The Iron Giant
|The Iron Giant|
Theatrical release poster
|Directed by||Brad Bird|
|Screenplay by||Tim McCanlies|
|Story by||Brad Bird|
|Based on||The Iron Man
by Ted Hughes
|Music by||Michael Kamen|
|Edited by||Darren T. Holmes|
|Distributed by||Warner Bros.|
|Box office||$31.3 million|
The Iron Giant is a 1999 American animated science fiction film using both traditional animation and computer animation, produced by Warner Bros. Feature Animation and based on the 1968 novel The Iron Man by Ted Hughes. The film was directed by Brad Bird, scripted by Tim McCanlies, and stars Eli Marienthal, Christopher McDonald, Jennifer Aniston, Harry Connick, Jr., John Mahoney, and Vin Diesel.
Set during the Cold War in 1957, the film is about a young boy named Hogarth Hughes who discovers a giant metallic robot who fell from space. With the help of a beatnik artist named Dean McCoppin, they have to stop the U.S. military and a federal agent named Kent Mansley from finding and destroying the Giant.
The film's development phase began in 1994, though the project took root once Bird signed on as director and hired McCanlies to write the screenplay in 1996. Hughes, the author of the original novel, approved the script, and production struggled through difficulties (Bird even enlisted the aid of a group of students from CalArts), with several scenes being cut before animation was completed.
The Iron Giant was released by Warner Bros. in the summer of 1999 and received critical praise. It was nominated for several awards, including the Hugo Award for Best Dramatic Presentation and the Nebula Award from the Science Fiction and Fantasy Writers of America, and won nine Annie Awards including Best Animated Feature Film. Poorly marketed, the film under-performed at the box office, making $31.3 million worldwide against a budget of $70 million.
In July 2015, Warner Animation Group announced that it had completed a new version of the film, titled the Signature Edition, for a limited US theatrical release in September featuring completed versions of two of the abandoned scenes. Warner also announced that it was planning to release the film in high definition for the first time.
In October 1957, after the Russian satellite Sputnik is put into orbit, a giant robot from outer space crashes into the ocean near Rockwell, Maine. The robot makes it inland and wanders into the forest. Nine-year-old Hogarth Hughes soon discovers the robot one night. The robot begins eating the powerlines of an electrical substation, then gets electrocuted. Hogarth shuts down the power, saving the robot, and returns home. Several days later, Hogarth makes it his mission to find the robot and take a picture. After hours of waiting, the robot surprises Hogarth, who soon befriends him. Suffering amnesia, the Iron Giant accompanies Hogarth wherever he goes. When they come across a railroad, the Giant starts eating the rails. Hearing an oncoming train, Hogarth tells the Giant to repair the tracks. As he does, the train collides, breaking him to pieces. The Giant's parts start to reassemble, and Hogarth hides the damaged robot in his house's barn, where the parts can repair themselves.
Later, after dinner with his widowed mother Annie, Hogarth reads comic books to the Giant. The Giant is impressed with Superman, but discovers the comic 'Atomo the Metal Menace'. Hogarth reassures the Giant, "You are who you choose to be". In the meantime, a U.S. government agent named Kent Mansley arrives, discovers possible evidence of the Giant and decides to make several leads. Finding Hogarth's BB gun near the substation, Mansley takes a room for rent at Hogarth's home and follows the boy around, hoping to learn more. Hogarth evades Mansley and takes the Giant to beatnik artist Dean McCoppin's junkyard. Hogarth soon has to discuss "death" with the Giant after they witness hunters shoot a stag in the forest. Paranoid about alien invasions, Mansley alerts the U.S. Army to the presence of the Giant. When he and General Shannon Rogard, backed by the Army, forces the investigation, Dean reveals the robot disguised as a work of scrap-metal art. Rogard admonishes Mansley and leaves. Later, Hogarth plays with the Giant using a toy gun, which automatically activates the Giant's deadly laser eyes. Dean saves Hogarth and commands the Giant to leave. Thinking that the giant never meant any harm, Hogarth runs after him. Dean realizes the Giant was only reacting defensively. He catches Hogarth with his motorbike as the Giant reaches the town.
