The Girl Said No (1930 film)
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|The Girl Said No|
|Directed by||Sam Wood|
|Produced by||Sam Wood|
|Written by||A. P. Younger (story)|
Sarah Y. Mason
Charles MacArthur (dialogue)
|Cinematography||Ira H. Morgan|
|Edited by||Frank Sullivan|
Tom Ward, a cocky young football hero, returns home after graduation determined to conquer the world. He begins a flirtation with Mary Howe, secretary to his rival, McAndrews, and in a restaurant he bribes a waiter to spill soup on her employer. Although offered a local banking job, Tom stakes his fortunes on a scheme to sell bonds to wealthy old Hattie Brown, a befuddled spinster, and achieves the difficult task while posing as a doctor by getting her drunk. Finally, desperate over Mary's engagement to McAndrews, Tom kidnaps her from the altar. In a chase finale she is convinced that he loves her.
- William Haines as Tom Ward
- Leila Hyams as Mary Howe
- Polly Moran as Polly
- Marie Dressler as Hettie Brown
- Ralph Bushman as J. Marvin McAndrews
- Clara Blandick as Mrs Ward
- William Janney as Jimmie Ward
- William V. Mong as Samuel A. Ward
- Frank Coghlan as Eddie Ward
- Phyllis Crane as Alma Ward
After the box office success of Anna Christie (1930) and the rave reviews that not only Greta Garbo received for her performance but also her co-star Marie Dressler, M-G-M management decided to cast the latter actress in The Girl Said No. Although Dressler was happy to have a new assignment from the studio, she had to hide her disappointment over the script and her role.
According to biographer Betty Lee in Marie Dressler: The Unlikeliest Star, "It seemed fairly obvious..that although M-G-M was impressed with Dressler's potential...the top office did not know how to handle their unique new contract player. [Studio head] Louis B. Mayer, who had already informed his minions that he wanted Dressler to be marketed as a mother figure who was also a battered version of life's wars, asked her to lunch in his private bungalow on the Culver City lot. Not only did Dressler appear to be a substantial mother figure in real life, M-G-M's boss was also aware that the actress exuded an easy air of upper-class panache. She was, he decided, a far classier individual than the Hollywood glamour girls he often professed to disdain."
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