The Horsemen (1971 film)

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The Horsemen
Promotional film poster
Directed by John Frankenheimer
Produced by Edward Lewis
Written by Dalton Trumbo
Based on Les cavaliers
1967 novel 
by Joseph Kessel
Starring Omar Sharif
Leigh Taylor-Young
Jack Palance
Music by Georges Delerue
Cinematography André Domage
James Wong Howe
Claude Renoir
Edited by Harold F. Kress
Distributed by Columbia
Release dates
  • July 24, 1971 (1971-07-24)
Running time
109 minutes
Country United States
Language English
Budget $4.7 million[1]

The Horsemen is a 1971 Eastmancolor in a Panavision film starring Omar Sharif, directed by John Frankenheimer; screenplay by Dalton Trumbo. Based on a novel by French writer Joseph Kessel, Les Cavaliers (The Horsemen) shows Afghanistan and its people the way they were before the wars that wracked the country, particularly their love for the sport of buzkashi. The film was filmed in Afghanistan and Spain.


Uraz (Omar Sharif), the son of Tursen (Jack Palance), the stable master and retired buzkashi player for a feudal lord, is a master horseman who lives by a primitive code of honor. Uruz's family honor is damaged when he breaks his leg playing the game which is the Afghani equivalent of polo. His father, who lost a lot of money betting on his son, will barely speak to him. To regain the family honor (and wealth) he must somehow re-learn how to ride -- after his injuries cost him his leg below the knee. In the face of great obstacles, and despite the derision and treachery of others, he gains the chance to play in the games given by the king of Afghanistan.[2]



The original novel was published in 1968. It was a best seller in France before being released in the US.[3] Film rights were bought by John Frankenheimer and Edward Lewis who set up the film at Columbia. Dalton Trumbo, who had just written The Fixer for Frankenheimer, was signed to do the sript.[4]

The film took two and a half years to make and was shot on location in Afghanistan. According to director John Frankenheimer:

It represents for me the first time I've been able to put together the two sides of my work - the spectacle like Grand Prix or The Train and the intimate kind of picture like Birdman of Alcatraz or Seven Days in May. For me it has a very contemporary meaning, which is why I did it. It's a man looking for himself, a theme that I've done over and over on TV and in movies. I do think that Dalton Trumbo is the best screenwriter we've got... Most of my films are about putting people under extreme pressure. Because my contention in life is that how you know people is how they respond to a crisis.[1]


The film was a box office disappointment. It remained, however, a personal favourite of John Frankenheimer, who later said the film had been "dumped" by Columbia after various executives were in conflict with each other.[5]

See also[edit]


  1. ^ a b Frankenheimer a hothead with an up-down film record. (1971, Jul 18). Los Angeles Times (1923-Current File) Retrieved from
  2. ^
  3. ^ By, B. B. (1968, Jun 16). Two men and a horse. New York Times (1923-Current File) Retrieved from
  4. ^ Martin, B. (1968, Nov 08). MOVIE CALL SHEET. Los Angeles Times (1923-Current File) Retrieved from
  5. ^ By BERNARD, W. A. (1998, Sep 13). Thriving on an atmosphere of no illusions. New York Times (1923-Current File) Retrieved from

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