The Gigli Concert
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The Gigli Concert deals with seven days in the relationship between Dynamatologist JPW King, a quack self-help therapist living in Dublin but born and brought up in England, and the mysterious Irishman, a construction millionaire who asks King to teach him how to sing like the Italian opera singer Beniamino Gigli.
As King finds himself reluctantly drawn into to the Irishman's request it becomes clear that his subject is mentally unbalanced but, against all expectations, King finds himself able to heal the Irishman and, in the process, himself. Although he rises to the challenge and, indeed, becomes obsessed with it, the Irishman ends up ending the process, finding himself cured of his mental and emotional malady through King's kindness.
Left alone, and discovering that his lover, Mona, is suffering from cancer, King tries to kill himself but, in a stunning coup de theatre, instead finds himself miraculously able to sing an aria of Gigli himself. The play ends with King waking up after his suicide attempt and realising that the world is somewhere he is willing to fight on in.
A magnificent starburst of language, ideas and stage trickery The Gigli Concert grapples with huge themes of mental illness, healing and, as ever with Murphy, the defeat of nihilism through the creative relationships between human beings. Against the odds King finds his life rejuvenated by his bizarre and semi-comic relationship with his patient. Murphy has said that the play's genesis came from his frustrated desire to sing opera and, in many ways, the play can be summarised as being about the ability of human beings to achieve the impossible almost by accident.