The Fox (1967 film)
Theatrical release poster
|Directed by||Mark Rydell|
|Produced by||Raymond Stross|
|Written by||Lewis John Carlino
Based on the novella by D. H. Lawrence
|Music by||Lalo Schifrin|
|Cinematography||William A. Fraker|
|Edited by||Thomas Stanford|
|Distributed by||Claridge Pictures|
|December 13, 1967
February 7, 1968 (United States)
The Fox is a 1967 American drama film directed by Mark Rydell. The screenplay by Lewis John Carlino and Howard Koch is loosely based on the 1923 novella of the same title by D. H. Lawrence. The film marked Rydell's feature film directorial debut.
Jill Banford and Ellen March struggle to support themselves by raising chickens on an isolated farm in rural Canada. Dependent Jill tends to household chores and finances while the self-sufficient Ellen deals with heavier work, such as chopping wood, repairing fences, and stalking the fox that keeps raiding their coops, although she is hesitant about killing it. Jill seems content with their secluded existence, but the frustrated Ellen is less enchanted by the solitude.
In the dead of winter, merchant seaman Paul Grenfel arrives in search of his grandfather, the now-deceased former owner of the farm. With nowhere else to go while on leave, he persuades the women to allow him to stay with them in exchange for helping with the work. Tension among the three slowly escalates when his attentions to Ellen arouse Jill's resentment and jealousy.
Eventually Paul tracks and kills the fox. Just before his departure, he makes love to Ellen and asks her to leave with him, but she confesses she would feel guilty about abandoning Jill. After Paul returns to his ship, the women resume their regular routine. Paul returns unexpectedly while the two are chopping down a dying oak. He offers to complete the job and warns Jill to move away from the tree's potential path as it falls, but she refuses to listen and is killed when it crashes on her. Ellen sells the farm and she and Paul set off to start a new life together.
In adapting Lawrence's novella for the screen, Lewis John Carlino and Howard Koch opted to change the setting from 1918 England to contemporary Canada in an effort to make the plot more relevant for late-1960s audiences.
The film was released soon after the dissolution of the Motion Picture Association of America Production Code and includes scenes of nudity, masturbation, sexual activity involving Paul and Ellen, and physical relations between two females. Rated R at the time of its original release, it was re-edited and rated PG in 1973.
|Soundtrack album by Lalo Schifrin|
|Lalo Schifrin chronology|
The film score was composed, arranged and conducted by Lalo Schifrin and the soundtrack album was released on the Warner Bros. label in 1968. The main theme has since acquired notoriety in France as the music for Dim tights commercials.
All compositions by Lalo Schifrin except as indicated
- "Theme from the Fox" - 2:26
- "Frost Trees" - 2:19
- "Soft Clay" - 1:58
- "Ellen's Image" - 3:27
- "Dead Leaf" - 2:50
- "Foxhole" - 2:11
- "That Night" (Schifrin, Norman Gimbel) - 2:39
- "Foxtail" - 2:11
- "Paul's Memories" - 2:04
- "Roll It Over" (Schifrin, Gimbell) - 2:17
- "Trembling" - 2:40
- "Lonely Road" - 2:04
- "Dripping Icicles" - 3:02
- Lalo Schifrin - arranger, conductor
- Vincent DeRosa, Richard Perissi - French horn
- Sheridon Stokes, Louise Dissman - flute
- John Neufeld - clarinet
- William Criss - oboe
- William Herzberg - bassoon
- Artie Kane, Caesar Giovannini - piano
- Tommy Tedesco - guitar
- Ken Watson, Joe Porcaro, Emil Richards - percussion
- Erno Neufeld, Marvin Limonick - violin
- Myra Kestenbaum - viola
- Raphael Kramer - cello
- Dorothy Remsen - harp
- Sally Stevens (track 7), Anne Heywood (track 10) - vocals
- Lloyd Basham - orchestra manager
Renata Adler of The New York Times called the film "a good and interesting movie" and continued, "The pace and the quality of the color, muted and unnatural, with many scenes photographed in shadows of various kinds, convey a brooding sense of something not quite right with everyone, rather like the tone of Reflections in a Golden Eye."
Roger Ebert of the Chicago Sun-Times called the film "a quiet, powerful masterpiece" and added, "Do not go to see The Fox because of its subject matter, and do not stay away for that reason. The scenes which disturbed Chicago's reactionary censors are filmed with quiet taste and an intuitive knowledge of human nature. And they are only a small part of a wholly natural film. Indeed, it is the natural ease of the film that is so appealing . . . The delicately constructed atmosphere of cold and snow, of early sunsets and chill lingering in the corners, establishes the tone . . . Miss Dennis has a difficult role [that] . . . could have become ridiculous, but [she] manages it well. Dullea is also stronger than he has been in other recent performances. Since David and Lisa, he has been trapped into playing a series of insecure, weak characters; this time, as the dominant personality, he is altogether successful. And he meets his match in Miss Heywood."
The film was the fifth most popular movie in general release in Britain in 1968.
Awards and honors
Because it was made in Canada, the film qualified for, and won, Best Foreign Film in the English Language at the 25th Golden Globe Awards. It also was nominated for Best Screenplay and Best Director, and Anne Heywood was nominated Best Actress in a Motion Picture Drama.
Lalo Schifrin was nominated for the Academy Award for Best Original Music Score and the Grammy Award for the Best Original Score from a Motion Picture or Television Show.
The film is recognized by American Film Institute in these lists:
- "The Fox, Box Office Information". The Numbers. Retrieved May 23, 2012.
- The Fox at Turner Classic Movies
- New York Times overview
- Payne, D. Lalo Schifrin discography accessed March 14, 2012
- New York Times review
- Chicago Sun-Times review
- TV Guide review
- John Wayne-money-spinner The Guardian (1959-2003) [London (UK)] 31 Dec 1968: 3.
- "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.