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The Documentary

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For other uses, see Documentary (disambiguation).
The Documentary
Studio album by The Game
Released January 18, 2005
Recorded June 2003 - October 2004
Genre West Coast hip hop, gangsta rap
Length 69:57
Producer Dr. Dre (also exec.), 50 Cent (exec.) , Just Blaze, Scott Storch, Mike Elizondo, Buckwild, Che Vicious, Cool & Dre, Danja, Eminem, Focus..., Havoc, Hi-Tek, Jeff Bhasker, Jeff Reed, Kanye West, Luis Resto, Mark Batson, Needlz, Timbaland
The Game chronology
Untold Story
The Documentary
Doctor's Advocate
Alternate cover
Special edition cover
Singles from The Documentary
  1. "Westside Story"
    Released: September 7, 2004
  2. "How We Do"
    Released: November 23, 2004
  3. "Higher"
    Released: March 7, 2005[1]
  4. "Hate It or Love It"
    Released: March 15, 2005
  5. "Dreams"
    Released: June 7, 2005
  6. "Put You on the Game"
    Released: August 30, 2005

The Documentary is the debut studio album by American rapper The Game, released on January 18, 2005, through Aftermath Entertainment, G-Unit Records and Interscope Records. After recovering from a shooting in late 2001, The Game pursued a rap career and was discovered by Dr. Dre who signed him to his Aftermath Entertainment label. The album, which is his major label debut, includes production provided by high-profile producers such as Dr. Dre, Kanye West, Scott Storch, Timbaland and more. The album features several prominent guest appearances, including 50 Cent, Eminem, Nate Dogg and Faith Evans, among others. This was The Game's only album on Aftermath and G-Unit Records. He left the label after a feud began between him and fellow G-Unit labelmate 50 Cent.

The Documentary debuted at number one on the US Billboard 200 chart, selling 586,000 units in the first week. The Recording Industry Association of America certified the album two times platinum in March 2005 and it sold over five million copies worldwide. Upon its release, The Documentary received generally positive reviews, with critics praising the album's production. Since the album's release, The Game has been credited as a driving force in reviving the West Coast hip hop scene, which had been overshadowed by artists from the East, Midwest and South.

A sequel to the album, The Documentary 2, was announced on June 16, 2014, and is set to be released on August 7, 2015, with Dr. Dre returning as executive producer, as well as Just Blaze and Scott Storch.[2]


Game was born Jayceon Terrell Taylor on November 29, 1979 in Los Angeles, California, and grew up in Compton, California in a primarily Crip gang neighborhood known as Santana Blocc,[3] although he grew up to become a member of the Bloods.[4][5] He was born into a life of gang-banging and hustling. In an October 2006 interview with MTV News correspondent Sway Calloway, Game described his family as "dysfunctional."[6] When later interviewed, Game stated that at a young age, he recalled seeing both of his parents preparing to do drive-bys. His father was a Nutty Block Crip and his mother a Hoover Crippelette. drugs and guns were all around Game growing up. At around the age of 6, Game stated that a friend of his was murdered in the neighborhood by a teenager, for his clothes and shoes.[7]

At the age of 7, Game went into foster care. In foster care he was teased by other children, he didn't go unnoticed however. Game's intelligence was acknowledged by his caretakers and he usually helped his foster brothers and sisters with their homework. Around 1989, Game met his idol, Eric Wright also known as Eazy-E founder of the rap group N.W.A, this being a defining moment in his life. Game's adolescence was one of many hardships, at 13, one of Game's older brothers, Jevon who was just 21 at the time was shot at a gas station. His brother had just received a record deal. Game stated that he felt his father played a hand in this by not being there and felt that if he had, his brother would not have been shot. Jevon died the day after Game visited him in the hospital promising that things would be better and lost time would be made up. Two years later at the age of 15, teenage Jayceon was removed from the foster care system and back into his mother's home. Lynette (Game's mother) and Game had troubles in the beginning, Game's father was not around.[7]