In Rockwell, the Giant saves two boys from falling to their death, to the amazement of witnesses. The Army then sees the Giant, returns, and attacks. The Giant flees with Hogarth and flies away, but is shot down by an F-86 missile. After crashing, the Giant thinks the unconscious Hogarth is dead; he activates his energy weapons and battles the outmatched Army. Mansley tricks Rogard into thinking that the robot killed Hogarth and suggests he can be destroyed out at sea with a nuclear bomb from the USS Nautilus. Hogarth wakes up, and reassures the Giant, causing him to deactivate his weapons. Dean says that the Giant never harmed anyone. Seeing Hogarth alive, Rogard has the Army stand down, but Mansley orders the missile-launch. Rogard reminds Mansley that the missile, currently targeted on the Giant, will also kill everyone in the city. Mansley disrespects their country and attempts to flee, but the Giant stops him, and the Army captures Mansley. Hogarth tells the Giant about Rockwell's impending demise and the Giant makes the decision to fly off, smiling to himself that he chooses to be Superman. The Giant collides with the missile, causing a massive explosion high in the atmosphere and saving the town. The townspeople are happy to have survived, but are saddened by the robot's sacrifice.
Sometime later, Annie and Dean have become close and Dean has built a statue in the park to honor the Giant. Hogarth receives a package from Rogard, a small bolt, the only piece of the Giant ever found. That night, Hogarth hears a familiar beeping coming from the bolt, which is trying to get out of the window. He opens the window to let the bolt out. Somewhere on the Langjökull Glacier in Iceland, parts of the Giant approach where his head rests, as he wakes up and smiles.
- Eli Marienthal as Hogarth Hughes, an energetic and curious boy with an active imagination.
- Christopher McDonald as Kent Mansley, a government agent sent to investigate sightings of the Iron Giant. The logo on his official government car says he is from the "Bureau of Unexplained Phenomena".
- Jennifer Aniston as Annie Hughes, a widow and Hogarth's single mother.
- Harry Connick, Jr. as Dean McCoppin, a beatnik artist and junkyard owner.
- John Mahoney as General Shannon Rogard, the military leader in Washington, D.C. who strongly dislikes Mansley.
- Vin Diesel as The Iron Giant, a fifty-foot, metal-eating robot. Created for an unknown purpose, the Giant involuntarily reacts defensively if he recognizes anything as a weapon, immediately attempting to destroy it.
- M. Emmet Walsh as Earl Stutz, a sailor and the first man to see the robot.
- James Gammon as Marv Loach, a foreman who follows the robot's trail after it destroys the power station.
- Cloris Leachman as Mrs. Tensedge, Hogarth's schoolteacher.
- Ollie Johnston and Frank Thomas as the train engineers.
Poet Ted Hughes first wrote The Iron Man for his own children. (The family in the story is named Hughes.) In 1986, rock musician Pete Townshend became interested in writing "a modern song-cycle in the manner of Tommy", and chose as his subject The Iron Man, now published and well known in England. Three years later, The Iron Man: A Musical album was released. The same year Pete Townshend produced a short film set to the album single "A Friend is a Friend" featuring The Iron Man in a mix of stop frame animation and live action directed by Matt Forrest. In 1993, a stage version was mounted at London’s Old Vic. Des McAnuff, who had adapted Tommy with Townshend for the stage, believed that The Iron Man could translate to the screen, and the project was ultimately acquired by Warner Bros.
In late 1996, while developing the project on its way through, the studio saw the film as a perfect vehicle for Brad Bird, who at the time was working for Turner Feature Animation. Turner Entertainment had recently merged with Warner Bros. parent company Time Warner, and Bird was allowed to transfer to the Warner Bros. Animation studio to direct The Iron Giant. After reading the original Iron Man book by Hughes, Bird was impressed with the mythology of the story and in addition, was given an unusual amount of creative control by Warner Bros. This creative control involved introducing two new characters not present in the original book: Dean and Kent. Bird's pitch to Warner Bros. was based around the idea "What if a gun had a soul?" Bird decided to have the story set to take place in the 1950s as he felt the time period "presented a wholesome surface, yet beneath the wholesome surface was this incredible paranoia. We were all going to die in a freak-out."
