The Expression of the Emotions in Man and Animals

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The Expression of the Emotions in Man and Animals
AuthorCharles Darwin
CountryUnited Kingdom
SubjectEvolutionary theory, human behaviour
PublisherJohn Murray
Publication date

The Expression of the Emotions in Man and Animals is Charles Darwin's third major work of evolutionary theory, following On the Origin of Species (1859) and The Descent of Man (1871). Initially intended as a chapter in The Descent of Man, The Expression grew in length and was published separately in 1872. This book concerns the biological aspects of emotional behavior, and Darwin explores the animal origins of such human characteristics as the lifting of the eyebrows in moments of surprise and the baring of teeth in an aggressive sneer. A German translation of The Expression appeared in 1872; Dutch and French versions followed in 1873 and 1874. Since its first publication, The Expression has never been out of print, but it has also been described as Darwin's "forgotten masterpiece"; psychologist Paul Ekman has argued that The Expression is the foundational text for modern psychology.

Before Darwin, human emotional life had posed problems to the traditional philosophical categories of mind and body.[1][2] Darwin's interest can be traced to his time as an Edinburgh medical student and the 1824 edition of Sir Charles Bell's Anatomy and Philosophy of Expression which argued for a spiritual dimension to the subject. In contrast, Darwin's biological approach links emotions to their origins in animal behaviour, and allows cultural factors only an auxiliary role in the shaping of expression. This biological emphasis leads to a concentration on six different emotional states: happiness, sadness, fear, anger, surprise and disgust. It also leads to an appreciation of the universal nature of expression, with its implication of a single origin for the entire human species; and Darwin points to the importance of emotional communication with children in their psychological development. Darwin sought out the opinions of some leading British psychiatrists, notably James Crichton-Browne, in the preparation of the book which forms his main contribution to psychology.[3]

Amongst the innovations with this book are Darwin's circulation of a questionnaire (probably inspired by his cousin, Francis Galton) during his preparatory research; simple psychology experiments [4] on the recognition of emotions with his friends and family; and (borrowing from Duchenne de Boulogne, a physician at the Salpêtrière) the use of photography in his presentation of scientific information. Publisher John Murray warned Darwin that including the photographs would "poke a hole in the profits" of the book and withheld the publication of some which are discussed in the text. Nevertheless, The Expression of the Emotions is an important landmark in the history of book illustration.

The book's development: biographical aspects[edit]

Figure 21, "Horror and Agony", from a photograph by Guillaume Duchenne de Boulogne (more images)

Background: In the weeks before Queen Victoria's coronation in 1838, Charles Darwin sought medical advice on his mysterious physical symptoms, and then travelled to Scotland for a period of rest and a "geologizing expedition" – but spent some of his time re-exploring the old haunts of his undergraduate days. On the day of the coronation, 28 June 1838, Darwin was in Edinburgh. Two weeks later (15 July 1838), he opened a private notebook for philosophical and psychological commentary – the M (metaphysics) Notebook – and, over the next three months, filled it with his thoughts about possible interactions of hereditary factors with the psychological aspects of life.[5] It should also be noted that Darwin made his first attempt at autobiography in August 1838.[6]

The critical importance of the M Notebook lies in its timing in relation to Darwin's conception of 'natural selection' , which he fully grasped towards the end of September 1838 as he encountered the sixth edition of Thomas Malthus' Essay on Population (1826).[7][8][9] The M Notebook (strangely silent about Malthus and his Essay on Population which are discussed in Notebooks D and N) has a tentative and fragmented quality, especially in Darwin's descriptions of conversation with his father (a successful doctor with a special interest in psychiatric problems) about recurring patterns of behavior in successive generations of his patients' families.[10] Darwin was anxious about the materialistic drift in his thinking – and of the suspicions which this could arouse in early Victorian England – at the time, he was mentally preparing for marriage with his cousin Emma Wedgwood who held firm Christian beliefs. On 21 September 1838, the M Notebook discloses a confused and disturbing dream in which Darwin found himself involved in a public execution where the corpse came to life and joked about not running away and facing death like a hero.[11] In summary: Darwin assembled the central features of his evolutionary theory as he was developing an appreciation of human behavior and family life – and he was in some emotional turmoil. A detailed discussion of the significance of the M Notebook can be found in Paul H. Barrett's Metaphysics, Materialism and the Evolution of Mind – Early Writings of Charles Darwin (1980).[5]

Mr Browne then read his paper on organization as connected with Life and Mind... that Mind, as far as one individual sense and consciousness is concerned, is material...

