The Lion Has Wings

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The Lion Has Wings
Lion has Wings.jpg
US theatrical release poster
Directed byMichael Powell
Brian Desmond Hurst
Adrian Brunel
Alexander Korda (uncredited)
Produced byAlexander Korda
Ian Dalrymple
Written byAdrian Brunel
E.V.H. Emmett
Story byIan Dalrymple
StarringMerle Oberon
Ralph Richardson
June Duprez
Narrated byE.V.H. Emmett (UK)
Lowell Thomas (US)
Music byRichard Addinsell
CinematographyOsmond Borradaile
Bernard Browne
Harry Stradling Sr.
Edited byHenry Cornelius
Charles Frend
Hugh Stewart
Derek N. Twist
Distributed byUnited Artists
Release date
  • 3 November 1939 (1939-11-03) (UK)
Running time
76 minutes
CountryUnited Kingdom

The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film. The film was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda, and Michael Powell.[1] It was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation (for war) and shining a light on the power of the RAF'"[2] .

The film was made at the outbreak of the Second World War, released to cinemas very quickly, and helped convince the government of the value of film in both the propaganda battle and the dissemination of information.


The Lion Has Wings is recounted in various "chapters" with a linking story revolving around a senior Royal Air Force (RAF) officer, played by Ralph Richardson, his wife, and his family.

A RAF Vickers Wellington bomber sets off on an attack on the Kiel shipyards in Germany, a pivotal event in the film

The film opens with a newsreel style documentary comparing life in Britain to life in Nazi Germany, narrated by E.V.H. Emmett in the upbeat and patriotic narrative style common to such newsreels in Britain. This mainly uses existing newsreel footage with some additional footage shot especially for this film. It includes scenes from Fire Over England with Queen Elizabeth I giving her speech to the troops at Tilbury about repelling invaders. It also compares the relaxed lifestyles and openness of the British Royal Family and the British people with the militarism of Nazi Germany by including footage from Triumph of the Will (Triumph des Willens).

The second chapter shows an early bombing raid on German warships in the Kiel Canal. Although it was mainly recreated in the studio, and with special effects, it also includes some footage of the real bombers and their crews returning from the raid.[3]

The third chapter shows an attack by Luftwaffe bombers, and how it is repelled by the RAF, with assistance from the Observer Corps and the barrage balloons.

The epilogue has Mr. and Mrs. Richardson taking a break from their duties, enjoying an afternoon by the river. She gives a stirring speech about how the women of Britain have in the past given their sons and lovers to the land and to the sea, and must now give them to the air. They will do so willingly to defend all that is fair and kind about the British way of life. But Wing Commander Richardson is so tired he falls asleep part way through her speech.



At the outbreak of war, there were fears that all film production would be halted and cinemas closed, as they were in the First World War. Alexander Korda was close friends with Winston Churchill, and was very aware of current events. As soon as war was declared, Korda pulled staff from other productions to fulfill his promise to Churchill that he would have a feature propaganda film ready within one month of the outbreak of war.

Since The Lion Has Wings was made before the attacks on Britain had begun, the film had to rely on existing "stock" footage, including sequences lifted from the air raid featurette, The Gap. Contemporary aircraft, many of which were obsolete by 1939, are a noticeable jarring element. The footage of a German bomber taking off is actually a German airliner (Focke-Wulf Fw 200); at least, it has the correct markings, but most of the aircraft featured in the RAF air show were antiquated biplane fighters. The addition of footage that was shot at operational bases, RAF Hornchurch, Hornchurch, Essex, and RAF Mildenhall, Suffolk, England, combined with studio work at Denham Studio, Denham, Buckinghamshire, UK, lent an air of authenticity to the production.[4]

To ensure rapid progress, the film had three directors, and was shot simultaneously in various locations. Michael Powell was assigned the task of recreating the RAF bomber raids, and his taut and well-structured section stands up the best, while Brian Desmond Hurst's sequences include Merle Oberon and Ralph Richardson which brought 'the undoubted stardust he managed to sprinkle with the help of his leading actors' "[5] which helped fill the cinemas. Adrian Brunel, the last of the three credited directors, was responsible for the spy and "crisis" scenes. Powell later remarked that the project was "all shop-made, edited, and directed in less than a month".[6]

The greatest UK film director in the genre of 'conflict on film'[edit]

The Lion Has Wings is a step change in the UK's portrayal of conflict on film and showed that the UK could use film as propaganda just as it was being used by Nazi Germany. 'This is propaganda with the purpose of showing that the nation can fight back in film: our cinemas are open;our nation is prepared and we are ready for the Germans when their inevitable aerial bombardment begins'."[7] It also propelled recruitment into the RAF which would prove pivital a year later during the Battle of Britain.

The UK accolade of greatest film director in the genre of 'conflict on film' can cause much debate. Potentially the short list could be narrowed to three directors honoured by the Directors Guild of Great Britain under their blue plaque namely, David Lean, Michael Powell and Brian Desmond Hurst with the latter two working together on The Lion Has Wings.

David Lean's output includes In Which we Serve (1942) The Bridge On the River Kwai (1957) and Lawrence of Arabia (1962).

