The Ice Pirates
|The Ice Pirates|
Theatrical release poster by Steven Chorney
|Directed by||Stewart Raffill|
|Produced by||John Foreman|
|Written by||Stewart Raffill
|Music by||Bruce Broughton|
|Cinematography||Matthew F. Leonetti|
|Edited by||Tom Walls|
|Distributed by||MGM/UA Entertainment Co.|
The Ice Pirates is a 1984 comic science fiction film directed by Stewart Raffill, who co-wrote the screenplay with Krull writer Stanford Sherman. The film stars Robert Urich, Mary Crosby and Michael D. Roberts; other notable featured actors are Anjelica Huston, Ron Perlman, Bruce Vilanch, John Carradine, and former football player John Matuszak.
The film takes place in a distant future where water is so scarce and rationed that it is considered an immensely valuable substance, both as a commodity and as a currency in ice cubes. The Templars of Mithra control the water and they destroy worlds that have natural water, leaving the galaxy virtually dry. Pirates dedicate their lives to raiding ships and looting the ice from the cargo holds to make a living.
Jason (Robert Urich) is the leader of a band of pirates that raid a Templar cruiser for its ice, and discover the beautiful princess Karina (Mary Crosby) in a stasis pod. He decides to kidnap her, waking her up, and alarming the Templars. Jason and his pirates flee, but are pursued by Templar ships. Jason lets some of his crew, Maida (Anjelica Huston) and Zeno (Ron Perlman), escape while Roscoe (Michael D. Roberts) stays to help Jason. Both Jason and Roscoe are captured.
During their capture, they meet Killjoy (John Matuszak) who has been pretending to be a monk to avoid being a slave. Jason and Roscoe are sentenced to become slaves, a process which includes castration. Roscoe and Jason are spared this fate by the spoiled princess, who has taken an interest in them. Princess Karina purchases them as her slaves, to work as servants during her party. That evening, they are reunited with Killjoy (disguised as a robot). Jason, Karina, Roscoe, Killjoy and Nanny manage to leave the planet before the Supreme Commander (John Carradine) arrives to arrest her.
Princess Karina hires Jason so she can find her father, who has gone missing while searching for the so-called "Third Planet:" a lost, mythic world rumored to contain vast reserves of water. The existence of such a world would threaten the Templars water monopoly, and therefore their hold on power.
At some point, Jason keeps a secret that a nasty creature is hiding in their spaceship. Later, they are about to eat a turkey when something bursts out of it and runs away. Someone asks, "What was that?" Jason replies, "space herpes." On their next planet, Jason and Roscoe are reunited with their fellow pirates, Maida and Zeno. They proceed to locate the "lost" planet, which contains massive amounts of water. The planet must be approached on a specific course or the ship will be suspended in time forever. The course apparently contains some sort of real or illusory time distortion (resulting in both the heroes and the villains reaching old age during the climactic battle).
In the end, the day is saved by the now-adult son of Karina and Jason, the result of a romantic tryst just before entering the time distortion field. As the heroes exit the field, everyone's ages regress to what they originally were, leaving Jason and Karina with the knowledge that they will have a child together.
- Robert Urich as Jason
- Mary Crosby as Princess Karina
- Michael D. Roberts as Roscoe
- Anjelica Huston as Maida
- Ron Perlman as Zeno
- Bruce Vilanch as Wendon
- John Carradine as Supreme Commander
- John Matuszak as Killjoy
- Ian Abercrombie as Hymie
- Alan Caillou as Count Paisley
The film is somewhat tongue-in-cheek and often compared to Star Wars. Upon its release, the New York Times described it as a "busy, bewildering, exceedingly jokey science-fiction film that looks like a Star Wars spin-off made in an underdeveloped galaxy."
The film is also noteworthy for its cheeky, obviously cut-rate production values, mid-eighties "color-blind casting", sexual frankness, and near-deliberately slack "sitcom" direction. The climactic "time-warp" battle is a rare example of the classic science-fiction temporal paradox done in a "real-time" context. It currently holds a 9% rating on Rotten Tomatoes; despite this, it proved to be a moderate box office success, grossing a domestic total of $14,255,801 on a $9 million budget.