— Plinian Society, the deleted minutes, 27 March 1827.

Mental dispositions are determined by the size and constitution of the brain... and these are transmitted by hereditary descent.

— George Combe, (1828) The Constitution of Man, page 101.

To avoid stating how far I believe in Materialism, say only that emotions, instincts, degrees of talent, which are hereditary are so because brain of child resembles parent stock – (and phrenologists state that brain alters)....

— Charles Darwin, (July 1838) The M Notebook

Development of the Text 1866–1872: Very little of Darwin's emotional turmoil surfaced in On the Origin of Species in 1859, although Chapter 7 contains a mildly expressed argument on instinctive behaviour.[12] In the public management of his evolutionary theory, Darwin understood that its relevance to human emotional life could draw a hostile response. Nevertheless, while preparing the text of The Variation of Animals and Plants Under Domestication in 1866, Darwin took the decision to publish a book on human ancestry, sexual selection and emotional life. After his initial correspondence with the psychiatrist James Crichton-Browne,[13] Darwin set aside his material concerning emotional expression in order to complete The Descent of Man, which covered human ancestry and sexual selection. He finished work on The Descent of Man on 15 January 1871. Two days later, he started on The Expression of the Emotions and, working quickly, completed most of the text within four months; progress then slowed because of work required on the sixth (and final) edition of The Origin of Species and an attack from St George Jackson Mivart. However, on 22 August 1872, he finished work on the proofs. In this book, Darwin brings his evolutionary theory into close approximation with behavioural science, although many Darwin scholars have remarked on a kind of spectral Lamarckism haunting the text of the Emotions.[14]

Universal Nature of Expression: Darwin notes the universal nature of expressions in the book, writing: "the young and the old of widely different races, both with man and animals, express the same state of mind by the same movements."

This connection of mental states to the neurological organization of movement (as the words motive and emotion suggest) is central to Darwin's understanding of emotion. Darwin himself displayed many biographical links between his psychological life and locomotion, taking long, solitary walks around Shrewsbury after his mother's death in 1817, in his seashore rambles near Edinburgh with the Lamarckian evolutionist Robert Edmond Grant in 1826/1827,[15][16][17] and in the laying out of the sandwalk, his "thinking path", at Down House in Kent in 1846.[18] These aspects of Darwin's personal life are discussed in John Bowlby's (1990) psychoanalytic biography of Darwin.[19]

Darwin emphasises a shared human and animal ancestry in sharp contrast to the arguments deployed in Charles Bell's Anatomy and Philosophy of Expression (1824).[20][21] Bell claimed that the facial muscles were designed to express uniquely human feelings. Eager to stress the distinctions between human and animal communication, Bell wrote: "Expression is to the passions as language is to thought." In The Expression, Darwin reformulates the issues at play, writing: "The force of language is much aided by the expressive movements of the face and body" - hinting at a neurological intimacy of language with psychomotor function (body language),[22] and underscoring the social value of expression.

Darwin's Sources on Emotional Expression: Darwin had attended a debate about emotional expression at the Plinian Society in December 1826 when he was a medical student at Edinburgh University. This had been prompted by the publication of Sir Charles Bell's Anatomy and Philosophy of Expression; and in his presentation, the phrenologist William A.F. Browne (in a spirited account of Robert Grant's Lamarckist evolutionism) ridiculed Bell's theological explanations, pointing instead to the striking similarities of human and animal biology. The meeting then ended in uproar. Forty-five years later, Darwin revisits these arguments and recruits Duchenne's (1862) unmasking of the facial mechanisms, shifting the argument from philosophical speculation to scientific discourse and highlighting the social value of facial expression over vocalisations, tears and posture. Darwin's response to Bell's natural theology is discussed by Lucy Hartley (2001).[23]