The financial failure of Warner's previous animated effort, Quest for Camelot, whose cost overruns and production nightmares made the company reconsider their commitment to feature animation, helped shape The Iron Giant 's production considerably. In a 2003 interview, writer Tim McCanlies recalled:
"Quest for Camelot did so badly that everybody backed away from animation and fired people. Suddenly we had no executive anymore on Iron Giant, which was great because Brad got to make his movie. Because nobody was watching."
Bird, who regarded Camelot as "trying to emulate the Disney style," attributed the creative freedom on The Iron Giant to the bad experience of Quest for Camelot, stating: "I caught them at a very strange time, and in many ways a fortuitous time." By the time The Iron Giant entered production, Warner Bros. informed the staff that there would be a smaller budget as well as time-frame to get the film completed. Although the production was watched closely, Bird commented "They did leave us alone if we kept it in control and showed them we were producing the film responsibly and getting it done on time and doing stuff that was good." Bird regarded the trade-off as having "one-third of the money of a Disney or DreamWorks film, and half of the production schedule," but the payoff as having more creative freedom, describing the film as "fully-made by the animation team; I don't think any other studio can say that to the level that we can."
Tim McCanlies was hired to write the script, though Bird was somewhat displeased with having another writer on board, as he wanted to write the screenplay himself. He later changed his mind after reading McCanlies' then-unproduced screenplay for Secondhand Lions. In Bird's original story treatment, America and the USSR were at war at the end, with the Giant dying. McCanlies decided to have a brief scene displaying his survival, stating, "You can't kill E.T. and then not bring him back." McCanlies finished the script within two months, and was surprised once Bird convinced the studio not to use Townshend's songs. Townshend did not care either way, saying "Well, whatever, I got paid." McCanlies was given a three-month schedule to complete a script, and it was by way of the film's tight schedule that Warner Bros. "didn't have time to mess with us" as McCanlies said. Hughes himself was sent a copy of McCanlies' script and sent a letter back, saying how pleased he was with the version. In the letter, Hughes stated, "I want to tell you how much I like what Brad Bird has done. He’s made something all of a piece, with terrific sinister gathering momentum and the ending came to me as a glorious piece of amazement. He’s made a terrific dramatic situation out of the way he’s developed The Iron Giant. I can’t stop thinking about it."
Bird opted to produce The Iron Giant entirely in widescreen, but was warned against doing so by his advisers. Bird felt it was appropriate to use the format, as many films from the late 1950s were produced in such widescreen formats, and was eventually allowed to produce the feature in the wide 2.39:1 CinemaScope aspect ratio It was decided to animate the Giant using computer-generated imagery as the various animators working on the film found it hard "drawing a metal object in a fluid-like manner." A new computer program was created for this task, while the art of Norman Rockwell, Edward Hopper and N.C. Wyeth inspired the design. Bird brought in students from CalArts to assist in minor animation work due to the film's busy schedule. The Giant's voice was originally to be electronically modulated but the filmmakers decided they "needed a deep, resonant and expressive voice to start with", and were about to hire Peter Cullen, due to his history with voice acting robot characters, but due to Cullen's unavailability at the time, Vin Diesel was hired instead. Cullen did some voice-over work for the film's theatrical trailer. Storyboard artist Teddy Newton played an important role in shaping the film's story. Newton's first assignment on staff involved being asked by Bird to create a film within a film to reflect the "hygiene-type movies that everyone saw when the bomb scare was happening."
Newton came to the conclusion that a musical number would be the catchiest alternative, and the "Duck and Cover sequence" came to become one of the crew members' favorites of the film. Nicknamed "The X-Factor" by story department head Jeffery Lynch, the producers gave him artistic freedom on various pieces of the film's script.