Game attended Compton High School and most of the students that were gang affiliated were Crips. His older half brother George Taylor III, known as Big Fase 100, attended Centennial High School and was the leader of the Cedar Block Piru Bloods, Game was beginning to follow in his brother's footsteps. But Game's natural abilities in athletics led him into a spot as point guard on the basketball team. He also ran track and did various other sports. After graduating from Compton High School in 1999 and had received many scholarship offers from various colleges,[8] Game chose to go and attended Washington State University on a basketball scholarship to play basketball. His ticket and way out was short-lived after being found with drugs in his possession. Game's scholarship was revoked, before being suspended in his first semester because of drug allegations. However, the university's athletic department refutes these claims.[9]

It was then that he started fully embracing street life and turned towards selling drugs and running with gangs.[10] At the age of 18, he began to follow his brother's footsteps. Game and his brother Big Fase had an apartment on the outskirts of Compton in Bellflower. Shortly after moving there, they quickly had a monopoly on the drug trade, that was short-lived however. On October 1, 2001 while at the apartment alone, Game heard a knock on the door at 2 a.m. Wanting to make a late night sale, he opened the door to see a regular customer. His regular however brought two others with him. He and another man fought. Reaching for his pistol, he was shot execution style by one of the assailants five times. After laying still for several minutes, Game used his cell phone and called the ambulance. Affected by his wounds, he went into a three-day coma as a result.[7]

While recovering in the hospital after being attacked in late 2001, Game told his brother to go out and buy all of the classic hip hop albums. He studied seminal hip hop albums such as Nas' 1994 debut Illmatic, Jay-Z's Reasonable Doubt, The Notorious B.I.G.'s Ready to Die, Snoop Dogg's Doggystyle, Dr. Dre's "The Chronic", Tupac Shakur's All Eyez on Me and albums by Big Daddy Kane and Ice Cube.[11][12] While Studying all the various influential rap albums in the course of five months, Game developed a strategy to become a rapper himself and with help from Big Fase, they founded The Black Wall Street Records. The label originally featured such artists as Glasses Malone, Vita, and Nu Jerzey Devil, along with The Game himself.[13] His stage name was coined by his grandmother cause he stated that she used to call him Game saying he was game for anything.[14] The Game first gained prominence in February 2002, when he attended a hip-hop summit hosted by Russell Simmons and Louis Farrakhan to participate in their freestyling event.[15] After the event (in which he demonstrated his freestyling skills), he got a record deal with the independent label, Get Low Recordz owned by JT the Bigga Figga. They flew together to San Francisco to record a demo CD, released a month later on the streets (later released as Untold Story on October 5, 2004 through Get Low Recordz) that would generate Game's first street buzz.

Soon after Dr. Dre was passed Game's demo CD and had been suitably impressed. According to Aftermath A&R Angelo Sanders in an interview with HitQuarters, when Dre then met him, "He saw the swagger in him and thought he could do something with him." Later Game was signed to Aftermath Entertainment only a week later through a joint deal with 50 Cent's G-Unit Records. Although originally signed as an artist, Interscope Records CEO Jimmy Iovine and Dr. Dre decided to have Game also work with 50 Cent and G-Unit. The arrangement was to help build a growing buzz around Game.[16][17] Since then, he made numerous cameo appearances in music videos by 50 Cent, Lloyd Banks, Young Buck, and Fabolous, first appearing on the music video of "In da Club", dancing with a girl. Game spent the next two-and-a-half years working on his debut album and being mentored by Dr. Dre.[18][19]

Not having dropped an yet album despite being signed onto Aftermath Entertainment and Interscope Records for a while, Game still created hype around just his image alone. He appeared in ads for Sean Combs's Sean John clothing company and had an endorsement deal with Boost Mobile appearing in a commercial alongside Kanye West and Ludacris. Game also appeared heavily on the mixtape circuit and guest starred on mixtapes for DJ Green Lantern, The Diplomats, and G-Unit. The first single released with Game on it was "Certified Gangstas". Game guest starred on it alongside Jim Jones and Cam'ron. Though the single wasn't considered mainstream, the buzz increased around the west coast rapper.


