The Last Rose of Summer
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The Last Rose of Summer is a poem by the Irish poet Thomas Moore. He wrote it in 1805, while staying at Jenkinstown Park in County Kilkenny, Ireland, where he was said to have been inspired by a specimen of Rosa 'Old Blush'.  The poem is set to a traditional tune called "Aislean an Oigfear", or "The Young Man's Dream", which was transcribed by Edward Bunting in 1792, based on a performance by harper Denis Hempson (Donnchadh Ó hÁmsaigh) at the Belfast Harp Festival. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The original piano accompaniment was written by John Andrew Stevenson, several other arrangements followed in the 19th and 20th century.
There are innumerable arrangements and sets of "theme and variations" during the 19th century. The following is a selection only.
- Ludwig van Beethoven used it twice: a) as no. 6 "Sad and Luckless was the Season" in volume 2 of his Irish Songs WoO 153 (written 1814, published 1816), and b) as no. 4 of his Six National Airs with Variations op. 105 for flute and piano (composed 1818, published 1819)
- Ferdinand Ries: Grand sestetto ... in which is introduced the admired air 'The Last Rose Summer' op. 100, for string quartet, double bass, piano (1819)
- Friedrich Kalkbrenner: Eighth Fantasia for the piano forte in which is introduced a favourite Irish melody op. 50, for piano (1821)
- Charles Bochsa: Fantaisie et variations sur un air favori irlandais, for harp (1822)
- Mauro Giuliani: No. 2 of Six Airs irlandois nationales variés op. 125, for guitar (c.1825)
- Ignaz Moscheles: The Recollections of Ireland op. 69, for piano and orchestra (1826)
- Felix Mendelssohn: Fantasia on 'The Last Rose of Summer' op. 15, for piano (c.1827)
- Jean-Louis Tulou: Souvenir anglais op. 51, for 2 flutes and piano (1828)
- Friedrich Kuhlau: Variations on an Irish Folksong op. 105, for flute and piano (1829)
- Kaspar Kummer: Des Sommers letzte Rose, no. 6 in: Transcriptionen über beliebte Themen op. 57, for 2 flutes (1829)
- Henri Herz: The Last Rose of Summer op. 159, for piano (1842)
- William Vincent Wallace: The Last Rose of Summer (1846)
- Friedrich von Flotow: aria "Letzte Rose" in the opera Martha (1847)
- Charles Mayer: La Dernière rose. Fantaisie variée, for piano (mid-1840s)
- Mikhail Glinka: Theme ecossais varie based on the Irish tune 'The Last Rose of Summer', for piano (1847)
- Joseph Joachim Raff: The Last Rose of Summer. La Dernière rose. Impromptu op. 46, for piano (1849)
- August Neithardt(de): Des Sommers letzte Rose op. 141 no. 3, for mixed choir (1850)
- Brinley Richards: The Last Rose of Summer op. 45, for piano (1853)
- Charles Oberthür: Fantaisie brillante, on motives of Flotow's Martha, introducing the air 'The Last Rose of Summer' op. 116, for harp (1854)
- Sigismond Thalberg: The Last Rose of Summer. Air irlandais varié op. 73, for piano (1857)
- Henri Vieuxtemps: No. 5 of Bouquet Americain op. 33 ("Dernière rose de l'été"), for violin and piano (1860)
- Heinrich Wilhelm Ernst: No. 6 of Sechs mehrstimmige Etüden (Six Polyphonic Studies): Variations on 'The Last Rose of Summer', for violin solo (1865)
- Joseph O'Kelly: La Dernière rose; no. 6 of Les Soirées enfantines, 2nd series, versions for piano solo and 4-hands (1866)
- Jules Danbé: La Dernière rose. Mélodie irlandaise, fantaisie, for violin and piano (1870)
- Charles Gounod: The Last Rose of Summer, for mixed choir (1873)
- Sydney Smith: The Last Rose of Summer. Paraphrase de concert op. 173, for piano (c.1880)
- Félix Godefroid: La Dernière rose d'été. Mélodie irlandaise, for harp (1891)
- Max Reger: Vierstimmiger Kanon über das Lied 'Letzte Rose', for piano (1903)
- Paul Hindemith alluded to both words and music in his On Hearing 'The Last Rose of Summer', part of Nine English Songs (1944)
- Benjamin Britten: no. 9 of Folksong Arrangements, vol. 4: Moore's Irish Melodies (1958)
- In Japan, the melody is widely known as the song Niwa-no-Chigusa (庭の千草?), meaning "The Plants in the Garden". The poem was adapted by Tadashi Satomi (1824–1886) and published as part of Songs for the Elementary School (book III) in 1884 by the Educational Ministry.