The score for the film was composed and conducted by Michael Kamen. Bird's original temp score, "a collection of Bernard Hermann cues from 50's and 60's sci-fi films," initially scared Kamen. Believing the sound of the orchestra is important to the feeling of the film, Kamen "decided to comb eastern Europe for an "old-fashioned" sounding orchestra and went to Prague to hear Vladimir Ashkenazy conduct the Czech Philharmonic in Strauss's An Alpine Symphony." Eventually, the Czech Philharmonic was the orchestra used for the film's score, with Bird describing the symphony orchestra as "an amazing collection of musicians." The score for The Iron Giant was recorded in a rather unconventional manner, compared to most films: recorded over one week at the Rudolfinum in Prague, the music was recorded without conventional uses of syncing the music, in a method Kamen described in a 1999 interview as "[being able to] play the music as if it were a piece of classical repertoire." Kamen's score for The Iron Giant won the Annie Award for Music in an Animated Feature Production on November 6, 1999.
The film is set in 1957 during a period of the Cold War characterized by escalation in tension between the United States and the Soviet Union. In 1957, Sputnik was launched, raising the possibility of nuclear attack from space. Anti-communism and the potential threat of nuclear destruction cultivated an atmosphere of fear and paranoia which also led to a proliferation of films about alien invasion. In one scene, Hogarth's class is seen watching an animated film named Atomic Holocaust, based on Duck and Cover, an actual film that offered advice on how to survive if the USSR bombed the USA. The film also has an anti-gun message in it. When the Iron Giant sees a deer get killed by hunters, the Iron Giant notices two rifles discarded by the deer's body. The Iron Giant's eyes turn red showing hostility to any gun. It is repeated throughout the film, "Guns kill." and "You're not a gun." Despite the anti-war and anti-gun themes, the film avoids demonizing the military, and presents General Rogard as an essentially rational and sympathetic figure, in contrast to the power-hungry civilian Mansley. Hogarth's message to the giant, "You are who you choose to be", played a pivotal role in the film. In a deleted scene, the robot dreams of seeing many robots like it marching through a war zone on an alien world, suggesting that the robot was created to be a weapon in a long-ago war.
Writer McCanlies commented that "At a certain point, there are deciding moments when we pick who we want to be. And that plays out for the rest of your life." McCanlies said that movies can provide viewers with a sense of right and wrong, and expressed a wish that the movie would "make us feel like we're all part of humanity [which] is something we need to feel."
|"We had toy people and all of that kind of material ready to go, but all of that takes a year! Burger King and the like wanted to be involved. In April we showed them the movie, and we were on time. They said, "You'll never be ready on time." No, we were ready on time. We showed it to them in April and they said, "We'll put it out in a couple of months." That's a major studio, they have 30 movies a year, and they just throw them off the dock and see if they either sink or swim, because they've got the next one in right behind it. After they saw the reviews they [Warner Bros.] were a little shamefaced."|
|— Writer Tim McCanlies on Warner Bros.' marketing approach|
The Iron Giant opened on August 6, 1999 in the United States in 2,179 theaters, ranking at No. 9 accumulating $5,732,614 over its opening weekend. The film went on to gross $23,159,305 domestically and $8,174,612 internationally for a total of $31,333,917 worldwide. In an interview with IGN, Bird stated that it was "a mis-marketing campaign of epic proportions at the hands of Warner Bros., they simply didn't realize what they had on their hands." Tim McCanlies said, "I wish that Warner had known how to release it."
Lorenzo di Bonaventura, president of Warner Bros. at the time, explained, "People always say to me, 'Why don't you make smarter family movies?' The lesson is, Every time you do, you get slaughtered." Brad Ball, who had been assigned the role of marketing the film, admitted that the mistake had been Warner failing to announce a final release date until very late on, which prevented Warner's partner Burger King from committing to a toy tie-in plan. Stung by criticism that it mounted an ineffective marketing campaign for its theatrical release, Warner Bros. revamped its advertising strategy for the video release of the film, including tie-ins with Honey Nut Cheerios, AOL and General Motors and secured the backing of three U.S. congressmen (Ed Markey, Mark Foley and Howard Berman).
Neither McCanlies nor Bird made another animated film for Warner, although Bird has said that Warner expressed some interest in the initial treatment for The Incredibles. Bird and 'about 15' of the animators were hired by Pixar, who had been impressed by the film. McCanlies went on to write and direct the film Secondhand Lions.
