The Film-Makers' Cooperative

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Lithuanian artist Jonas Mekas, one of the founders of The Film-Makers' Cooperative

The Film-Makers' Cooperative a.k.a. The New American Cinema Group is an artist-run, non-profit organization founded in 1962 in New York City by Jonas Mekas, Shirley Clarke, Stan Brakhage, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams and other filmmakers to distribute avant-garde films.

History[edit]

In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960 with them officially declaring themselves the New American Cinema Group.[1] Two days later on Sept. 30, Mekas presented the first draft of a manifesto for the Group, which included a call to form a cooperative distribution center.[2]

On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel is shouted down after it was pointed out that Cinema 16 refused to distribute Stan Brakhage's Anticipation of the Night.[3]

The Film-Makers' Cooperative would officially start distributing films in 1962.

Description[edit]

The Film-Makers' Cooperative holds the world's largest collection of avantgarde and experimental films, with over 5,000 titles by more than 825 filmmakers.[4] The collection includes work authored on 35mm, 16mm, 8mm, video and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world.

Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto[5] would have it), the Film-Makers' Cooperative was a key institution in the heyday of American experimental or "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then.

The Film-Makers' Cooperative is open to anyone who wishes to become a member.

The New York Film-Makers' Cooperative has inspired similar initiatives both within the United States (Canyon Cinema in San Francisco) and abroad (The London Film-Makers' Co-operative in England, and ABCinema in Denmark, and elsewhere).

Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and DVD release projects, and in arranging screenings and events in and around New York City.

Directors and Board Members[edit]

Founding Director: Jonas Mekas
Executive Director: M.M. Serra
Members of the Board:

Advisory Board:

References[edit]

  1. ^ Everleth, Mike. "A Look Back: The American New Wave 1958-1967". Underground Film Journal. Retrieved March 30, 2018.
  2. ^ Everleth, Mike. "The First Statement of the New American Cinema Group: September 30, 1962". Underground Film Journal. Retrieved March 30, 2018.
  3. ^ Everleth, Mike. "A Look Back: The American New Wave 1958-1967". Underground Film Journal. Retrieved March 30, 2018.
  4. ^ Rohter, Larry. "Distributor of Avant-Garde Films Threatened With Eviction" The New York Times. 10 Feb. 2009.
  5. ^ History Archived 2011-04-27 at the Wayback Machine

External links[edit]