The House on 92nd Street

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
The House on 92nd Street
The House on 92nd Street theatrical poster.jpg
Theatrical release poster
Directed byHenry Hathaway
Produced byLouis De Rochemont
Screenplay byBarré Lyndon
Jack Moffitt
John Monks Jr.
Story byCharles G. Booth
StarringWilliam Eythe
Lloyd Nolan
Signe Hasso
Narrated byReed Hadley
Music byDavid Buttolph
CinematographyNorbert Brodine
Edited byHarmon Jones
Distributed by20th Century Fox
Release date
  • September 10, 1945 (1945-09-10) (United States)
Running time
88 minutes
CountryUnited States
Box office$2.5 million[1]

The House on 92nd Street is a 1945 black-and-white American spy film directed by Henry Hathaway. The film, shot mainly in New York City, was released shortly after the end of World War II. The House on 92nd Street was made with the full cooperation of the Federal Bureau of Investigation (FBI), and its head, J. Edgar Hoover, appears during the introduction. Also, the FBI agents in Washington were played by actual agents. The film's semidocumentary style inspired other films, including The Naked City.[2]


In 1939, American standout university student Bill Dietrich (William Eythe) is approached by Nazi recruiters due to his German heritage. He feigns interest, then notifies the FBI. FBI agent George Briggs (Lloyd Nolan) tells him to play along.

Dietrich travels to Hamburg, Germany, where he undergoes six months of intensive training in espionage. He is then sent back to the United States to set up a radio station and to act as paymaster to the spies already there. He is told that only a "Mr. Christopher" has the authority to change his assignment.

Dietrich manages to pass along his microfilmed credentials to the FBI; they are altered so that instead of being forbidden to contact most of the agents, he is authorized to meet them all. In New York, his contact, dress designer Elsa Gebhardt (Signe Hasso), is suspicious of the modification and requests confirmation from Germany, but communication is slow. In the meantime, she has no choice but to give Dietrich full access to her spy ring. When questioned, Dietrich's other legitimate contact, veteran espionage agent Colonel Hammersohn (Leo G. Carroll), denies knowing Mr. Christopher's identity.

In a separate development, a German spy is killed in a traffic accident; the FBI finds a secret message among his possessions stating that Mr. Christopher will concentrate on Process 97. Briggs is alarmed because he is aware that Process 97 is America's most closely guarded secret.

When the Japanese attack Pearl Harbor in December 1941, the United States enters the war. Most of the spies Dietrich has identified are immediately picked up, but Gebhardt's ring is left alone, in the hope of flushing out Mr. Christopher.

Gebhardt gives Dietrich papers to transmit immediately to Germany; they contain part of Process 97, a key part of the atomic bomb project. Dietrich steals a cigarette butt he notices in non-smoker Gebhardt's otherwise empty ashtray. The FBI traces this tiny clue to Luise Vadja, and from her to her supposed boyfriend, Charles Ogden Roper (Gene Lockhart), a scientist working on the atomic bomb. Roper breaks when he is picked up and shown a message from Germany ordering his liquidation after he has completed his mission. Roper confesses to have hidden the last part of Process 97 in a book at a bookstore from which a man believed to be Mr. Christopher was just filmed leaving. That is enough for Briggs, who then orders the arrest of Gebhardt's ring.

It is just in time for Dietrich. Gebhardt finally receives a reply from Germany, confirming her worst fears. She injects Dietrich with scopolamine in an attempt to obtain information, but her building is surrounded by government agents. Gebhardt orders her underlings to hold them off while disguising as a man and tries to sneak out with the vital papers. Unable to get away, she returns, only to be shot by mistake by one of her own men. The rest are captured, and Dietrich rescued.


Production and background[edit]

The House on 92nd Street is the first film noir produced by Louis De Rochemont, credited as a pioneer of the semidocumentary style police thriller.[4]

TCM's host, Robert Osborne, said that the film is based on the real life case of William G. Sebold. He also said that they used real FBI agents and with real footage taken by the FBI.[5] Sebold was involved in bringing down the Duquesne Spy Ring in 1941, the largest convicted espionage case in the history of the United States. On January 2, 1942, 33 Nazi spies, including the ring leader Fritz Joubert Duquesne (also known as "The man who killed Kitchener"), were sentenced to more than 300 years in prison. One German spymaster later commented that the ring’s roundup delivered ‘the death blow’ to their espionage efforts in the United States. J. Edgar Hoover called his concerted FBI swoop on Duquesne's ring the greatest spy roundup in U.S. history.[6]

Lloyd Nolan would reprise his role as Inspector Briggs in the sequel, The Street with No Name (1948). In that film, Briggs and the FBI agents would take on organized crime. The actual house used in the filming of the movie stood at 53 E 93rd street. It is no longer there - it is now a pathway leading to premises behind the original house.


Critical response[edit]

Thomas M. Pryor, film critic for The New York Times wrote, "The House on Ninety-second Street barely skims the surface of our counterespionage operations, but it reveals sufficient of the FBI's modus operandi to be intriguing on that score alone."[7]

Although praised when released in 1945, the film, when released on DVD in 2005, received mostly mixed reviews. Christopher Null, writing for, writes, "Today, it comes across as a bit goody-goody, pandering to the FBI, pedantic, and not noirish at all."[8]



Radio adaptation[edit]

The House on 92nd Street was presented on Stars in the Air May 3, 1952. The 30-minute adaptation starred Humphrey Bogart and Keefe Brasselle.[9]


  1. ^ Aubrey Solomon, Twentieth Century-Fox: A Corporate and Financial History Rowman & Littlefield, 2002 p 221
  2. ^ The House on 92nd Street at the American Film Institute Catalog.
  3. ^ a b c d Gevinson 1997, p. 470.
  4. ^ Selby, Spencer. Dark City: The Film Noir, film listed as #178 on page 151, 1984. Jefferson, N.C. & London: McFarland Publishing. ISBN 0-89950-103-6.
  5. ^ Osborne hosted the airing of the film on 22 May 2014 at 8:00 p.m. ET
  6. ^ "Obituary. Fritz Joubert Duquesne". Time. June 24, 1956. ISSN 0040-781X.
  7. ^ Pryor, Thomas[permanent dead link]. The New York Times, film review, September 27, 1945. Last accessed: February 8, 2010.
  8. ^ Null, Christopher. Film review, 2005. Last accessed: February 8, 2010.
  9. ^ "Those Were the Days". Nostalgia Digest. 35 (2): 32–39. Spring 2009.
  • Gevinson, Alan (1997). Within Our Gates: Ethnicity in American Feature Films, 1911-1960. Berkeley, California: University of California Press. ISBN 978-0-520209-64-0. OCLC 36783858.

External links[edit]