Based on 132 reviews collected by the review aggregate website Rotten Tomatoes, The Iron Giant received an overall 96% "Certified Fresh" approval rating, with an average score of 8.2/10. The consensus reads: "Engaging, endearing, affecting and charmingly retro, The Iron Giant tackles touchy subjects and complex relationships with a steady hand and beautiful animation direction from Brad Bird." Metacritic calculated an average score of 85 (out of 100) from the 27 reviews it collected, which indicates "Universal Acclaim". The film has since then gathered a cult following. The cable television network Cartoon Network showed the film annually on Thanksgiving for 24 hours straight in the early 2000s. As of 2015, Rotten Tomatoes ranks it the third most-acclaimed animated film made in the 1990s.
Roger Ebert very much liked the Cold War setting, feeling "that's the decade when science fiction seemed most preoccupied with nuclear holocaust and invaders from outer space." In addition he was impressed with parallels seen in E.T. the Extra-Terrestrial and wrote, "[The Iron Giant] is not just a cute romp but an involving story that has something to say." In response to the E.T. parallels, Bird said, "E.T. doesn't go kicking ass. He doesn't make the Army pay. Certainly you risk having your hip credentials taken away if you want to evoke anything sad or genuinely heartfelt." IGN extolled the film in a 2004 review as "the best non-Disney animated film".
Peter Stack of the San Francisco Chronicle agreed that the storytelling was far superior to other animated films, and cited the characters as plausible and noted the richness of moral themes. Jeff Millar of the Houston Chronicle agreed with the basic techniques as well, and concluded the voice cast being excelled with a great script by Tim McCanlies.
Website Ain't It Cool News praised the film particularly strongly, going so far as to complain about the film's poor marketing. It suggested that, as with A Little Princess four years earlier, Warner should rerelease the film at a more appropriate time in cinemas; the latter film had also received wild praise despite limited marketing limiting its success.
The Hugo Awards nominated The Iron Giant for Best Dramatic Presentation, while the Science Fiction and Fantasy Writers of America honored Brad Bird and Tim McCanlies with the Nebula Award nomination. The British Academy of Film and Television Arts gave the film a Children's Award as Best Feature Film. In addition The Iron Giant won nine Annie Awards and was nominated for another six categories, with another nomination for Best Home Video Release at The Saturn Awards. IGN ranked The Iron Giant as the fifth favorite animated film of all time in a list published in 2010.
|Award||Date of ceremony||Category||Recipients and nominees||Result|
|Annie Awards||November 6, 1999||Best Animated Feature Film||Allison Abbate, Des McAnuff, and John Walker
Warner Bros. Pictures; Warner Bros. Feature Animation
|Outstanding Individual Achievement in Effects Animation||Allen Foster|
|Outstanding Individual Achievement in Character Animation||Jim Van der Keyl|
|Outstanding Individual Achievement for Directing in an Animated Feature Production||Brad Bird||Won|
|Outstanding Individual Achievement for Music in an Animated Feature Production||Michael Kamen|
|Outstanding Individual Achievement for Production Design in an Animated Feature Production||Alan Bodner|
|Outstanding Individual Achievement in Storyboarding in an Animated Feature Production||Mark Andrews||Won|
|Outstanding Individual Achievement for Voice Acting in an Animated Feature Production||Eli Marienthal
For playing "Hogarth Hughes".
