The Grissom Gang

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The Grissom Gang
Directed by Robert Aldrich
Produced by Robert Aldrich
Written by Leon Griffiths
Based on the novel by James Hadley Chase
Starring Kim Darby
Scott Wilson
Tony Musante
Robert Lansing
Irene Dailey
Connie Stevens
Wesley Addy
Joey Faye
Ralph Waite
Music by Gerald Fried
Cinematography Joseph Biroc
Edited by Michael Luciano
Frank J. Urioste
The Associates & Aldrich Company
Distributed by ABC Pictures
20th Century Fox (1971, original) MGM (2004, DVD)
Release date
May 28, 1971
Running time
128 minutes
Country United States
Language English
Budget $3 million[1][2]
Box office $590,000[1]

The Grissom Gang is a 1971 American period gangster film directed and produced by Robert Aldrich[3] from a screenplay by Leon Griffiths. The film is the second adaptation of the 1939 novel No Orchids for Miss Blandish by James Hadley Chase; a previous version had been made in Britain in 1948. The cast includes Kim Darby, Scott Wilson, Tony Musante, Robert Lansing, Irene Dailey, Connie Stevens, Wesley Addy, Joey Faye and Ralph Waite.


In 1931, a Missourian meat heiress is robbed by three men, who panic after murdering her boyfriend and kidnap her. At their hideout, the three are ambushed and killed by Eddie Hagan, who happened to witness the crime, and the rest of the notorious Grissom Gang.

Barbara Blandish is held captive by the gang, including Slim Grissom, a mentally handicapped thug who falls in love with her. Ma Grissom, the gang's boss, sends a ransom note to the girl's father, John P. Blandish, demanding a million dollars for her return. But she has no intention of returning Barbara, and the plan to kill her meets the disapproval of Ma's husband Doc.

Private detective Dave Fenner is hired by Barbara's father as weeks go by. After at first insulting Slim as a "halfwit" and repelling his advances, Barbara realizes that the only thing keeping her alive is his desire for her, Slim vowing to kill any gang member who harms her. She reluctantly becomes Slim's lover.

Nightclub singer Anna Borg has no idea what became of her boyfriend, one of the kidnappers who got killed. She pulls a gun on Eddie, who lies that Anna's boyfriend ran off with another woman. Anna allows herself to be seduced by Eddie, who then murders two men with knowledge of the crime.

Months go by. Fenner, out of ideas, poses as a theatrical agent who can help Anna's singing career. He gets her talking about past criminal associations and learns where the missing girl might be. A furious Eddie kills Anna, then goes after Barbara only to have Slim stab him to death. Ma uses a machine gun to fight police and kills her husband Doc when he tries to surrender. Slim dies in a hail of bullets, but when Barbara weeps over him, her disgusted father walks away.


Difference from 1948 adaptation[edit]

Previously filmed in England in 1948 under its original title, the central conceit was that the heiress, who felt stifled by her upper-class life-style, fell in love with the abductor and his comparative freedom to live his life on the edge. In this remake, Aldrich and Griffiths reversed this angle: the heiress merely strings him along in an attempt to escape. This version was also played more for laughs, in particular the outlandishly deranged behavior of the gang. The time period and locale have also been changed from 1948 New York in the first adaptation to 1931 Missouri in the remake.

Critical reception[edit]

At the time of its release, reviewers criticized the melodramatic extremes of the script and the fact that the cast is shown sweating throughout the entire film. Vincent Canby of The New York Times wrote, "You don't really have to think very much about The Grissom Gang to call it offensive, immoral and perhaps even lascivious, although to me, that word, when it is applied to an aim, is more of a promise than a threat. The Grissom Gang, like so many Aldrich films, ... carries lurid melodrama and violence to outrageous limits, for what often seems like the purely perverse hell of it ... Everybody sweats constantly, and nobody dies off-screen, always on-screen, in what the newspapers of the day used to describe as a hail of bullets ... Aldrich lets his performers, especially Miss Dailey and Wilson, behave as if they were in The Beverly Hillbillies."[4]

Roger Ebert of the Chicago Sun-Times was only slightly less harsh, saying, "We've been here before, most memorably with Bonnie and Clyde, but also with Roger Corman's seamy examination of the Barker family in Bloody Mama. Robert Aldrich's new film owes something to both. To Bonnie and Clyde for its convincing period feel, and to Bloody Mama for its treatment of a violent, sexually twisted family of criminals," adding "...the movie is deliberately melodramatic, and to such an overdone degree that (if you suspend your sanity for an hour or so) you can almost wallow in it. Everyone screams, shouts, flashes knives at each other and sweats a lot."[5]

Variety also added, "Provided with a script that offers absolutely no insight into the inner lives of its people, director Robert Aldrich takes matters a step further by directing his actors in performances that strain the bounds of credulity. Wilson and Kim Darby, as the kidnapped girl, make stabs at more than one dimension, but when they indulge in caricatures of feeling, as they often do, they cancel out the rest of their work."[6]

Modern critics hold the film in a slightly higher regard, with TimeOut saying "For one thing, the eponymous family, who kidnap '30s heiress Miss Blandish, are never glamorised but portrayed as a pathetic, ignorant bunch of grotesques; for another, as the petulant and spoilt heroine turns the sadistic and murderous Slim Grissom's love for her to her own cruelly humilating purposes, the film becomes an unsentimental exploration of perverse power-games played between two characters whose very different family backgrounds cannot conceal the latent vulnerability they both share. "[7]

The film holds a 67% approval rating on Rotten Tomatoes.

Box office[edit]

The film earned $340,000 in North American rentals and $250,000 in other countries. It recorded an overall loss of $3,670,000.[1] It had admissions of 239,768 in France.[8]


The Grissom Gang was released to DVD by MGM Home Video on November 2, 2004 as a Region 1 widescreen DVD.


In 2009 Empire Magazine named it #12 in a poll of the 20 Greatest Gangster Movies You've Never Seen* (*Probably)

See also[edit]


  1. ^ a b c "ABC's 5 Years of Film Production Profits & Losses", Variety, 31 May 1973 p 3
  2. ^ Alain Silver and James Ursini, Whatever Happened to Robert Aldrich?, Limelight, 1995 p 281
  3. ^ Variety film review; May 26, 1971
  4. ^ [The Grissom Gang: "Gangsters in a British Style: Grissom Gang' Opens at 2 Theaters Here Story Takes Place in Missouri of 1930's" Vincent Canby, The New York Times, May 29, 1971.]
  5. ^ The Grissom Gang The Chicago Sun-Times, July 14, 1971.
  6. ^ Review: "The Grissom Gang offers no sympathy at all for the debased human beings it depicts. Rather, it denies their existence as people, treating them instead as the butts of a cruel joke." Variety, December 31, 1970.
  7. ^ TimeOut Film Guide: The Grissom Gang
  8. ^ French box office results for Robert Aldrich films at Box Office Story

External links[edit]