The Deceivers (film)
|Directed by||Nicholas Meyer|
|Produced by||Ismail Merchant|
|Written by||Michael Hirst|
|Music by||John Scott|
|Edited by||Richard Trevor|
|Distributed by||Cinecom Pictures|
|September 2, 1988|
The film takes place in 1825 India. The country is being ravaged by Thuggees, a Kali-worshiping cult also known as "Deceivers," who commit robbery and ritualistic murder. Appalled by their activities, English Captain William Savage undertakes a dangerous mission in which he disguises himself, and infiltrates the Thugee cult. At constant risk of betrayal and vengeance, Captain Savage undergoes a disturbing psychological transformation, experiencing the cult's insatiable bloodlust for himself. The film was shot in various locations around the arid steppe region in northwestern India.
- Pierce Brosnan as William Savage
- Saeed Jaffrey as Hussein
- Shashi Kapoor as Chandra Singh
- Shanmukha Srinivas as Hira Lal
- Helena Michell as Sarah Wilson
- Keith Michell as Colonel Wilson
- David Robb as George Anglesmith
- Tariq Yunus as Feringea
- Jalal Agha as The Nawab
- Gary Cady as Lt. Maunsell
- Salim Ghouse as Piroo
- Neena Gupta as The Widow
- Nayeem Hafizka as Sepoy
- Bijoya Jena as Harlot
- H.N. Kalla as The Nawab Servant
- Kammo as Official
Shooting took place over a four-month period in India while post-production was completed in London. According to Meyer's memoir, The View from the Bridge, the production was subject to frequent disruption from the local Jaipur mafia for declining to make any dealings with their head. Meyer wrote, "Scores of hooligans stormed through our sets while we were rolling; equipment was sabotaged or stolen; 'cultural' societies were founded for the sole purpose of suing us, alleging pornographic distortions of Indian culture." Despite these disruptions, Meyer spoke highly of his production crew, stating, "One day when we needed our tulip crane for a big shot, I was flummoxed to learn that four of its bolts had been stolen, incapacitating a vital piece of equipment. I don't deal well with last minute alterations to The Plan, but my Indian crew managed to mill four new bolts by the time we were ready to roll."
Roger Ebert of the Chicago Sun-Times gave the film a mediocre review and stated that, "Despite the film's claims to be based on fact, I didn't believe it for a moment. I did, however, enjoy it at various moments. Brosnan disappears so completely into the leading role that he hardly seems present in the movie, and the film's portrait of Victorian India is a triumph (the production was designed by the British master of period atmosphere, Tony Adams). It looks great even at its most incredible."
Janet Maslin of the New York Times thought negatively of the film, stating "The tinniness of Michael Hirst's screenplay (It's older than time and just as mysterious) hardly helps bring this material to life, any more than Mr. Brosnan's unconvincing and (despite several episodes in which he proves himself capable of violent killing) rather passive performance." Maslin then went on to say that, "In its own way, The Deceivers is oddly old-fashioned."
- Box Office Mojo, The Deceivers (1988).
- Deceivers > Overview - AllMovie.
- Meyer, Nicholas (2009). The View From the Bridge: Memories of Star Trek and a Life in Hollywood. NY: Viking. pp. 181–186. ISBN 978-0-670-02130-7.
- "The Deceivers Movie Reviews, Pictures". Rotten Tomatoes. Flixster. Retrieved 2010-08-18.
- Roger Ebert (September 23, 1988). "The Deceivers". Movie Web. Chicago Sun Times. Retrieved 2010-08-18.
- Janet Maslin (September 2, 1988). "Review/Film; Going Undercover in 1820's India". Movie Reviews, Showtimes and Trailers. The New York Times Company. Retrieved 2010-08-18.
- The Deceivers: Nicholas Meyer. The Criterion Collection. Retrieved 11 April 2012.