The Harder They Come
|The Harder They Come|
|Directed by||Perry Henzell|
|Distributed by||New World Pictures|
The Harder They Come is a 1972 Jamaican crime film directed by Perry Henzell and co-written by Trevor D. Rhone, and starring Jimmy Cliff. The film is most famous for its reggae soundtrack that is said to have "brought reggae to the world".
Enormously successful in Jamaica, the film also reached the international market and has been described as "possibly the most influential of Jamaican films and one of the most important films from the Caribbean".
Ivanhoe "Ivan" Martin is a poor Jamaican man in desperate search of work. He leaves his rural home after his grandmother dies to live with his impoverished wastrel mother in Kingston, but is rebuffed. Before he can even locate her he has all his possessions stolen in a con by a street vendor he naively trusted. He later meets Jose, who takes him to see Django, a Spaghetti Western. Excited by urban life, he tries to get a job but repeatedly fails.
He finally drifts into the circle of a Christian preacher. There he finds menial work, and in his spare time he turns an abandoned bicycle frame into a working bicycle, then uses it to run errands for his new boss. He gets into trouble with the preacher after he shows sexual interest in the Preacher's young virginal female ward, Elsa, then with her assistance uses his church for rehearsing secular songs he intends to record.
After being brusquely run off by the preacher he returns to the church compound to collect his bicycle, but finds an older, much bigger former colleague has appropriated it. Challenged to take it back, Ivan does so, avoiding a broken bottle his opponent wields before slashing the man with a knife, for which he is sentenced by the local authorities to a violent whipping.
Ivan interests a prominent record producer in a song he writes and performs, "The Harder They Come", but in spite of trying to wrangle more only gets the standard exploitative $20 offer for it. He dreams of stardom upon its release, but the stranglehold the producer maintains on the local music industry through payola condemns Ivan to obscurity. He takes up with his lover, who has been violently driven away in a jealous rage by the preacher for "fornication".
Eventually Jose offers Ivan an opportunity to make a modest living running marijuana, moving the drug from the country to the city on a motorbike as part of a large police-protected network. When Ivan complains about the poor pay and what he obtusely believes is high risk, being oblivious to the collusion with the authorities that makes the thriving enterprise possible, Jose sets up a take-down for him with the corrupt local police official running the protection racket, Detective Jones. On Ivan's next trip he is flagged down by a policeman who routinely had waved him by, panics, and shoots the officer, who dies from his wounds and crashing his motorcycle.
Next, Ivan has a tryst with Jose's girlfriend. While he is in bed with her, the police surround the room and try to capture him. He shoots his way out, killing three officers. On the run, he returns to shoot and wound the girl, believing she and Jose betrayed him. He then finds Jose and pursues him, shooting at him but missing.
Ivan returns to the countryside. He is again betrayed and the police catch up with him, leading to another shootout and escape. Ivan seeks support from his closest drug-dealer friend, Pedro, who helps him hide out. Jones, tasked with rounding Ivan up, temporarily shuts down his lucrative protection racket in order to starve the entire community its network financially supports into ratting Ivan out.
Meanwhile, the record mogul re-releases Ivan's song in order to capitalize on his notoriety, which becomes a hit and fans his fame as a charismatic rebel. Enamoured of this image, Ivan has staged photographs of himself made posing as a flagrant two-gun outlaw. He sends them to the press, which is resistant to print them. He then steals a flashy car from a resort hotel and drives it aimlessly around the countryside in a reverie.
Pedro then advises Ivan to escape to Cuba. A rendezvous with a vessel bound there is arranged, but Ivan is ambushed by a police assault team while seeking to approach it and is unable to drag himself up a boarding ladder thrown over its stern. He passes out from his wound and finds himself beached ashore. The police approach, armed with automatic rifles; he comes out, holding his two guns, and is shot. The film ends with a woman's torso gyrating to the sound of Ivan's song over the credits.
- Jimmy Cliff as Ivanhoe "Ivan" Martin
- Janet Bartley as Elsa
- Carl Bradshaw as Jose
- Ras Daniel Heartman as Pedro
- Basil Keane as the Preacher
- Bob Charlton as Hilton
- Winston Stona as Detective Ray Jones
- Lucia White as Mother
- Leslie Kong as a recording engineer
- Prince Buster as DJ at Dance
The film stars reggae singer Jimmy Cliff, who plays Ivanhoe Martin, a character based upon a real-life Jamaican criminal of that name, better known as Rhyging, who achieved fame in the 1940s. Prior to filming, the project had a working title of Rhygin. This then changed to Hard Road to Travel before finally being changed to The Harder They Come, prompting Cliff to write the song of the same name. The story very loosely follows the real Martin/Rhyging's life updated to the 1970s, though the historical Rhyging was neither a musician nor drug dealer.
