The German Lesson
|Translator||Ernst Kaiser and Eithne Wilkins|
|Publisher||Hoffmann und Campe|
New Directions Publishing (English version)
|Pages||470 pp (English edition)|
|ISBN||978-0-8112-0982-3 (English version)|
The German Lesson (original title: Deutschstunde) is a novel by the German writer Siegfried Lenz, published in 1968 in Germany. The English edition The German Lesson was published in 1986 by New Directions Publishing, New York City. Deutschstunde was translated into several languages and is considered to be one of the defining works of German post-war literature.
Siggi Jepsen (the first-person narrator), an inmate of a juvenile detention center, is forced to write an essay with the title "The Joy of Duty." In the essay, Siggi describes his youth in Nazi Germany where his father, the "most northerly police officer in Germany," does his duty, even when he is ordered to debar his old childhood friend, the expressionist painter Max Nansen, from his profession, because the Nazis banned expressionism as "degenerate art" (entartete Kunst).
Siggi, however, is fascinated by Nansen's paintings, "the green faces, the Mongol eyes, these deformed bodies ... " and, without the knowledge of his father, manages to hide some of the confiscated paintings. Following the end of World War II, Jepsen senior is interned for a short time and later reinstalled as a policeman in rural Schleswig-Holstein. When he then obsessively continues to carry out his former orders, Siggi brings Nansen paintings that he believes to be in danger to safety. His father discovers his doings and dutifully turns him in for art theft.
When forced to write the essay on "The Joy of Duty" during his term in the juvenile detention center near Hamburg, the memories of his childhood come to the surface and he goes far beyond the "duty" of writing his essay by filling several notebooks with caustic recollections of this entire saga.
- Siggi Jepsen
- Jens Ole Jepsen, Siggi's father, a police officer
- Max Nansen, a painter, pursued by the Nazis, whom Lenz based on the expressionist painter Emil Nolde
- Gudrun Jepsen, Siggi's mother
- Klaas, Siggi's brother
- Hilke, Siggi's sister
In 2019 Christian Schwochow directed Deutschstunde as a cinema adaption. The film stars Tobias Moretti as Max Nansen and Ulrich Noethen as Jens Jepsen, with Johanna Wokalek, Louis Hofmann and Sonja Richter in further roles.
- German: Deutschstunde (1968). Hamburg: Hoffmann und Campe, OCLC 17466388 (First edition)
- Chinese: De yu ke. (2008) Taibei Shi: Yuan liu chu ban shi ye gu fen you xian gong si, ISBN 978-957-32-6000-4
- French: La leçon d'allemand (2001). Paris: R. Laffont, ISBN 978-2-221-09460-0
- Korean: Togirŏ sigan (2000). Sŏul Tʻŭkpyŏlsi : Minŭmsa, ISBN 978-89-374-6040-1
- Danish: Tysktime (1996). København: Gyldendal, ISBN 978-87-00-25506-7
- Portuguese: A lição de alemão (1991) Lisboa: Publ. Dom Quixote, ISBN 978-972-20-0841-9
- Spanish: Lección de alemán (1990) Madrid: Debate, ISBN 978-84-7444-362-2
- Estonian: Saksa keele tund (1975). Translated by Rita Tasa. Tallinn: Eesti Raamat.
- Finnish: Saksantunti (1974). Helsinki: Uusi kirjakerho, ISBN 978-951-638-044-8
- Romanian: Ora de germană (1972). București: Editura Univers.
- Russian: Урок немецкого (1970). Москва: Прогресс, OCLC 312415290
- Slovak: Hodina nemčiny (1972). Bratislava: Slovenský Spisovatel', OCLC 72404937
- Czech: Hodina němčiny (1974). Praha: Odeon, OCLC 42102701
- Hebrew: השיעור בגרמנית (1978)
- Vietnamese: Giờ Đức văn (2019). Translated by Hoàng Đăng Lãnh: Nhã Nam Books.
- Catalan: Lliçó d'alemany (2016). Translated by Joan Ferrarons. Barcelona: Club Editor, ISBN 978-84-7329-206-1
- "Siegfried Lenz (1926), Deutschstunde". Deutscher Taschenbuch Verlag. Retrieved 2009-10-04. CS1 maint: discouraged parameter (link)
- "Deutschstunde" (in German). Zweitausendeins. Retrieved 2009-10-09. CS1 maint: discouraged parameter (link)
- Tumanov, Vladimir. "Stanley Milgram and Siegfried Lenz: An Analysis of Deutschstunde in the Framework of Social Psychology". Neophilologus: International Journal of Modern and Mediaeval Language and Literature 91 (1) 2007: 135–148.