The Day the Earth Stood Still soundtrack (1951) was composed in July, and recorded in August 1951. It was Bernard Herrmann's first soundtrack after he moved from New York to Hollywood. Herrmann chose unusual instrumentation for the film including violin, cello, and bass (all three electric), two theremin electronic instruments (played by Samuel Hoffman and Paul Shure), two Hammond organs, a large studio electric organ, three vibraphones, two glockenspiels, two pianos, two harps, three trumpets, three trombones, and four tubas. Unusual overdubbing and tape-reversal techniques were used, as well. 20th Century Fox later reused the Herrmann title theme in the original pilot episode for Irwin Allen's 1965 TV series Lost in Space. Danny Elfman noted The Day the Earth Stood Still's score inspired his interest in film composing, and made him a fan of Herrmann.
"Twentieth Century Fox Fanfare"
"Prelude / Outer Space/Radar"
"Gort / The Visor / The Telescope"
"Solar Diamonds" (not used in film)
"Nocturne / The Flashlight / The Robot / Space Control"
"The Elevator / Magnetic Pull / The Study / The Conference / The Jewelry Store"
"The Glowing / Alone / Gort's Rage / Nikto / The Captive / Terror"
People revere an original property and feel that it's sacred, but frankly, there's a good story to be retold, as it applies to the climate of the world now. If that's something beyond the scope of a person's ability to take in, on a new level, without necessarily using the original as a criteria for whether or not they're going to enjoy it, then they probably shouldn't bother themselves with it.
The origins for the sound on the new score came from Bates attending the filming of a few scenes with Reeves and Smith. When he got back to L.A. he created a loop on his GuitarViol to which Derrickson responded "I think that’s the score!" when it was played for him. Taking just a piece of the original score, Bates utilized the theremin, which Herrmann heavily used for the original film. Bates and the theremin player he hired used the instrument in a manner reminiscent of a sound effect, especially during Klaatu's surgery.