The Field Where I Died

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"The Field Where I Died"
The X-Files episode
The Field Where I Died
Fox Mulder looks at pictures of his past life. The photographs were created by combining different public domain photographs with computer effects.
Episode no. Season 4
Episode 5
Directed by Rob Bowman
Written by Glen Morgan
James Wong
Production code 4X05
Original air date November 3, 1996
Running time 44 minutes
Guest actors
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List of The X-Files episodes

"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996 on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.

The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In this episode, Mulder's search for an informant inside a cult compound leads him and Scully to one of the cult leader's wives. What they soon discover is an unexpectedly close connection with the woman involving reincarnation. Scully discovers that spirits inhabit living beings in order to tell their stories. After Mulder's regression scene, he details all of his past lives.

Morgan and Wong wrote the episode specifically for Kristen Cloke, who had previously been the protagonist of their science fiction series Space: Above and Beyond. The two also wanted to write an episode to challenge Duchovny as an actor. The installment was also inspired by Ken Burns' eponymous Civil War documentary. "The Field Where I Died" received mixed to positive reviews from television critics, with many praising the episode's exploration of loss and grief as well as Cloke's acting. Others, however, felt that the entry was bogged down by Duchovny's performance and the entry's over-use of emotion.

Plot[edit]

In Apison, Tennessee, authorities receive a tip from someone named Sidney alleging child abuse and weapons possession by a local cult called the Temple of the Seven Stars. The FBI and BATF stage a raid on the Temple's compound, but are unable to find its leader, Vernon Ephesian (Michael Massee). Agent Fox Mulder (David Duchovny) experiences déjà vu and walks into a field on the compound, where he finds a trapdoor. Inside, Mulder and Agent Dana Scully (Gillian Anderson) find Ephesian preparing to drink a red liquid with his six wives. Mulder stops them and handcuffs Ephesian, but he feels a strange connection to one of the wives, Melissa Riedal-Ephesian (Kristen Cloke).

Walter Skinner (Mitch Pileggi) warns the FBI and BATF that Ephesian and his wives will be released in a day unless they can track down Sidney and the Temple's reported weapons cache. The agents question Ephesian, who states that there is no member of the temple named Sidney. When they interview Melissa, she suddenly begins to talk like Sidney, claiming that Harry Truman is president. Scully believes Melissa is exhibiting multiple personality disorder, but Mulder thinks she is recalling a past life. The agents take her back to the temple, where she takes on the personality of a woman from the Civil War period and says that the weapons were hidden in another secret bunker in the field. She also states that Mulder, in a past life, was in the field with her, and she watched him die.

Mulder has Melissa undergo regression hypnosis for her to recount her past lives. She implies that she and Mulder have met over their past lives, but only in passing. To confirm her events, Mulder has himself hypnotized and recalls a time when he was a Jewish woman with a son, who had the same soul as his sister Samantha; his deceased father, who was Scully, is dead, was taken to a Nazi concentration camp by a Gestapo officer who was The Smoking Man. Mulder also recalls his past life from the Civil War, when he was a man named Sullivan Biddle, while Melissa was Sarah Kavanaugh; Scully, Mulder claims, was his sergeant in the Union Army. Scully finds pictures of Biddle and Kavanaugh in the county's hall of records and gives them to Mulder.

The FBI and BATF plan to make another search of the compound. Ephesian, realizing that he will not survive another siege, passes out poison to the cult members and all but he and Melissa die, Melissa having feigned drinking it. As Mulder rushes into the temple, Ephesian forces Melissa to drink the poison, and when Mulder arrives he finds both of them dead. Mulder caresses Melissa, looking out into the field.[1]

Production[edit]

The penultimate scene has been compared to the Waco siege.

Writers Glen Morgan and James Wong developed the episode specially for Kristen Cloke, both for her experience as the protagonist of their series Space: Above and Beyond, to translate Morgan's feelings as his friendship with Cloke became an emotional relationship, and for showcasing her acting. Morgan stated, "I knew she did a lot of characters and voices, so I wanted to incorporate that ... I wanted to write something for her that challenged her".[2] Cloke did research on multiple personality disorders before filming, and based the various personalities on people she knew.[3] Morgan also stated that he "wanted to write something for David Duchovny that challenged him." When pitching the idea to director Rob Bowman, the writers stated they wanted "this episode to feel like the part in Ken Burns' Civil War documentary where they read the Sullivan Ballou letter."[2] Michael Massee wanted his characterization of Ephesian to be "normal looking" and "nondemonic", explaining, "You have to believe that he believes his own rap. When he speaks, he's just explaining that 'this is the way it is' – and that's when it gets very scary."[3] The name "Vernon" comes from cult leader David Koresh's real name, and "Ephesian" is taken from one of the books of the Bible.[4]

