The Feeding of the 5000 (album)
|The Feeding of the 5000|
|Studio album by|
|Recorded||29 October 1978|
|Studio||Southern Studios |
(London, United Kingdom)
Cover of the remastered 'Crassical Collection' rerelease
The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. The album also saw the introduction of Crass's policy of ensuring cheap prices for their records. This album is considered one of the first punk albums to expound serious anarchist philosophies.
The record was made when Pete Stennett, owner of Small Wonder Records, heard a demo that the band had recorded. Impressed by all of the material, he decided that rather than release a conventional single by the band, he would put all of their set onto an 18-track 12" EP. However, problems were encountered when workers at the Irish pressing plant contracted to manufacture the record refused to handle it due to the allegedly blasphemous content of the track "Reality Asylum" (referred to as "Asylum" on the record sleeve). The record was eventually released with this track removed and replaced by two minutes of silence, retitled "The Sound of Free Speech". This incident also prompted Crass to set up their own record label in order to retain full editorial control over their material, and "Reality Asylum" was issued shortly afterwards in a re-recorded and extended form as a 7" single. A later repress of The Feeding of The 5000 (subtitled The Second Sitting) released on Crass records in 1980 restored the missing track.
Crass helped reinitiate the influence of the Campaign for Nuclear Disarmament and the wider peace campaign in the UK with the songs like "They've Got a Bomb", "Fight War Not Wars" and the adoption of the CND Symbol at their live concerts.
"They've got a Bomb" also has a period of silence within it, inspired by John Cage's "4'33"". The band have acknowledged the influence of Cage, and said that the idea of the space in the song, when performed live, was to suddenly stop the energy, dancing and noise and allow the audience to momentarily "confront themselves" and consider the reality of nuclear war.
"The feeding of the five thousand" is a well-known phrase in Christian tradition, being the name of a Biblical miracle in which a small amount of food is said to have fed 5,000 people. According to the band's drummer and spokesperson, Penny Rimbaud, "We named the album The Feeding of The Five Thousand because 5,000 was the minimum number that we could get pressed and some 4900 more than we thought we'd sell. Feeding is now only a few hundred short of going golden, though I don't suppose we'll hear too much about that in the music press".
On 16 August 2010, The Feeding of the 5000 was rereleased as the first volume of The Crassical Collection. As well as being digitally remastered from the original analogue studio tapes, the release also contains additional artwork by Gee Vaucher, bonus material and a 64-page booklet of lyrics and liner notes by Rimbaud and Steve Ignorant.
|2.||"Do They Owe Us a Living?"||1:24|
|4.||"They've Got a Bomb"||3:48|
|5.||"Punk is Dead"||1:48|
|6.||"Reject of Society"||1:08|
|8.||"Banned from the Roxy"||2:14|
|10.||"Fight War, Not Wars"||0:42|
|16.||"What a Shame"||1:11|
|The Crassical Collection edition bonus tracks|
|19.||"Do They Owe Us a Living?"||Ignorant and Rimbaud live at the Dial House, 1977 as Stormtrooper||5:43|
|20.||"Blackburn Rovers" (thread track)||Ignorant and Rimbaud live at the Dial House, 1977 as Stormtrooper||0:57|
|21.||"Heartbeat of the Mortuary"||Crass in Soho, 27 August 1977||1:45|
|22.||"Do They Owe Us a Living?"||Crass in Soho, 27 August 1977||2:17|
|23.||"Demolition"||Crass in Soho, 27 August 1977||1:55|
|24.||"I Don't Like It"||Crass in Soho, 27 August 1977||5:03|
|25.||"Pissedorf" (thread track)||Crass in Soho, 27 August 1977||1:05|
|26.||"End Result" (demo)||Southern Studios, February 1978||2:48|
|27.||"G's Song" (demo)||Southern Studios, February 1978||0:42|
|28.||"General Barcardi" (demo)||Southern Studios, February 1978||1:08|
|29.||"Securicor" (demo)||Southern Studios, February 1978||1:55|
|30.||"Angela Rippon" (demo)||Southern Studios, February 1978||1:04|
|31.||"Major General Despair" (demo)||Southern Studios, February 1978||1:20|
|32.||"Do They Owe Us a Living?" (demo)||Southern Studios, February 1978||1:45|
|33.||"Punk is Dead" (demo)||Southern Studios, February 1978||4:34|
|34.||"Come to Southern Studios" (run out track)||Southern Studios, February 1978||0:20|
- Crass - producer
- Steve Ignorant - vocals
- Joy De Vivre - voice on track 11.
- Eve Libertine - voice on track 1.
- Phil Free - lead guitar, backing vocals
- N.A.Palmer - rhythm guitar, backing vocals
- Pete Wright - bass guitar, backing vocals, lead vocals on tracks 12, 13, 14.
- Penny Rimbaud - drums, radio
- John Loder - engineer
- G (Gee Vaucher) - artwork
- Allmusic review
- Glasper, Ian (2007). The Day the Country Died: A History of Anarcho Punk 1980 to 1984. Cherry Red Books. p. 36. ISBN 1901447707.
- Berger, George (2008). The Story of Crass. Omnibus Press. pp. 127–130. ISBN 978-1-60486-037-5.
- Dines, Mike. "No Sir, I Won't: Reconsidering the Legacy of Crass and Anarcho-punk". Academia.edu. Retrieved 29 May 2013.
- Berger, George (2008). The Story of Crass. Omnibus Press. pp. 131–132. ISBN 978-1-60486-037-5.
- Rimbaud, Penny, In Which Crass Voluntarily Blow Their Own...(1986) ". . . in which Crass voluntarily blow their own". Southern Records. Archived from the original on 13 February 2006. Retrieved 17 November 2018.
- "The Feeding Of The Five Thousand on Crassical Collection | Transmissions from Southern". Blog.southern.com. 16 August 2010. Retrieved 17 October 2015.
- "Why should we accept any less than a better way of doing things?". The Guardian. Retrieved 17 June 2015.