In the composition of the book, Darwin drew on worldwide responses to his questionnaire (circulated in the early months of 1867) concerning emotional expression in different ethnic groups; on anthropological memories from his time on HMS Beagle; on conversations with livestock breeders and pigeon fanciers; on observations on his infant son William Erasmus Darwin ("A Biographical Sketch of an Infant" – published in 1877 in the philosophical journal Mind), on his family's dogs and cats, and on the orangutans at London Zoo; on simple psychology experiments with members of his family concerning the recognition of emotional expression; on the neurological insights of Duchenne de Boulogne, a physician at the Salpêtrière asylum in Paris; on hundreds of photographs of actors, babies and children; and on descriptions of psychiatric patients in the West Riding Pauper Lunatic Asylum at Wakefield in West Yorkshire. Darwin corresponded intensively with James Crichton-Browne, the son of the phrenologist William A. F. Browne and now the medical director of the Wakefield asylum.[24] At the time, Crichton-Browne was publishing his extremely influential West Riding Lunatic Asylum Medical Reports, and Darwin suggested to him that The Expression "should be called by Darwin and Browne ? " Darwin also drew on his personal experience of the symptoms of bereavement and studied the text of Henry Maudsley's 1870 Gulstonian lectures on Body and Mind.[25]

Darwin considered other approaches to the study of emotions, including their depiction in the arts – discussed by the actor Henry Siddons in his Practical Illustrations of Rhetorical Gesture and Action (1807) and by the anatomist Robert Knox in his Manual of Artistic Anatomy (1852) – but abandoned them as unreliable, although Shakespearean quotations are scattered through the text. It is notable also that Darwin does not include a discussion of deception in his psychology of emotional expression.

Illustration of grief from The Expression of the Emotions in Man and Animals


Darwin opens the book with three chapters on "the general principles of expression", introducing the rather Lamarckist phrase serviceable associated habits. With this phrase, Darwin seeks to describe the initially voluntary actions which come together to constitute the complex expressions of emotion. He then invokes a principle of antithesis, through which opposite states of mind induce directly opposing movements. Finally, he discusses a direct action of the nervous system, in which an overflow of emotion is widely discharged, producing more generalised emotional expression.

This is followed by a section (three more chapters) on modes of emotional expression peculiar to particular species, including man. He then moves on to the main argument with his characteristic approach of astonishingly widespread and detailed observations. Chapter 7 discusses "low spirits", including anxiety, grief, dejection and despair; and the contrasting Chapter 8 "high spirits" with joy, love, tender feelings and devotion. In his discussion of "low spirits", Darwin writes: "After the mind has suffered an acute paroxysm of grief, and the cause still continues, we fall into a state of low spirits, or we may be utterly cast down and dejected. Prolonged bodily pain, if not amounting to an agony, generally leads to the same state of mind. If we expect to suffer, we are anxious; if we have no hope of relief, we despair." High spirits, exemplified by joy, find their purest expression in laughter, an aspect of happy play in children.

Subsequent chapters include considerations of "reflection and meditation" (associated with "ill-temper", sulkiness and determination), Chapter 10 on hatred and anger, Chapter 11 on "disdain, contempt, disgust, guilt, pride, helplessness, patience and affirmation" and Chapter 12 on "surprise, astonishment, fear and horror". In his discussion of the emotion of disgust, Darwin notes its close links to the sense of smell, and conjectures an association with excretory products. In Chapter 13, Darwin discusses complex emotional states including self-attention, shame, shyness, modesty and blushing. Darwin describes blushing as "the most peculiar and most human of the expressions".

Darwin closes the book with Chapter 14 in which he recapitulates his main argument: he shows how human emotions link mental states with bodily movement, and are genetically determined, deriving from purposeful animal actions. He comments on the implications of the book: a single origin for the entire human species, with universal human expressions; and he stresses the social value of expression, citing the emotional communication between mother and child. This is thinking far ahead of its time, when not even the biochemical nature of heredity was known, to arrange complex phenotypes such as human ethology on genetic pillars.


Figure 19: "From a photograph of an insane woman, to show the condition of her hair".