|Outstanding Individual Achievement for Writing in an Animated Feature Production||Tim McCanlies (screenplay) and Brad Bird (story)|
|BAFTA Children's Award||April 9, 2000||Best Feature Film||Brad Bird, Allison Abbate, Des McAnuff, and Tim McCanlies|
|Florida Film Critics Circle||January 9, 2000||Best Animated Film||Brad Bird||Won|
|Genesis Awards||March 18, 2000||Best Feature Film - Animated|
|Hugo Award||September 2, 2000||Best Dramatic Presentation||Brad Bird (screen story and directed by), Tim McCanlies (screenplay by), and Ted Hughes (based on the book The Iron Man by)||Nominated|
|Las Vegas Film Critics Society||January 18, 2000||Best Animated Film||Won|
|Los Angeles Film Critics Association||January 20, 2000||Best Animated Film||Brad Bird|
|Motion Picture Sound Editors Awards||March 25, 2000||Best Sound Editing - Animated Feature|
|Best Sound Editing - Music - Animation||Nominated|
|New York Film Critics Circle||January 10, 2000||Best Animated Film||2nd place|
|Santa Fe Film Critics Circle Awards||January 9, 2000||Best Animated Film||Won|
|Saturn Awards||June 6, 2000||Best Home Video Release||Nominated|
|Science Fiction and Fantasy Writers of America||May 20, 2000||Best Script||Brad Bird and Tim McCanlies|
|Young Artist Awards||March 19, 2000||Best Family Feature Film - Animated|
|Best Performance in a Voice-Over (TV or Feature Film) - Young Actor||Eli Marienthal||Won|
The Iron Giant was released on VHS and DVD on November 23, 1999. The Special Edition DVD was released on November 16, 2004. In 2014, Brad Bird went to Warner Bros. to talk about the possibility of releasing The Iron Giant on Blu-ray. "WB & I have been talking. But they want a bare bones disc. I want better," Bird said on his Twitter account. He also said that fans can log on to their Twitter accounts and post a tweet on the Twitter homepage of Warner Bros. Home Entertainment, demanding a Collector's Edition Blu-ray for the film.
The Iron Giant: Signature Edition
A remastered and extended cut of the film was announced on July 7, 2015 in a tweet by director Bird. Information on the Fathom Events website revealed that the Signature Edition is approximately 10 minutes longer than the original cut, and features two new scenes. The Signature Edition will be shown in one-off screenings across the United States on September 30 and October 4, according to Fathom. Home media versions of the Signature Edition are expected to arrive afterwards within 2015.
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- R. Kinsey, Lowe (October 7, 2005). "Filmmakers push to rescue 'Duma'". Los Angeles Times. Retrieved August 1, 2015.
Some publications have compared the film's studio experience to "A Little Princess" and "Iron Giant," two other Warner Bros. family releases that famously failed to reach a broad audience in theaters despite widespread critical acclaim.
- BradBirdA113 (July 7, 2015). "Good to be working with an old friend. See #TheIronGiant at #SDCC & learn more about the #SignatureEdition #rerelease" (Tweet).
- "The Iron Giant: Signature Edition". Fathom Events. Retrieved July 8, 2015.
- "The Iron Giant - Making the Movie". Warner Bros. Retrieved July 27, 2013.
What he does find is a 50-foot giant with an insatiable appetite for metal and a childlike curiosity about its new world.
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- Brad Bird, Jeffery Lynch et al. (2004). The Iron Giant Special Edition. Special Features: Teddy Newton "The X-Factor" (DVD). Warner Home Video.
- Dan Goldwasser (September 4, 1999). "Interview with Michael Kamen". SoundtrackNet. Retrieved February 25, 2011.
- Presenters: Vin Diesel and Brad Bird (August 1, 1999). "The Making of: The Iron Giant". 22:07 minutes in. The WB. Missing or empty
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- Bird, Brad. ""Well, THE INCREDIBLES wasn't "rejected" by Warner's (they were interested-- in "developing" it). But Pixar wanted to MAKE it."". Twitter. Retrieved August 9, 2015.
- Bird, Brad. "Twitter post". Retrieved August 9, 2015.
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- "Top 100 animation movies". Rotten Tomatoes. Retrieved August 9, 2015.
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- Stack, Peter (August 6, 1999). "'Giant' Towers Above Most Kid Adventures". San Francisco Chronicle. Archived from the original on August 12, 2010. Retrieved January 14, 2008.
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- AFI's 10 Top 10 Ballot
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- Further reading
- Hughes, Ted (March 3, 2005). The Iron Man (Paperback). Reprinting of novel on which this film is based. Faber Children's Books. ISBN 0571226124.
- Hughes, Ted; Moser, Barry (August 31, 1995). The Iron Woman (Hardcover). Sequel to The Iron Man. Amazon Remainders Account. ISBN 0803717962.
- James Preller The Iron Giant: A Novilization. Scholastic Paperbacks (August 1999). ISBN 0439086345.
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