After The Game signed with G-Unit, he recorded nine tracks with 50 Cent in his home studio in Farmington, Connecticut. He then went back to Los Angeles and finished up the album with Dr. Dre.[20][21] Also in LA he worked with Kanye West on a song where Kanye did the chorus but the song was left on the cutting room floor.[22] The Game worked on the album with the goal of reviving the West Coast hip hop scene, which had been overshadowed in the past few years by artists from the East and South.[11] In a 2005 Vibe magazine interview, 50 Cent stated he was brought in by Interscope Records to work on the album, which he claimed was on the verge of being shelved and The Game being dropped from the label. However, in an interview with Funkmaster Flex, The Game said his status was never uncertain nor was he close to being dropped.[23] 50 Cent also claimed he wrote six of The Documentary‍ '​s eighteen tracks—"Hate It or Love It", "How We Do", "Church for Thugs", "Special", "Higher", and "Westside Story"[24]—and was not receiving proper credit for his work.[25] The Game denied the claim, saying 50 Cent helped write two songs.[26]



The Game recorded tracks based on his life experiences from his childhood to his success as a rapper. When asked about the album, he stated:

I grew up in a boys home and I was taken away from my parents when I was like 8 years old... Here I am, 24. When my album drops I will be 25 so that's 17 years I have been going through my struggle by myself. There are 17 tracks on my album and every track sheds light on a different situation I went through the last 17 years.[27]

The rapper commented on the album's perception before its release, saying, "I know everybody was expecting gang-bang, 40-ounce, low-rider music, but that's not what I gave them... I'm telling a real story, and maybe there are people out there who can relate to my experiences."[11] Rolling Stone observed that "every song has a well-massaged hook and some immediate appeal, and verses that don't waste a lot of time getting to the point."[28]


The Documentary‍ '​s big budget production from high profile hip hop producers was well received from critics.[29] The first half of the album contains "upbeat, gangsta boogie" tracks with the other half relegating "smoothed out R&B maneuvers".[30] At seven tracks, Dr. Dre co-executive produced the album with his "stripped-down cinematic" approach.[31] "Westside Story" contains an "evil sounding piano plink", "Dreams" has a "simultaneously smooth and eerie" beat, and "Hate It or Love It" unveils a "smoothed out R&B funk vibe".[30] "Higher" revolves around a pounding synth blast and "How We Do" contains syncopated hand claps[30] with a beat described as "a hypnotic blast of sinister seduction powered by a deliciously primitive 808 pattern and a slinky synth."[32] "Don't Need Your Love" samples Mary J. Blige's "Not Gon Cry" and is one the album's more soulful songs.[33] "Church for Thugs" delivers a "sing-song stylee over an accentuated sonic bed" and "Put You on the Game" is a club track containing "dark dirge[s] of synth".[30]

Although "Start from Scratch" features R&B singer Marsha Ambrosius, the beat "eschews the traditional R&B vibes" for more "aural intimidation". IGN called it "the most haunting inclusion on the album."[30] "The Documentary" features a "busy backing track" of "crashing symphonics and tinny flares of synth", which one critic believed overshadowed the lyrics.[30] "Runnin'" is a "dark, Stygian tune augmented by tinges of R&B mellowness."[30] "No More Fun and Games" has a fast-paced beat[34] that takes inspiration from early 1990s production.[35] "We Ain't", which samples Dr. Dre's "The Watcher", takes Eminem's "chug laden synth gurgle" and is described as "one of the most menacingly catchy numbers on the entire album."[30] Nate Dogg features on two "smoothed out"[30] tracks; "Special" and the g-funk-inspired "Where I'm From".[36] "Don't Worry" is an R&B flavored track and despite its "minimal production", one reviewer wrote the song "still hits hard."[33] The final track, "Like Father, Like Son", is driven by a "melodramatic, string-laden" beat.[31]


