The French Lieutenant's Woman (film)
|The French Lieutenant's Woman|
Original film poster
|Directed by||Karel Reisz|
|Produced by||Leon Clore|
|Written by||Harold Pinter|
|Based on||The French Lieutenant's Woman
by John Fowles
|Music by||Carl Davis|
|Edited by||John Bloom|
|Distributed by||United Artists|
|18 September 1981|
The French Lieutenant's Woman is a 1981 film directed by Karel Reisz, produced by Leon Clore and adapted by playwright Harold Pinter. It is based on the novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis.
The film stars Meryl Streep and Jeremy Irons with Hilton McRae, Jean Faulds, Peter Vaughan, Colin Jeavons, Liz Smith, Patience Collier, Richard Griffiths, David Warner, Alun Armstrong, Penelope Wilton, and Leo McKern.
The film was nominated for five Academy Awards: Streep was nominated for the Academy Award for Best Actress, and the film was nominated for the Academy Award for Best Writing (Adapted Screenplay), but both lost to On Golden Pond.
|This section requires expansion. (September 2010)|
The film intercuts the stories of two affairs: one a Victorian period drama involving the gentleman palaeontologist Charles Smithson and the complex and troubled Sarah Woodruff, "The French Lieutenant's Woman"; the other between the actors "Mike" and "Anna", playing the lead roles in a modern filming of the story. In both segments, Jeremy Irons and Meryl Streep play the lead roles, but in line with John Fowles' source novel having multiple endings, the two otherwise parallel stories have different outcomes.
In the Victorian story, Charles enters into an intensely emotional relationship with Sarah, an enigmatic and self-inflicted outcast he meets while visiting his fiance Ernestina (Lynsey Baxter) in Lyme Regis. The two meet secretly in the Lyme Regis Undercliff, and eventually have sex in an Exeter hotel. This leads to Charles breaking off his engagement, but Sarah then disappears. In social disgrace after being sued for breach of promise, Charles searches for Sarah, fearing she has become a prostitute in London. After three years, Sarah, who has a job as a governess in the Lake District, contacts Charles to explain that she needed time to find herself. Despite Charles's initial anger, he forgives her, and the two are reconciled. They are finally seen boating on Lake Windermere.
In the modern story, the American actress Anna and the English actor Mike, both married, are shown as having an established affair during the making of the film. As filming concludes, although Mike wishes to continue the relationship, Anna becomes increasingly cool about the affair, and avoids Mike in favour of spending time with her French husband. During the film wrap party, Anna leaves without saying goodbye; Mike calls out to Anna from an upstairs window as she drives away, using her character name, Sarah.
- Meryl Streep - Sarah Woodruff / Anna
- Jeremy Irons - Charles Henry Smithson / Mike
- Hilton McRae - Sam
- Emily Morgan - Mary
- Charlotte Mitchell - Mrs. Tranter
- Lynsey Baxter - Ernestina
- Jean Faulds - Cook
- Peter Vaughan - Mr. Freeman
- Colin Jeavons - Vicar
- Liz Smith - Mrs. Fairley
- Patience Collier - Mrs. Poulteney
- John Barrett - Dairyman
- Leo McKern - Dr. Grogan
Harold Pinter and Karel Reisz worked on the script in 1979, with Leon Clore as producer, and with whom Karel regularly worked in their company Film Contracts, formed many years earlier. Leon had produced Karel's Morgan: A Suitable Case for Treatment. The film was shot in 1980, on location in Lyme Regis, Exeter, London docks, and Lake Windermere, with studio sets built at London's Twickenham Studios to Assheton Gorton's period-perfect designs. The opening shot in the film sets up the dual stories by having the assistant director mark the shot with a clapper board, and then run out of the shot to reveal the Victorian seaside front, with Charles and Ernestine taking the air.
The audience is given alternating sequences of a rigid Victorian society, and the more relaxed modern life of a working film crew, revealing the great moral divide between past and present. The 1857 book by William Acton, Prostitution, Considered in Its Moral, Social, and Sanitary Aspects, is referenced in the film, when Streep mentioned that according to Acton's report, the Lancet estimated that in 1857 there were 80,000 prostitutes in the County of London and that one house in 60 functioned as a brothel. 
The book was published in 1969. Its transfer to the big screen was a protracted process, with film rights changing hands a number of times before a treatment, funding, and cast were finalised. Originally, Malcolm Bradbury and Christopher Bigsby approached Fowles to suggest a television adaptation, to which Fowles was amenable, but producer Saul Zaentz finally arranged for the film version to go ahead.
A number of directors were attached to the film: Sidney Lumet, Robert Bolt, Fred Zinnemann, and Miloš Forman. The script went through a number of treatments, including one by Dennis Potter in 1975 and by James Costigan in 1976, before Pinter's final draft.
Awards and nominations
- Best Actress in a Leading Role: Meryl Streep
- Best Art Direction-Set Decoration: Assheton Gorton, Ann Mollo
- Best Costume Design (Tom Rand)
- Best Film Editing (John Bloom)
- Best Writing, Screenplay Based on Material from Another Medium (Harold Pinter).
- Anthony Asquith Award for Film Music: Carl Davis
- Best Actress: Meryl Streep
- Best Sound: Don Sharp, Ivan Sharrock, Bill Rowe
- Best Film (Leon Clore)
- Best Actor: Jeremy Irons
- Best Cinematography: Freddie Francis
- Best Costume Design: Tom Rand
- Best Direction: Karel Reisz
- Best Editing: John Bloom
- Best Production Design/Art Direction: Assheton Gorton
- Best Screenplay: Harold Pinter
Golden Globe Awards
- Best Actress: Meryl Streep
- Best Motion Picture – Drama (Leon Clore)
- Best Screenplay: Harold Pinter
- Evening Standard British Film Award Best Film: Karel Reisz
- David di Donatello Awards: Best Screenplay – Foreign Film: Harold Pinter
- Los Angeles Film Critics Association Awards: Best Actress: Meryl Streep
- "The Unstoppables". Spy: 94. November 1988. ISSN 0890-1759.
- "The French Lieutenant's Woman". Box Office Mojo. Retrieved 1 April 2013.
- Gale, p. 245.
- Fowles, John (2004). "The French Lieutenant's Diary". Granta: The Magazine of New Writing (Granta 86: Film). ISBN 0-903141-69-8. OCLC 237843976.
- "The French Lieutenant's Woman (1981): Awards". The New York Times. Retrieved 31 December 2008.
- Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. University Press of Kentucky. ISBN 0-8131-2706-8.
- Bayer, Gerd (2010). "On Filming Metafiction: John Fowles's Unpublished 'The Last Chapter' and the Road to Postmodern Cinema". English Studies 91 (8): 893–906. doi:10.1080/0013838X.2010.517301.
- Gale, Steven H. (2001). "Harold Pinter's The French Lieutenant's Woman: A Masterpiece of Adaptation". In Gale, Steven H. The Films of Harold Pinter. Albany: State University of New York Press, Albany. pp. 69–86. ISBN 9780791449318.
- FowlesBooks.com—The Official John Fowles web site
- The French Lieutenant's Woman at the Internet Movie Database
- The French Lieutenant's Woman at Rotten Tomatoes