The Lambeth Walk

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"The Lambeth Walk" is a song from the 1937 musical Me and My Girl (with book and lyrics by Douglas Furber and L. Arthur Rose and music by Noel Gay). The song takes its name from a local street Lambeth Walk[1] once notable for its street market and working class culture in Lambeth, an area of London. The tune gave its name to a Cockney dance first made popular in 1937 by Lupino Lane.

The story line of Me and My Girl concerns a Cockney barrow boy who inherits an earldom but almost loses his Lambeth girlfriend. It was turned into a 1939 film The Lambeth Walk which starred Lane.

Dance craze[edit]

The choreography from the musical, in which the song was a show-stopping Cockney-inspired extravaganza, inspired a popular walking dance, performed in a jaunty strutting style. Lane explained the origin of the dance as follows: "I got the idea from my personal experience and from having worked among cockneys. I'm a cockney born and bred myself. The Lambeth Walk is just an exaggerated idea of how the cockney struts." [2]

When the stage show had been running for a few months, C.L. Heimann, managing director of the Locarno Dance Halls, got one of his dancing instructors, Adele England, to elaborate the walk into a dance. "Starting from the Locarno Dance Hall, Streatham, the dance-version of the Lambeth Walk swept the country."[2] The craze reached Buckingham Palace, with King George VI and Queen Elizabeth attending a performance and joining in the shouted "Oi" which ends the chorus."[3]

The fad reached the United States in 1938, popularized by Boston-based orchestra-leader Joseph (Joe) Rines, among others. Rines and his band frequently performed in New York, and the dance became especially popular at the "better" night clubs.

As with most dance crazes, other well-known orchestras did versions of the song, including Duke Ellington's. The dance then spread across America, and to Paris and Prague.[2] Mass Observation devoted a chapter of their book Britain (1939) to the craze.[2]

A member of the Nazi Party drew attention to it in 1939 by declaring The Lambeth Walk (which had become popular in swing clubs in Germany) "Jewish mischief and animalistic hopping", as part of a speech on how the "revolution of private life" was one of the next big tasks of National Socialism in Germany. However, the song continued to be popular with the German public and was even played on the radio, particularly during the war ,as part of the vital task of maintaining public morale.

In 1942, Charles A. Ridley of the Ministry of Information made a short propaganda film, Lambeth Walk - Nazi Style, which edited existing footage taken from Leni Riefenstahl's Triumph of the Will to make it appear as if they were dancing to "The Lambeth Walk".[4] The propaganda film was distributed uncredited to newsreel companies, which would supply their own narration.[5] Joseph Goebbels placed Ridley on a Gestapo list for elimination if Britain were defeated.[citation needed]

One of photographer Bill Brandt's best-known pictures is "Dancing the Lambeth Walk", originally published in 1943 in the magazine Picture Post.[citation needed]

Both Russ Morgan and Duke Ellington had hit records of the song in the United States.


Anytime you're Lambeth way,
Any evening, any day,
You'll find us all doin' the Lambeth walk.
Every little Lambeth gal,
With her little Lambeth pal,
You'll find 'em all doin' the Lambeth walk.
Everything's free and easy,
Do as you darn well pleasey,
Why don't you make your way there,
Go there, stay there.
Once you get down Lambeth way,
Every evening, every day,
You'll find yourself doin' the Lambeth walk.

Cultural impact[edit]

"The Lambeth Walk" had the distinction of being the subject of a headline in The Times in October 1938: "While dictators rage and statesmen talk, all Europe dances — to The Lambeth Walk."[6]

In the movie The Longest Day (1962), about the Allied invasion of Normandy in June 1944, this song is sung by the squadron of Major John Howard in a glider on its way to capture Pegasus Bridge.

The composer Franz Reizenstein wrote a set of Variations on the Lambeth Walk, each variation a pastiche of the style of a major classical composer. Notable are the variations in the styles of Beethoven, Chopin, and Liszt.


  1. ^ "Lambeth Walk". 
  2. ^ a b c d Madge, Charles & Harrisson, Tom (1939). Britain. by Mass Observation. Harmondsworth: Penguin Books. 
  3. ^ Guy, Stephens (2001). Richards, Jeffrey, ed. The Unknown 1930s: An Alternative History of the British Cinema 1929-39. I.B.Tauris. p. 112. ISBN 1-86064-628-X. 
  4. ^ Ridley, Charles A. (1942). Lambeth Walk - Nazi Style. 
  5. ^ "Nazis Hold Lambeth Walk is 'Animalistic Hopping'". The New York Times. January 8, 1939. p. 26. 
  6. ^ Nicholson, Geoff. The Lost Art of Walking: The History, Science, and Literature of Pedestrianism. Penguin, 2009, Chapter 5 ISBN 1-59448-403-1

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