The Temple of the Seven Stars was built on a soundstage at North Shore Studios, one of the most expensive sets built for the show.[3] Composer Mark Snow used samples of Gregorian chants in his score for Melissa's death scene.[3] The production team contacted officials of Apison, Tennessee, who sent them a real citizen's registry from the Civil War era which was reproduced by the props department and an expert calligrapher to make those Scully finds in the county courthouse.[3] The photographs of Sullivan Biddle and Sarah Kavanaugh are "hybrids" of different public domain photographs, with computer effects "melding" the different features taken from different photographs. The face used for Sullivan was chosen because it bore an "uncanny" resemblance to Mulder.[3] The poem Mulder reads at the beginning and end is from Paracelsus by Robert Browning.[4] The first cut of "The Field Where I Died" was over an hour long, an excess length record for The X-Files. Eighteen minutes had to be cut, which included two additional personalities of Melissa, and most of a third, Lily, which only makes a brief appearance in the final cut.[3]

Sarah Stegall later noted that the penultimate scene, which features federal agents raiding the religious compound and finding that everyone inside has committed suicide, very similar to the Waco Siege. Stegall even points out that the real name of the church leader in the episode, Vernon Warren, also resembles the name of the compound leader during the Waco Siege: Vernon Wayne.[5]

Broadcast and reception[edit]

"The Field Where I Died" originally aired on the Fox network on November 3, 1996.[6] This episode earned a Nielsen rating of 12.3, with a 18 share, meaning that roughly 12.3 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode. "The Field Where I Died" was seen by 19.85 million viewers on first broadcast.[7]

The episode received mixed to positive reviews from television critics. The episode is a favorite of Anderson's, who said she "loved the script" and that it made her cry.[4] Series creator Chris Carter received angry calls after the Heaven's Gate, a UFO religion cult, committed mass suicide less than six months after the episode had aired. He declined to comment.[3][4] Zack Handlen of The A.V. Club gave "The Field Where I Died" a "B+". He felt that it worked "pretty well" and there was a lot to appreciate about it, and while he noted that "the episode isn't quite good enough for the conclusion to be as devastating as it should be", he still praised the tragic ending. However, he felt it not believable that Mulder quickly accepts his past lives and Melissa's part in it, and thought it would have worked better if he eased into believing it.[8] Paula Vitaris from Cinefantastique gave the episode a largely positive review and awarded it three-and-a-half stars out of four.[9] She called the entry "unabashedly emotional episode" that is "unafraid to plumb the depths of human loss and grief".[9] Furthermore, Vitaris praised Cloke's acting; she called her "a truly gifted actor, slipping faultlessly into the skin of all of Melissa's personalities."[9] She was, however, more critical of Duchovny, noting that his hypnosis scene was underacted.[9] Stegall wrote that, while the episode was "drowned in tears and soaked in muted sunlight, [and] teeters on the brink of sentimentality", it manages "to stay just this side of it for a dynamite, gripping episode that showcases some fine actors."[5]

Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode three-a-half stars out of five, and wrote that, while the episode "stumbles around a lot", it gives the viewer "the impression there's nothing else on TV quite like it".[10] The two felt that the idea that Mulder and Scully were friends throughout their various lives was "one of the best things about the story".[11] They also wrote that the fact that Melissa and Mulder were somehow soul mates also prevented the story from being "obvious and pat".[11] However, Shearman and Pearson felt that Morgan and Wong added "a few too many ingredients" which yielded an uneven episode.[11] Entertainment Weekly, on the other hand, was negative, giving the episode an "F" and describing it as "stultifyingly awful".[12]

References[edit]

Footnotes[edit]

  1. ^ a b Meisler, pp. 58–63
  2. ^ a b Vitaris, Paula (October 1997). "Morgan and Wong Return to The X-Files". Cinefantastique 29 (4/5). 
  3. ^ a b c d e f g h Meisler, p. 64
  4. ^ a b c d Meisler, p. 65
  5. ^ a b Stegall, Sarah (1996). "Review of 'The Field Where I Died'". The Munchkyn Zone. Retrieved October 31, 2012. 
  6. ^ The X-Files: The Complete Fourth Season (booklet). R.W. Goodwin, Kim Manners, et al. Fox. 
  7. ^ Meisler, p. 298
  8. ^ Handlen, Zack (October 23, 2010). "'The Field Where I Died'/'522666' | The X-Files/Millennium | TV Club". The A.V. Club. The Onion. Retrieved June 17, 2012. 
  9. ^ a b c d Vitaris, Paula (October 1997). "Episode Guide". Cinefantastique 29 (4/5): 35–62. 
  10. ^ Shearman and Pearson, p. 86
  11. ^ a b c Shearman and Pearson, p. 85
  12. ^ "X Cyclopedia: The Ultimate Episode Guide, Season IV". Entertainment Weekly. November 29, 1996. Retrieved June 17, 2012. 

Bibliography[edit]

  • Gradnitzer, Louisa; Pittson, Todd (1999). X Marks the Spot: On Location with The X-Files. Arsenal Pulp Press. ISBN 1-55152-066-4. 
  • Hurwitz, Matt, Chris Knowles (2008). The Complete X-Files. Insight Editions. ISBN 1-933784-72-5. 
  • Meisler, Andy (1998). I Want to Believe: The Official Guide to the X-Files Volume 3. Harper Prism. ISBN 0061053864. 
  • Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN 097594469X. 

External links[edit]