The album's title was originally "Nigga Witta Attitude Vol. 1" (a reference to N.W.A),[37] but was changed to "The Documentary" due to legal issues with an injunction filed at the request of Eazy-E's widow prevented him from using N.W.A.'s name in the album title.[27]

Release and promotion[edit]

Game (right) with Kool G Rap (left) in New York City, New York, November 2004

The album was originally set for a late 2004 release, but since other high profile albums—including Eminem's Encore—were to be released around the same time, it was pushed back to January 18, 2005.[38] On September 28, 2004 The Game released a promotional album entitled Westside Story through Aftermath Entertainment and G-Unit Records. The album was used to promote his debut studio album, The Documentary. In October 2004, The Game released his first independent album entitled Untold Story through Get Low Recordz owned by JT the Bigga Figga, The album sold over 82,000 copies within its first three months.[39] The album featured artists like Sean T, Young Noble (of the Outlawz), and JT the Bigga Figga.[40] Game also appeared on various mixtapes hosted by DJ's such as DJ Kayslay, DJ Whoo Kid, and DJ Clue?. The Game also released a second mixtape You Know What It Is Vol. 2 through his own record label and appeared on the video game NBA Live 2004 on a song produced by Fredwreck called "Can't Stop Me".[41] On November 15, 2004 The Game released a promotional Mixtape entitled Charge It to the Game: The Mixtape through Westside Records. The Mixtape was also used to promote his debut studio album.[42]


"Westside Story" was the first official single to be released from The Documentary. It features 50 Cent. The single entered the Billboard Hot 100 at number ninety-three, it charted at number 55 on the Hot R&B/Hip-Hop Songs chart, and it charted at number 29 on the Rhythmic Top 40 chart.[43] Rolling Stone described it as "a kind of L.A. version of "In Da Club" with "a simple keyboard part, a spare 808 beat and strings that manage to sound both stressed-out and catchy."[28] The Game has stated that this song is a tribute to Tupac Shakur, with a direct reference to him, saying "I got California love fuckin bitches to that Pac shit." The Game also makes references to Tupac's songs, California Love and Against All Odds. Other references include: Nate Dogg, Tha Dogg Pound (D.P.G.) and their song New York, Westside Connection, Michael Jackson and his album Thriller, DJ Pooh, Kool G Rap. There is a remix featuring Snoop Dogg singing the hook and a version with both Snoop Dogg and 50 Cent on it. The song was produced by Dr. Dre and Scott Storch.

"How We Do" was the second official single to be released from The Documentary. The song features rapper 50 Cent. The single entered the Billboard Hot 100 at number 4, for four weeks.[43] The single also charted at number 2 on the Hot R&B/Hip-Hop Songs chart, it charted at number 2 on the Hot Rap Tracks chart, it charted at number 1 on the Rhythmic Top 40, it charted at number 3 on the Hot Digital Songs, it charted at number 38 on the Latin Tropical Airplay, it charted at number 11 on the Pop 100, it charted at number 14 on the Pop 100 Airplay, also charting at number 14 on the Top 40 Mainstream, and at number 16 on the Top 40 Tracks.[43] The single attained respectable international charting. In the United Kingdom the single entered the UK Singles Chart at number 5, in Germany the single entered the German Singles Chart at number 9, in the Republic of Ireland the single entered the Irish Singles Chart at number 8, and in Australia the single entered the Australian Singles Chart at number 18. The single was an instant hit with major air play. It was also moderately successful worldwide, reaching the top twenty in most countries.[44] The music video was directed by Hype Williams". The Recording Industry Association of America certified the single gold.[45]

