The Lady, or the Tiger?
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"The Lady, or the Tiger?" is a much-anthologized short story written by Frank R. Stockton for publication in the magazine The Century in 1882. "The Lady, or the Tiger?" has entered the English language as an allegorical expression, a shorthand indication or signifier, for a problem that is unsolvable.
The short story takes place in a land ruled by a semi-barbaric king. Some of the king's ideas are progressive, but others cause people to suffer. One of the king's innovations is the use of a public trial by ordeal as an agent of poetic justice, with guilt or innocence decided by the result of chance. A person accused of a crime is brought into a public arena and must choose one of two doors. Behind one door is a lady whom the king has deemed an appropriate match for the accused; behind the other is a fierce, hungry tiger. Both doors are heavily soundproofed to prevent the accused from hearing what is behind each one. If he chooses the door with the lady behind it, he is innocent and must immediately marry her, but if he chooses the door with the tiger behind it, he is deemed guilty and is immediately devoured by it.
The king learns that his daughter has a lover, a handsome and brave youth who is of lower status than the princess, and has him imprisoned to await trial. By the time that day comes, the princess has used her influence to learn the positions of the lady and the tiger behind the two doors. She has also discovered that the lady is someone whom she hates, thinking her to be a rival for the affections of the accused. When he looks to the princess for help, she discreetly indicates the door on his right, which he opens.
The outcome of this choice is not revealed. Instead, the narrator departs from the story to summarize the princess's state of mind and her thoughts about directing the accused to one fate or the other, as she will lose him to either death or marriage. She contemplates the pros and cons of each option, though notably considering the lady more. "And so I leave it with all of you: Which came out of the opened door – the lady, or the tiger?"
Stockton later wrote "The Discourager of Hesitancy," a follow-up to "The Lady, or the Tiger?" that begins with five travelers visiting the kingdom to discover what the accused man in that story found behind the door he chose. An official tells them a second story, of a prince who had come to the kingdom to find a wife. Instead of allowing him to see any available ladies, the king had him immediately taken to guest quarters and summoned attendants to prepare him for a wedding to be held the next day. One attendant introduced himself as the Discourager of Hesitancy and explained that his job was to ensure compliance with the king's will, through the subtle threat of the large "cimeter" (scimitar) he carried.
At noon on the following day, the prince was blindfolded and brought before a priest, where a marriage ceremony was performed and he could feel and hear a lady standing next to him. Once the ceremony was complete, the blindfold was removed and he turned to find 40 ladies standing before him, one of whom was his new bride. If he did not correctly identify her, the Discourager would execute him on the spot. The prince narrowed the possibilities down to two, one lady smiling and one frowning, and made the correct choice.
The kingdom official tells the five travelers that once they figure out which lady the prince had married, he will tell them the outcome of "The Lady, or the Tiger?" The story ends with a comment that they still have not come to a decision.
By other artists
A play adaptation by Sydney Rosenfeld debuted at Wallack's Theatre in 1888 ran for seven weeks. In addition to stretching out the story as long as possible to make it a play, at the end the choice was revealed to the audience – neither a lady or tiger, but an old hag.
The story was the inspiration for Raymond Smullyan's puzzle book by the same title, The Lady, or the Tiger?. The first set of logic puzzles in the book had a similar scenario to the short story in which a king gives each prisoner a choice between a number of doors; behind each one was either a lady or a tiger. However, the king bases the prisoner's fate on intelligence and not luck by posting a statement on each door that can be true or false.
"The Lady, or the Tiger?" is referenced in "Ennui", a sonnet written by Sylvia Plath and published 43 years after her death. Plath's sonnet, however, speaks of an age when the choice has become no longer relevant.
Alternative rock band They Might Be Giants released the song "The Lady and the Tiger" on their 2011 album Join Us. Like the story, the song ends without a conclusion. The last line reads, "The hall remains, it still contains a pair of doors, a choice. Behind one door, a muffled roar, behind the other, a voice."
"The Purr-fect Crime", Season 1, Episode 19 of the U.S. television series Batman ends with a cliffhanger in which Batman is presented with two doors; one of which opens to Catwoman and the other opens to a tiger. Batman has no hint and chooses the door that has the tiger.
In The Simpsons Season 17, Episode 17, Kiss Kiss Bang Bangalore, Lenny and Carl are presented with two doors. A man informs them that Homer Simpson is behind one of the two doors, and behind the other, a ferocious tiger. When both doors reveal a tiger inside, they are informed that one of the tigers is named Homer Simpson.
- VOA Learning English video
- "The Discourager of Hesitancy" in the Century Magazine Archive
- Smith, Cecil & Glenn Litton. Musical Comedy in America, p. 44 (1991 ed.)
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- "The lady or the tiger? ; and, A Discussion of Frank Stockton's The Lady, or the tiger?". WorldCat. Retrieved 2018-05-23.
- "Frank Stockton's story". Britannica Kids. Retrieved 2018-05-23.
- "The Lady or the Tiger by Gerald P. Murphy". Lazy Bee Scripts.
- "Batman (TV Series): The Purr-fect Crime (1966): Plot Summary". IMDb. Retrieved 2016-08-08.
- Stockton, F. R. (November 1882). "The Lady, or the Tiger?". The Century. 25 (1): 83–86.
- Pforzheimer, Walter L. (Autumn 1935). "The Lady, the Tiger and the Author". The Colophon. 1 (2): 261–270.
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