This was one of the first books to be illustrated with photographs – with seven heliotype plates[26] – and the publisher John Murray warned that this "would poke a [terrible] hole in the profits".[27]

The published book assembled illustrations rather like a Victorian family album, with engravings of the Darwin family's domestic pets by the zoological illustrator T. W. Wood as well as work by the artists Briton Rivière, Joseph Wolf and A.D. May. It also included portraits by the Swedish photographer Oscar Rejlander (1813–1875), anatomical diagrams by Sir Charles Bell (1774–1842) and Friedrich Henle (1809–1885), as well as illustrational quotations from the Mécanisme de la physionomie humaine (1862) by the French neurologist Duchenne de Boulogne (1806–1875).[28] As a result of his domestic psychology experiments, Darwin reduced the number of commonly observed emotions from Duchenne's calculation of more than sixty facial expressions, to just six "core" expressions: anger, fear, surprise, disgust, happiness and sadness.

Darwin received dozens of photographs of psychiatric patients from James Crichton-Browne, but included in the book only one engraving (photoengraved by James Davis Cooper) based on these illustrations – sent on 6 June 1870 (along with Darwin's copy of Duchenne's Mécanisme) (Darwin Correspondence Project: Letter 7220). This was Figure 19, p. 296 – and showed a patient (Crichton-Browne reported) under the care of Dr James Gilchrist at the Southern Counties Asylum (of Scotland), the public wing of the Crichton Royal in Dumfries.

I have been making immense use almost every day of your manuscript – the book ought to be called by Darwin and Browne ?

— Charles Darwin to James Crichton Browne



The review in the January 1873 Quarterly Journal of Science concluded that "although some parts are a little tedious, from the amount of minute detail required, there is throughout so much of acute observation and amusing anecdote as to render it perhaps more attractive to general readers than any of Mr. Darwin's previous work".[29]


Eric Korn, in the London Review of Books, describes how the book was claimed, and he argues subverted, by Margaret Mead and her "sympathisers", and then presented afresh by Paul Ekman. Ekman had collected pro-Darwin, anti-Mead evidence, Korn wrote, for the universality of human facial expression of emotions. Darwin, suggests Korn, avoided unsettling the Victorian public by arguing that humans had "animal traits", and instead charmed them by telling stories of "human traits in animals", thus avoiding too much explicit talk of natural selection at work. Darwin preferred to leave the evolutionary implications hanging. Korn points out that the book has never been out of print since 1872, calling into question Ekman's talk of "Darwin's lost masterpiece".[30]

The "Editor's notes" at the "Mead Project source page" on the book comment that

Darwin's book ... is among the most enduring contributions from 19th century psychology. The ideas expressed in its pages have persisted, for better or worse, down through the present, in one form or another. Although premised on an unsupportable interpretation of the nature of "expression," it is this idea that permeates the majority of work on emotional experience within psychology... Dewey's critique of Darwin's principles provides no small part of the foundations on which functionalist psychology is built. Similarly, the work plays a very large part in George Herbert Mead's discussion of the formation of significant symbols, as outlined in the early chapters of Mind, Self and Society. As Dewey notes, the arguments presented by Darwin may be wrong, but they are compelling.[31]


Darwin concluded work on the book with a sense of relief. The proofs, tackled by his daughter Henrietta ("Ettie") and son Leo, required a major revision which made Darwin "sick of the subject and myself, and the world".[32]

The Expression was published by John Murray on 26 November 1872. It quickly sold around 7,000 copies and was widely praised as a charming and accessible introduction to Darwin's evolutionary theories.[33]

A revised edition was published by Darwin's son in 1890, without several revisions suggested by Darwin; these were not published until the 1999 edition (edited by Paul Ekman).[34]


Figure 4: "A small dog watching a cat on a table", made from a photograph by Oscar Gustave Rejlander

Published as a sequel to The Descent of Man, The Expression was assured of a wide readership in mid-Victorian England. However, the early death of George Romanes (1848–1894) robbed Darwin of a powerful advocate in the field of comparative psychology and his impact on academic psychology was muted, partly because of Wilhelm Wundt's dimensional approach to the emotions and the widespread influence of the behaviorist school during the twentieth century.