"Hate It or Love It" was the third official single to be released from The Documentary. The song features rapper 50 Cent. The single was the most popular single from the album. The single entered the Billboard Hot 100 at number 2, it charted at number 1 on the Hot R&B/Hip-Hop Songs chart, it charted at number 1 on the Hot Rap Tracks chart, it charted at number 6 on the Hot Digital Songs chart, it charted at number 39 on the Latin Tropical Airplay, it charted at number 9 on the Pop 100, it charted at number 13 on the Pop 100 Airplay, it charted at number 1 on the Rhythmic Top 40, and at number 16 on the Top 40 Mainstream.[43][46] The single attained respectable international charting. In the United Kingdom the single entered the UK Singles Chart at number 4, in Germany the single entered the German Singles Chart at number 14, in the Republic of Ireland the single entered the Irish Singles Chart at number 5, in Australia the single entered the Australian Singles Chart at number 23, and in Denmark the single entered the Danish Singles Chart at number 17.[47] The track uses a sample from the song "Rubber Band" performed by The Trammps on their album The Legendary Zing Album. At the 2006 Grammy Awards, it was nominated for Best Rap Performance by a Duo or Group and Best Rap Song.[48] The music video, which was directed by the Saline Project, was nominated at the 2005 MTV Video Music Awards for Best Rap Video, but lost to Ludacris' "Number One Spot". The Recording Industry Association of America certified the single gold.[45]

"Dreams" was the fourth official single to be released from The Documentary. The single entered the Billboard Hot 100 at number 32, it charted at number 12 on the Hot R&B/Hip-Hop Songs chart, it charted at number 5 on the Hot Rap Tracks chart, it charted at number 74 on the Hot Digital Songs chart, it charted at number 62 on the Pop 100, and charted at number 13 on the Rhythmic Top 40.[43] The single attained international charting. In the United Kingdom the single entered the UK Singles Chart at number 8, in Germany the single entered the German Singles Chart at number 71, in the Republic of Ireland the single entered the Irish Singles Chart at number 11, and in Australia the single entered the Australian Singles Chart at number 42. It is produced by Kanye West and features a sample of "No Money Down" by Jerry Butler. Co-Written by Jimmy "Henchmen" Rosemonds' artist, "Beloved". The song is dedicated to Yetunde Price who was shot dead in 2003.[49] One critic wrote The Game "sews together a soulful Martin Luther King Jr. type speech with the acerbic wit and hustler charm of Malcolm X."[34] Phillip Atwell directed the music video. The song is also known for having an incorrect lyric in 'I woke up from that coma 2001, about the same time Dre dropped 2001'. This references the Dr. Dre album 2001, actually released in the year 1999. The song was placed 16th on's Best Hip-Hop Songs of 2005. And had singer Mýa Harrison in the music video.

"Put You on the Game" was the fifth and final official single from The Documentary. The single was the lowest charting single from the album, reaching only ninety-six on the Hot R&B/Hip-Hop Singles & Tracks chart.[43] The single attained respectable international charting. In the United Kingdom the single entered the UK Singles Chart at number 46, and in the Republic of Ireland the single entered the Irish Singles Chart at number 22. The single was produced by Timbaland and co-produced by Danja. This was the first single released by The Game after his truce with 50 Cent fell apart and after The Game released You Know What It Is Vol. 3. As of recently a lawsuit has been filed from a Major India Record Company Saregama India, Timbaland, co-producer Nate "Danja" Hills, The Game, Interscope Records, along with a few other Production companies are being sued for using an uncleared sample from artist.[50] The music video features The Game with many appearances by his current and former Black Wall Street affiliates. The video shows various places in Los Angeles County, including downtown Los Angeles and Compton. The video shows many Los Angeles landmarks such as Staples Center, The Watts Towers, and LAX. The Game refers to a number of artists, songs and albums in "Put You on The Game", including The Chronic, N.W.A., Makaveli, The Notorious B.I.G., Public Enemy, Flavor Flav, G-Unit, 50 Cent, Dr. Dre and his song "Let Me Ride", Eve, and Snoop Dogg. During the DVD Stop Snitchin, Stop Lyin The Game watches the video for this song pausing at specific spots in the video which shows a dead man at on the ground blocked off by police tape. The Game then repeatedly states that he is wearing G-Unit sneakers, a diss at 50 Cent saying his career is dead. Damon Johnson directed the music video. Entertainment Weekly called it a "club track so crunkalicious, it's almost shocking that a California newbie — not a Ludacris — was the recipient of its deep-fried Southern charms."[51] The song was placed 44th on's Best Hip-Hop Songs of 2005.