Cliff's previous acting experience had come from school productions. Other major roles in the film were played by Janet Bartley (Elsa), Basil Keane (Preacher), Ras Daniel Hartman (Pedro), Beverly Anderson (Upper St. Andrew Housewife), who eventually married Michael Manley who became the Prime Minister of Jamaica, Bob Charlton (Hilton), Jamaican actor Volair Johnson (Pushcart Boy), and well known Jamaican comedians Bim and Bam: Ed "Bim" Lewis (Photographer), and Aston "Bam" Wynter (drunken husband). Legendary ska musician Prince Buster (DJ at Dance) makes a cameo in the movie, telling the audience to sit tight and listen keenly! 
The film was a sensation in Jamaica due to its naturalistic portrayal of black Jamaicans in real locations and its use of Jamaican Patois, the local creole. According to Henzell, "Black people seeing themselves on the screen for the first time created an unbelievable audience reaction".
The film was released in February 1973 in New York City by Roger Corman's New World Pictures to little attention. It became more popular when it was played to midnight audiences nationwide the following April. However, the popularity of the movie was limited outside of Jamaica because the local Patois spoken by the characters was so thick that it required subtitles, making it possibly "the first English language movie in history to require subtitles in the United States".[disputed ]
The film received positive reviews from critics. On review aggregator website Rotten Tomatoes, the film has a 91% score based on 34 reviews, with an average rating of 7.2/10. Roger Ebert of the Chicago Sun-Times gave the film 2 1/2 stars out of 4, writing that the "movie’s ending is an exercise in plot; its beginning and its music deserve better than that". The staff of Variety magazine wrote that the film "has a sharp and racy rhythm, in keeping with the synchopated music of the isle, plus an underlying social theme in the guise of a familiar tale".
In 2005, The Harder They Come was adapted into a stage musical by the Theatre Royal Stratford East and UK Arts International in the UK, with a script overseen by Henzell. The show opened on 25 March 2006, boasting the original soundtrack as well as a couple of additions, including "The Ganja Song", written by Geraldine Connor, featuring Rolan Bell as Ivan. The production later moved to the Playhouse Theatre, and was performed in Toronto and Miami.
- "THE HARDER THEY COME (X)". British Board of Film Classification. 4 April 1977. Retrieved 18 March 2016.
- Kenner, Rob (2009) "Trevor Rhone, a Writer of ‘The Harder They Come,’ Dies at 69", The New York Times, 21 September 2009, retrieved 11 November 2012
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- McLellan, Dennis (2 December 2006). "Perry Henzell and Trevor D. Rhone; their movie 'The Harder They Come' brought reggae to the world". The Los Angeles Times. Retrieved 13 April 2011.
- Mennel, Barbara, Cities and Cinema, Routledge, 2008, p.170.
- "Sit Tight and Listen Keenly". Retrieved 29 April 2021 – via www.youtube.com.
- Cooke, Mel (2013) "From 'Rhygin' To 'The Harder They Come' - Movie Changes Names During Production", Jamaica Gleaner, 8 September 2013. Retrieved 8 September 2013
- Campbell, Howard (2012) "Cast that made a classic", Jamaica Observer, 15 November 2012. Retrieved 17 November 2012
- Salewicz, Chris (2 December 2006). "Obituaries: Perry Henzell, Director of the reggae classic 'The Harder They Come', Jamaica's first home-grown feature film". The Independent. London. Retrieved 13 April 2011.
- Bordowitz, Hank, Every Little Thing Gonna Be Alright: The Bob Marley Reader, Da Capo, 2009, p. 58.
- "The Harder They Come (1973)". Rotten Tomatoes. Flixster. Retrieved 18 March 2016.
- Ebert, Roger (9 February 1973). "The Harder They Comes (1973) – Roger Ebert". Retrieved 3 February 2017.
- "Review: 'The Harder They Come'". Variety. 6 September 1972. Retrieved 3 February 2017.
- Coteus, Stephen. 2011. "'Trouble never sets like rain': Proverb (in)direction in Michael Thelwell's The Harder They Come". Proverbium 28:1-30.
- thehardertheycome.com Archived 11 September 2014 at the Wayback Machine, The Restoration.
- Johnson, Richard (2012), "Keeper of the flame: Justine Henzell protecting her father’s legacy", Jamaica Observer, 11 November 2012. Retrieved 11 November 2012.
- Jury, Louise (17 June 2010). "Reggae show The Harder They Come goes global". Evening Standard. Retrieved 12 April 2011.
- "The Harder They Come", Playhouse Theatre.