The generous style of biological illustration[35] continued in work on animal locomotion by photographer Eadweard Muybridge (1830–1904)[36][37] (leading to cinematography), and by the Scottish naturalist James Bell Pettigrew[38][39] (1832–1908); in the extensively (and controversially) illustrated works of the evolutionary biologist Ernst Haeckel; and – to a lesser extent – in D'Arcy Thompson's On Growth and Form (1917).[40]

Darwin's ideas were followed up in William James' What Is An Emotion? (1884); and, in the James-Lange theory of emotions, James develops Darwin's emphasis on the physical aspects, including the visceral (autonomically mediated) components of emotion. In Walter Cannon's Bodily Changes in Pain, Hunger, Fear and Rage (1915),[41] Cannon introduces the famous phrase fight or flight response, formulating emotions in terms of strategies for interpersonal behaviour and amplified in groups or crowds (herd behavior). More recent psychological theories of emotion have been set out in the Papez-Maclean hypothesis, the Two factor theory of emotion (Schachter and Singer) and the Theory of constructed emotion.[42]

On 24 January 1895, James Crichton-Browne delivered a notable lecture in Dumfries, Scotland On Emotional Expression, presenting some of his reservations about Darwin's views.[43] Crichton-Browne argued for a greater role for the higher cortical centres in the regulation of the emotional response, and touches on the theme of gender differences in emotional expression, anticipating the approach of sociologist Norbert Elias in The Civilizing Process. In 1905, Sir Arthur Mitchell, a psychiatrist who had served as William A.F. Browne's deputy in the Scottish Lunacy Commission, published About Dreaming, Laughing and Blushing,[44] linking some of Darwin's concerns with those of psychoanalysis.

George Herbert was wrong when he said that man was all symmetry; it was woman to whom that remark applied....evolution is still going on, and the faces of men and women still altering, for the better, every day. The emotions are less violently expressed....our ancestors gave vent to their feelings in a way that we would be ashamed of, and their range of feeling seems to have been in some degree more limited. The language of the countenance, like that of the tongue, has been enriched in the process of the suns....

— James Crichton-Browne, On Emotional Expression, being The Presidential Address, Dumfriesshire and Galloway Natural History and Antiquarian Society (Thursday, 24 January 1895)

All these sensations and innervations belong to the field of The Expression of the Emotions, which, as Darwin (1872) has taught us, consists of actions which originally had a meaning and served a purpose. These may now for the most part have become so much weakened that the expression of them in words seems to us to be only a figurative picture of them, whereas in all probability the description was once meant literally; and hysteria is right in restoring the original meaning of the words....

— Josef Breuer and Sigmund Freud, Studies on Hysteria (1895)

Freud's early publications on the symptoms of hysteria (with his influential concept of unconscious emotional conflict) acknowledged debts to Darwin's work on emotional expression[45] and Darwin's impact on psychoanalysis is discussed in detail by Lucille Ritvo.[46] John Bowlby makes extensive reference to Darwin's ideas in his presentations of attachment theory. Constitutional (psychosomatic) theories of personality were elaborated by neurologist Paul Schilder[47] (1886–1940) with his notion of the body image, by the psychiatrist Ernst Kretschmer and in the (now largely discredited) somato-typology of W H Sheldon (1898–1977). The biological aspects of the human emotions were further explored by Desmond Morris in his (richly illustrated) popular scientific book Manwatching,[48] and recent research has confirmed that while cultural factors are critical in the determination of gesture, genetic factors are crucial to the formation of facial expression. In 2003, the New York Academy of Sciences published Emotions Inside Out: 130 Years after Darwin's The Expression of the Emotions in Man and Animals, a collection of 37 papers (edited by Paul Ekman) with recent research on the subject.

See also[edit]