Commercial performance[edit]

The Game is often credited as a driving force in bringing the West Coast hip hop scene back to recognition.[52][53] Before its release, he expressed his desire to have high opening week sales, saying, "I want to sell a million albums in my first week. And if I only sell one album the following week, I'm good."[11] He also admitted feeling nervous about not being able to live up to the industry expectations, saying, "Yeah, I've got some butterflies. I'm worried about my first-week numbers, and I'm worried about living up to the hype."[11] The album debuted at number one on the US Billboard 200 chart, selling 586,000 copies in the first week.[54] The Recording Industry Association of America certified the album two times platinum on March 23, 2005,[45] and it was the tenth best-selling record of the year.[55] The album has since sold over 2.5 million units in the United States.[56]

The Documentary peaked at the top fifteen in most European charts it entered. It peaked at number seven on the UK Albums Chart and remained on the chart for thirty-three weeks. It reached the top ten in the Netherlands, France, Ireland, Switzerland, and the top twenty in Belgium, Germany, and Norway.[57] The album topped the Canadian Albums Chart for three weeks[58] and on March 8, 2005, it was certified platinum with 1,000,000 units shipped.[59] It has since sold over five million copies worldwide.[60]

Critical response[edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[61]
Review scores
Source Rating
Allmusic 4/5 stars[16]
Robert Christgau C−[51]
Entertainment Weekly B+[51]
Los Angeles Times 3/4 stars[62]
The New York Times favorable[63]
Pitchfork Media 8.3/10[31]
PopMatters 8/10[34]
Rolling Stone 3/5 stars[28]
The Village Voice favorable[64]
USA Today 3.5/4 stars[65]

Upon its release, The Documentary received generally positive reviews from music critics. On Metacritic, The Documentary received an aggregate score of 72 out of 100 based on 19 reviews.[61] Pitchfork Media called it "the best West Coast street-rap album since DJ Quik's 2002 LP Under tha Influence" and described the production as "a rich, triumphant sonic tapestry".[31] Allmusic wrote the album was an "excellent debut" that "hints at a lot of potential" and observed the "most remarkable aspect of the Game is how he can be such a blatant product of gangsta rap... and leave a mark so fast."[16] Rolling Stone noted The Game was "going for emotional impact rather than dazzling wordplay or laughs"[28] and PopMatters described him as "a self-conscious, malicious, nihilistic gangsta rapper with a heart and lyrical content".[34] On the other hand, Robert Christgau believed the album was "dull even when he isn't describing his medical problems, this no-talent is masscult rock at its most brazen".[66] The A.V. Club praised the production for being "a sonic classic of slow-rolling G-funk and glossy hyper-soul", but panned The Game for his name dropping, suggesting if he "cut all the references to rappers and albums... it'd be a good 15 to 20 minutes shorter—and probably a lot more compelling."[32] Billboard declared it "one of the best rap albums of the year"[67] and Entertainment Weekly suggested "with the brightest hip-hop stars aligning for him, the Game may have willed himself a popular masterpiece."[51]