- The poem is alluded to in the Grateful Dead song "Black Muddy River", which is sung to the original tune.
- Clannad released a rendition of the song on their album Crann Úll.
- Sarah Brightman recorded the song for her album The Trees They Grow So High.
- It was made popular in the twenty-first century in a recording by Charlotte Church and the Irish Tenors.
- It is sung in the musical group Celtic Woman by Méav Ní Mhaolchatha and Hayley Westenra. Chloë Agnew's solo version is recorded on her self-titled album. In the Celtic Woman: A New Journey tours, she sang duets with Ní Mhaolchatha, Westenra, and the vocalist-guitarist of the same group, Lynn Hilary. Agnew and Hilary are performing the same version in the Isle of Hope tour. Ní Mhaolchatha's solo version is included in her Celtic Journey album.
- Off their 1977 album "Sin After Sin", Judas Priest recorded a song entitled "Last Rose of Summer". Written by Rob Halford and Glenn Tipton, the song is all about "unyielding love".
- Tom Waits included a song entitled "The Last Rose of Summer" on his 1993 album The Black Rider, based on the eponymous stage production by Waits, Robert Wilson (director) and William S. Burroughs. In it, the singer talks about the petals of his "favourite rose" being shrouded "in shadows dark and long". The song ends with the lines: "I can be found in the garden singing this song / When the last rose of summer is gone."
- Fionnuala Sherry of the New Instrumental duo Secret Garden released a version of the song titled "The Last Rose" on her solo debut album "Songs From Before".
- Laura Wright recorded a version, featured on her album The Last Rose (2011).
- Kanye West interpolated it into his song "Blood on the Leaves" off his 2013 album Yeezus.
- In the popular online web series RWBY, "The Last Rose of Summer" is listed as an inspiration for Summer Rose's name, the mother of Ruby Rose, as evidenced by the epitaph on her gravestone: "Summer Rose/Thus Kindly, I Scatter", a line from the poem.
- James Galway: Over the Sea to Skye – The Celtic Connection, James Galway & The Chieftains (2009).
Film, television and radio
In the 1941 film Here Comes Mr. Jordan it is the character Joe Pendelton's inability to play "The Last Rose of Summer" on his saxophone anything other than badly that allows him to prove that he is alive in another man's body; all the other characters think he is the dead man from whom he got the body, but when he plays the sax for his old boxing manager, he uses the same wrong note in the melody as he always did, and which thus confirms his story of coming back from the after-life.
In the 1995 film An Awfully Big Adventure, the song is used as P.L. O'Hara's theme music and is a recurrent musical motif in the film's score.
In the 16th (final) episode of the 6th season of the UK Channel 4 television show Shameless, the song was sung by Jamie Maguire (played by Aaron McCusker) at the funeral of his sister Mandy Maguire (Samantha Siddall).
February 2011, the song was featured in FOX TV series,"The Chicago Code" Season 1 Episode 2, "Hog Butcher". This traditional Irish song was sung by Jason Bayle, as the uniformed officer during the memorial service of fallen Chicago police officer Antonio Betz.
In the 2000 Thai western film Tears of the Black Tiger (Thai: ฟ้าทะลายโจร, or Fa Thalai Chon), translated version of the song called "Kamsuanjan" ("The Moon Lament") was used as the closing song concurrent with the tragic ending of the film.
In Rooster Teeth Productions' RWBY web series, the name of Summer Rose is a direct reference to the poem. The thirteenth line, "Thus Kindly I Scatter", is used as the epitaph on her gravestone in the trailer "Red" and episodes one and twelve of the third season. 
The song was used in the game Endless Ocean 2: Adventures of the Deep as the theme of the Depths area of the Zahhab Region. It is also playable on the jukebox that the player can purchase in-game.
In Hangar 13 game, Mafia 3, the character, Burke can be heard singing this song with sorrow.
'Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh.
I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?
- Walton's, editors (1993). Ireland - The Songs Book 4.
- Edward Bunting, A General Collection of the Ancient Irish Music (1796)
- "Ulysses by James Joyce: The Last Rose of Summer, accessed 29 June 2009
- Kenton Bamford, Distorted images: British national identity and film in the 1920s (1999), p. 8
- "Three Smart Girls Grow Up". Deanna Durbin Devotees. Retrieved 9 July 2013.
Works related to The Last Rose of Summer at Wikisource