  1. ^ see, for example, Sartre, Jean-Paul (1971) Sketch for a Theory of the Emotions (with a Preface by Mary Warnock) London: Methuen & Co., originally published (1939) as Esquisse d'une théorie des émotions.[ISBN missing][page needed]
  2. ^ Young, Robert M. (1970) Mind, Brain and Adaptation in the Nineteenth Century Oxford: Clarendon Press; reprinted (1990) in History of Neuroscience Series New York: OUP[ISBN missing][page needed]
  3. ^ Darwin Charles, Ekman Paul, Prodger Phillip (1998) The Expression of the Emotions in Man and Animals, 3rd edn, London: Harper Collins.[ISBN missing][page needed]
  4. ^ Snyder, Peter J. et al (2010) Charles Darwin's Emotional Expression "Experiment" and His Contribution to Modern Neuropharmacology Journal of the History of Neurosciences, 19:2, pp. 158–70
  5. ^ a b Barrett 1980
  6. ^ Darwin, Charles (2002) Autobiographies, edited by Michael Neve and Sharon Messenger, and introduced by Michael Neve. London: Penguin Classics. In his Introduction (pp. ix–xxiii), Neve makes a detailed survey of this complex area of Darwin's psychological life.
  7. ^ Barrett 1980, p. xviii
  8. ^ Ospovat, Dov (1981) The Development of Darwin's Theory Cambridge: Cambridge University Press
  9. ^ Mayr, Ernst (1991) One Long Argument: Charles Darwin and the genesis of modern evolutionary thought Cambridge, Mass: Harvard University Press
  10. ^ Barrett 1980, pp. 6–37
  11. ^ Browne, E. Janet (1995) Charles Darwin: Voyaging, London: Jonathan Cape, pp. 383–84.
  12. ^ Barrett 1980, p. xix
  13. ^ Pearn, Alison M. (2010) "This Excellent Observer..." : the Correspondence between Charles Darwin and James Crichton-Browne, 1869–75, History of Psychiatry, 21, 160–75
  14. ^ see, for example, Paul Ekman's textual commentary in Darwin, Ekman, Prodger (1998) The Expression of the Emotions, 3rd edition, London: HarperCollins, pp. 45, 54; and see also "Introduction" by Steven Pinker (2008) The Expression of the Emotions London: The Folio Society, pp. xix–xxii.
  15. ^ Desmond, Adrian (1982) Archetypes and Ancestors: Palaeontology in Victorian London 1850–1875 Chicago: University of Chicago Press, pp. 116–21
  16. ^ Desmond, Adrian (1989) The Politics of Evolution: Morphology, Medicine and Reform in Radical London Chicago: University of Chicago Press
  17. ^ Stott, Rebecca (2003) Darwin and the Barnacle London: Faber and Faber
  18. ^ Boulter, Michael (2006) Darwin's Garden: Down House and the Origin of Species London: Constable
  19. ^ Bowlby, John (1990) Charles Darwin, A Biography London: Hutchinson.
  20. ^ Bell, Charles (1806) Essays on the Anatomy of Expression in Painting London:
  21. ^ Bell, Charles (1824) Essays on the Anatomy and Philosophy of Expression London: John Murray
  22. ^ Bowlby, pp. 6–14
  23. ^ Hartley, Lucy (2001) Physiognomy and the Meaning of Expression in Nineteenth Century Culture Cambridge University Press; see especially chapter 5: Universal expressions: Darwin and the naturalisation of expression, pp. 142 - 179.
  24. ^ Walmsley, Tom (1993) Psychiatry in descent: Darwin and the Brownes, Psychiatric Bulletin, 17, 748–51
  25. ^ Maudsley, Henry (1870) Body And Mind: The Gulstonian Lectures for 1870 London: Macmillan and Co.
  26. ^ Phillip Prodger Curator of Photography Peabody Essex Museum (2009). Darwin's Camera : Art and Photography in the Theory of Evolution. Oxford University Press. pp. 109–. ISBN 978-0-19-972230-3. Retrieved 4 August 2013. Heliotype was a new photomechanical method of reproduction invented by the photographer Ernest Edwards (1837–1903), for whom Darwin had sat for a portrait in 1868. Although he had no experience in photographic publishing, Darwin suggested this new technique to John Murray. ... heliotype reduced the cost of production considerably, enabling Darwin to afford the unprecedented number of photographs appearing in Expression.
  27. ^ Charles Darwin (1998). The Expression of the Emotions in Man and Animals. Oxford University Press. pp. 401–. ISBN 978-0-19-977197-4. Retrieved 4 August 2013. Darwin's English publisher, John Murray, was at first opposed to the idea of using photographs to illustrate the book. He advised Darwin that the inclusion of photographs would make Expression a money-losing proposition