Brian Desmond Hurst

Michael Powell


The speed of production and the multiple directors shows in the final result, "it's not the most elegant of films",[8] but it is an effective "message" film.[neutrality is disputed] It was all shot in 12 days, and completed in about four weeks, at a cost of just £30,000, a notable achievement in the times. Within days of its release, copies had been shipped to 60 countries. Although it is difficult to determine its actual impact on the public, The Lion Has Wings was considered a significant factor in persuading the British government to allow the film industry to continue to work, and the film was regarded as a model of how filmmakers could be an asset to the war effort.[9]

Like many propaganda films, The Lion Has Wings does not tell the whole truth, but there are many elements of truth in it. The use of radar as a defensive measure was not mentioned, since it was still a secret. However, the bombing raids were shown first being reported by spies then confirmed by the Observer Corps, a tactic that was actually occurring as part of the defensive measures. The film also shows Luftwaffe bombers trying to attack London, but being completely turned back by barrage balloons, which in reality had little effect on the raids. The use of RAF fighters intercepting and attacking enemy bombers at night was not feasible at that point. These errors or misinterpretations added to other lofty claims that Britain had sufficient aircraft in production and was quite ready to fight to counter the overwhelming numbers of Luftwaffe raiders; all purposeful exaggerations intended to bolster morale.

Public reaction was generally reserved, as British audiences saw The Lion Has Wings as patently simplistic and patronising; yet, it was a commercial success.[10] Powell later derided the project as "an outrageous piece of propaganda, full of half-truths and half-lies, with some stagey episodes which were rather embarrassing and with actual facts which were highly distorted..."[6]

Author of The Rise and Fall of the Third Reich, William Shirer recounts in his Berlin Diary on 10 June 1940 that he thought the film "very bad, supercilious, and silly". He was shown the film at the German Propaganda ministry while working as a CBS Radio news reporter.

Home video[edit]

This film is available on DVD from:


Theirs Is The Glory: Arnhem, Hurst And Conflict On Film takes film director Brian Desmond Hurst's Battle of Arnhem epic as its centerpiece and chronicles Hurst's ten films on conflict including The Lion Has Wings. Released in hardback on 15 September 2016 with almost 400 pages and over 350 images "this book also shows why Hurst was an enigma, but a master of the genre, and at his very best when focusing on the vast canvas of film" (from dust jacket). ISBN 978-1-911096-63-4. Publisher Helion and Company and co-authored by David Truesdale and Allan Esler Smith.

The front jacket of Theirs is the Glory. Arnhem Hurst and Conflict on Film depicting some of Hurst's films surrounded by Hurst military and other context items. Photo Allan Esler Smith



  1. ^ "The Lion Has Wings." Retrieved: 25 January 2011.
  2. ^ Theirs is the Glory. Arnhem, Hurst and Conflict on Film” Page 272. Co-authored by David Truesdale and Allan Esler Smith. Published 16 September 2016 by Helion and Company. ISBN 978-1-911096-63-4
  3. ^ Johnston and Carter 2002, p. 141.
  4. ^ Powell 1986, pp. 330, 338.
  5. ^ Theirs is the Glory. Arnhem, Hurst and Conflict on Film” Page 275. Co-authored by David Truesdale and Allan Esler Smith. Published 16 September 2016 by Helion and Company. ISBN 978-1-911096-63-4
  6. ^ a b Powell 1986, p. 335.
  7. ^ Theirs is the Glory. Arnhem, Hurst and Conflict on Film” Page 270. Co-authored by David Truesdale and Allan Esler Smith. Published 16 September 2016 by Helion and Company. ISBN 978-1-911096-63-4
  8. ^ Crook, Steve. "Steve Crook commentary." 25 January 2011.
  9. ^ "The Lion Has Wings." IMDb. Retrieved: 25 January 2011.
  10. ^ Alexander, Lou. "Lion Has Wings, The (1939) Review". Retrieved 2 February 2008.


  • Aldgate, Anthony and Jeffrey Richards. Britain Can Take it: British Cinema in the Second World War. Edinburgh: Edinburgh University Press, 2nd Edition. 1994. ISBN 0-7486-0508-8.
  • Barr, Charles, ed. All Our Yesterdays: 90 Years of British Cinema. London: British Film Institute, 1986. ISBN 0-85170-179-5.
  • Dolan, Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
  • Hardwick, Jack and Ed Schnepf. "A Viewer's Guide to Aviation Movies". The Making of the Great Aviation Films, General Aviation Series, Volume 2, 1989.
  • Johnston, John and Nick Carter. Strong by Night: History and Memories of No. 149 (East India) Squadron Royal Air Force, 1918/19 – 1937/56. Tonbridge, Kent, UK: Air-Britain (Historians) Ltd., 2002. ISBN 0-85130-313-7.
  • Murphy, Robert. British Cinema and the Second World War. London: Continuum, 2000. ISBN 0-8264-5139-X.
  • Michael Powell. A Life in Movies. London: Heinemann, 1986. ISBN 0-434-59945-X.
  • David Truesdale and Allan Esler Smith. Theirs is the Glory. Arnhem, Hurst and Conflict on Film Helion and Company, 2016. ISBN 978-1-911096-63-4

External links[edit]