IGN criticized the large number of guest appearances, stating "the propensity of guest artists makes it hard to actually get a grasp on the rising star's own voice."[30] MusicOMH observed "like many rap albums The Documentary is too long, but it maintains a high level of interest" and overall, it was "an impressive effort" that "introduces a strong presence to the West Coast".[68] Stylus Magazine wrote "no one disappoints" and despite the record being "so obviously and deeply grounded in marketing, it’s still an outstandingly solid and enjoyable" debut.[29] The New York Times noted The Game's "tough but straightforward rhyme style is appealing but not, usually, enthralling... This is a rapper who almost never forgets himself, who almost never loses himself in syllables just for the fun of it."[63] The Village Voice criticized the rapper's lyrical skills, saying, "the Game's rhymes are about six degrees from totally artless".[64] Yahoo! Music also panned the lyrics for "almost totally lacking in shock value, humour or insight", but praised the production, writing that "musically, this is probably the greatest major label hip-hop album of recent years – a near faultless succession of hi-tech beats and ominously catchy hooks".[36]


The album appeared on numerous music critics' and publications' end-of-year albums lists. Pitchfork Media placed the album at number 35 on their list of Top 50 Albums of 2005.[69] At the 48th Annual Grammy Awards, The Game was nominated with a total of two nominations, including Grammy Award for Best Rap Song and Grammy Award for Best Rap Performance by a Duo or Group for the smash single "Hate It or Love It".[70] In 2012 Complex named the album one of the classic albums of the last decade.[71]

Track listing[edit]

No. Title Producer(s) Length
1. "Intro"   Dr. Dre, Che Vicious 0:32
2. "Westside Story" (featuring 50 Cent) Dr. Dre, Scott Storch 3:43
3. "Dreams"   Kanye West 4:46
4. "Hate It or Love It" (featuring 50 Cent) Cool & Dre, Dr. Dre (add.) 3:26
5. "Higher"   Dr. Dre, Mark Batson 4:05
6. "How We Do" (featuring 50 Cent) Dr. Dre, Mike Elizondo, Scott Storch 3:55
7. "Don't Need Your Love" (featuring Faith Evans) Havoc, Dr. Dre (add.) 4:26
8. "Church for Thugs"   Just Blaze 4:00
9. "Put You on the Game"   Timbaland, Danja (co.) 4:14
10. "Start from Scratch" (featuring Marsha Ambrosius) Dr. Dre, Scott Storch 4:07
11. "The Documentary"   Jeff Bhasker, Jeff Reed (co.) 4:11
12. "Runnin'" (featuring Tony Yayo & Dion) Hi-Tek 4:26
13. "No More Fun and Games"   Just Blaze 2:37
14. "We Ain't" (featuring Eminem) Eminem, Luis Resto (add.) 4:46
15. "Where I'm From" (featuring Nate Dogg) Focus... 3:08
16. "Special" (featuring Nate Dogg) Needlz 3:57
17. "Don't Worry" (featuring Mary J. Blige) Dr. Dre, Mike Elizondo 4:11
18. "Like Father, Like Son" (featuring Busta Rhymes) Buckwild 5:27



Credits for The Documentary adapted from Allmusic.[73]

Charts and certifications[edit]

Chart procession and succession[edit]

Preceded by
American Idiot by Green Day
Billboard 200 number-one album (first run)
January 30, 2005 - February 5, 2005
Succeeded by
Be as You Are (Songs from an Old Blue Chair) by Kenny Chesney
Preceded by
Be as You Are (Songs from an Old Blue Chair) by Kenny Chesney
Billboard 200 number-one album (second run)
February 13, 2005 – February 19, 2005
Succeeded by
Seventeen Days by 3 Doors Down
Preceded by
American Idiot by Green Day
Canadian Albums Chart number-one album
January 30, 2005 – February 19, 2005
Succeeded by
It's Time by Michael Bublé
Preceded by
Get Lifted by John Legend
Billboard Top R&B/Hip-Hop Albums number-one album
January 30, 2005 – February 26, 2005
Succeeded by
O by Omarion
Preceded by
Crunk Juice by Lil Jon and the Eastside Boyz
Billboard Rap Albums number one album
January 30, 2005 – March 12, 2005
Succeeded by
The Massacre by 50 Cent


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