  28. ^ Duchenne (de Boulogne), G.-B., (1990) The Mechanism of Human Facial Expression by Guillaume-Benjamin (Amand) Duchenne de Boulogne edited and translated by R. Andrew Cuthbertson, Cambridge University Press and Paris: Éditions de la Maison des Sciences de L'Homme, originally published (1862) Paris: Éditions Jules Renouard, Libraire
  29. ^ Anon (January 1873). "Darwin's 'The Expression of the Emotions in Man and Animals'". Quarterly Journal of Science: 113–18.
  30. ^ Korn, Eric (November 1998). "How far down the dusky bosom?". London Review of Books. 20 (23): 23–24.
  31. ^ c/o Ward, Lloyd Gordon (2007). "A Mead Project Source Page: The Expression of the Emotions in Man and Animal". The Mead Project, Brock University, Ontario, Canada. Retrieved 3 April 2013.
  32. ^ Frederick Burkhardt; Sydney Smith; David Kohn; William Montgomery (1994). A Calendar of the Correspondence of Charles Darwin, 1821–1882. Cambridge University Press. pp. 366–. ISBN 978-0-521-43423-2. To [Leonard Darwin] 29 July [1872] [Down] CD cannot improve style [of Expression] without great changes. 'I am sick of the subject, and myself, and the world'.
  33. ^ Keith Francis (2007). Charles Darwin and The Origin of Species. Greenwood Publishing Group. pp. 20–. ISBN 978-0-313-31748-4. 1872 19 February: Sixth edition of The Origin of Species is published (3,000 copies printed). [63] 26 November: The Expression of the Emotions in Man and Animals is published (7,000 copies printed; 5,267 sold). 1874 Second edition of The ...
  34. ^ Black, J (June 2002), "Darwin in the world of emotions" (Free full text), Journal of the Royal Society of Medicine, 95 (6): 311–13, doi:10.1177/014107680209500617, ISSN 0141-0768, PMC 1279921, PMID 12042386
  35. ^ Prodger, Phillip (2009) Darwin's Camera: Art and Photography in the Theory of Evolution Oxford University Press
  36. ^ Muybridge, Eadweard (1984) The Male and Female Figure in Motion: 60 classic photographic sequences New York: Dover Publications
  37. ^ Prodger, Phillip (2003) Time Stands Still: Muybridge and the instantaneous photography movement The Iris and B. Gerald Cantor Center for the Visual Arts, Stanford University, in association with Oxford University Press
  38. ^ Pettigrew, James Bell (1874) Animal Locomotion, or, Walking, Swimming and Flying, with a dissertation on Aeronautics New York: D. Appleton and Co.
  39. ^ Pettigrew, James Bell (1908) Design in Nature, 3 vols, London: Longman
  40. ^ Smith, Jonathan (2006) Charles Darwin and Victorian Visual Culture Cambridge University Press, especially pp. 179–243
  41. ^ Cannon, Walter B. (1915) Bodily Changes in Pain, Hunger, Fear and Rage – An Account of Recent Researches into the Function of Emotional Excitement New York: D. Appleton and Co.
  42. ^ Barrett, Lisa Feldman (2017) How Emotions Are Made: The Secret Life of The Brain New York: Houghton, Mifflin, Harcourt and London: Macmillan
  43. ^ [Crichton-Browne, James] (1895) Conversazione, – and the Presidential Address – "On Emotional Expression", Transactions and the Journal of Proceedings of the Dumfriesshire and Galloway Natural History and Antiquarian Society, Series II, 11, pp. 72–77, Dumfries: The Courier and Herald Offices
  44. ^ Mitchell, Sir Arthur (1905) About Dreaming, Laughing and Blushing Edinburgh and London: William Green and Sons. Mitchell (pp. 153–157) provides a useful bibliography on emotional expression at the dawn of the twentieth century.
  45. ^ Sulloway, Frank J. (1979) Freud, Biologist of the Mind: Beyond the Psychoanalytic Legend London: Burnett Books/Andre Deutsch
  46. ^ Ritvo, Lucille B. (1990) Darwin's Influence on Freud: A Tale of Two Sciences New Haven and London: Yale University Press
  47. ^ Schilder, Paul (1950) The Image and Appearance of the Human Body: Studies in the Constructive Energies of the Psyche New York: International Universities Press
  48. ^ Morris, Desmond (1978) Manwatching: A Field Guide To Human Behaviour London: Triad Panther.


  • Barrett, Paul (1980), Metaphysics, Materialism, & the Evolution of Mind: the early writings of Charles Darwin, Chicago: University of Chicago Press, ISBN 0-226-13659-0, Early writings of Charles Darwin. With a commentary by Howard E. Gruber

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