide claimed the film was a "rough and ready adaptation of a famous sci-fi novel, sometimes blunderingly effective and with moments of good trick work".[6]

At the film review aggregator website Rotten Tomatoes, the film holds an approval rating of 79% based on 19 reviews, with a weighted average rating of 6.4/10.[7]

References in popular culture[edit]

It is this film version to which the song "Science Fiction/Double Feature" (from the 1973 play The Rocky Horror Show) refers, in the lyric: "And I really got hot when I saw Janette Scott/Fight a Triffid that spits poison and kills"

Remake[edit]

In January 2014, it was announced that a remake was planned and would be directed by Mike Newell.[8]

See also[edit]

References[edit]

  1. ^ See the description of the original artwork that was auctioned in 2012: "The Day of the Triffids (Allied Artists, 1962). Joseph Smith Original Movie Poster Art (22" X 27.25")". Dallas, Texad: Heritage Auctions. Retrieved 23 October 2017.. This artwork has also been attributed to Reynold Brown. Brown's own records indicate that he worked on the campaign for The Day of the Triffids: "Movie Campaigns, A Listing". Retrieved 12 March 2013. The narrative accompanying the sale of the original artwork in 2012 by Heritage Auctions looks to be conclusive, and supports the attribution to Smith.
  2. ^ "John Wyndham". The Guardian. London. 22 July 2008. Retrieved 25 May 2010.
  3. ^ "Day of the Triffids".
  4. ^ "DVD Savant Revival Screening Review: The Day of the Triffids (1963)".
  5. ^ "Simon Clark interview". zone-sf.com. Retrieved 25 July 2013.
  6. ^ Halliwell's Film Guide, 13th edition - ISBN 0-00-638868-X.
  7. ^ "The Day of the Triffids (1963) - Rotten Tomatoes". Rotten Tomatoes.com. Flixer. Retrieved 2 April 2018.
  8. ^ Lauren Humphries-Brooks (24 January 2014). "Mike Newell Sets His Sights On The Day Of The Triffids". We Got This Covered.

Bibliography[edit]

  • Warren, Bill. Keep Watching the Skies, American Science Fiction Movies of the Fifties, Vol. II: 1958–1962. Jefferson, North Carolina: McFarland & Company, 1986. ISBN 0-89950-032-3.

External links[edit]