The Liquidator (1965 film)
|Directed by||Jack Cardiff|
|Produced by||Leslie Elliot
|Written by||Peter Yeldham
John Gardner (novel)
Jill St. John
John Le Mesurier
|Music by||Lalo Schifrin|
|Distributed by||Metro-Goldwyn-Mayer (1965, original) Warner Bros. (2012, DVD)|
|November 1965 (UK)|
|Box office||$1,175,000 (est. US/ Canada rentals)
23,498 admissions (France)
The Liquidator is a 1965 British thriller film starring Rod Taylor as Brian "Boysie" Oakes, Trevor Howard, and Jill St. John. It was based on the first of a series of Boysie Oakes novels by John Gardner, The Liquidator. The film follows the 1964 novel closely. Due to a legal dispute, the film's original November 1965 release was delayed to the end of 1966, by which time the spy film craze was waning.
In 1944 during World War II, tank corps Sergeant "Boysie" Oakes (Rod Taylor) stumbles and unwittingly shoots and kills two men attempting to assassinate British Intelligence Major Mostyn (Trevor Howard) in Paris. Mostyn mistakenly believes Oakes was lethal on purpose.
Twenty years later, Mostyn (now a colonel in British Intelligence) and his boss (Wilfred Hyde-White) are in trouble due to a series of embarrassing security disasters. To save his job, the chief orders Mostyn to hire an assassin to illegally eliminate security leaks without official authorisation. Mostyn recruits Boysie into the Secret Service without first telling him what his employment will entail, luring him in with a lavish apartment and a fancy car. After Boysie passes a training course, Mostyn informs him that his code name is "L", and that it stands for liquidator. Unable to resign and not a killer himself, Boysie secretly hires a freelance professional assassin (Eric Sykes) to do the dirty work.
Things go well until Oakes persuades Mostyn's secretary Iris (Jill St. John) to spend the weekend with him on the Côte d'Azur, though Mostyn has warned him that any contact between spies and civilian employees is a serious criminal offence. Boysie is captured by enemy agents led by Sheriek (Akim Tamiroff), who firmly believes he is on assignment and wants to know who the target is. However, Sheriek's superior, Chekhov (John Le Mesurier), is coldly furious that he has gone beyond his orders to merely watch Boysie, thus endangering a much more important operation. He has Sheriek arrange for Boysie to escape.
Then Quadrant (David Tomlinson) arrives with a new mission for Boysie. He is to stage a fake assassination attempt on the Duke of Edinburgh when he visits a Royal Air Force base to test the security. Boysie has been duped: Quadrant is actually an enemy agent, and the bullets in his sniper rifle are real. Mostyn shows up in the duke's place and is able to locate Boysie, but while they are distracted, Quadrant and a pilot steal the real target: the Vulture, an advanced new stealth aircraft which the duke was to inspect. Boysie manages to shoot Quadrant and board the plane as it is taking off. To his surprise, the pilot is none other than Iris, who informs him that she is the coordinator of the operation. He is able to overpower her and, with radio help, return the aircraft to the base.
- Rod Taylor as "Boysie" Oakes
- Trevor Howard as Major/Colonel Mostyn
- Jill St. John as Iris
- Wilfrid Hyde-White as Chief (as Wilfrid Hyde White)
- David Tomlinson as Quadrant
- Akim Tamiroff as Sheriek
- Eric Sykes as Griffin
- Gabriella Licudi as Corale, Sheriek's girlfriend and the bait used to lure Boysie into Sheriek's hands
- John Le Mesurier as Chekhov
- Derek Nimmo as Fly, one of Mostyn's agents
- Jeremy Lloyd as Young Man
- Jennifer Jayne as Janice Benedict
- Heller Toren as Assistant
- Betty McDowall as Frances Anne, Boysie's first assigned victim
- Jo Rowbottom as Betty
- Colin Gordon as Vicar, Mostyn's agent on the Côte d'Azur
- Louise Dunn as Jessie
- Henri Cogan as Yakov, one of Sheriek's henchmen
- Daniel Emilfork as Gregory, the other Sheriek henchman
- Scott Finch as Operations Officer (as Scot Finch)
- Ronald Leigh-Hunt as Mac
- Richard Wattis as Flying Instructor
- David Langton as Station Commander
- Tony Wright as Flying Control
- Suzy Kendall as Judith, Mostyn's new secretary
Producer Jon Pennington brought Australian screenwriter Peter Yeldham to the project after both had cooperated on The Comedy Man (1963).
Richard Harris was initially approached for the role but after negotiations chose to do The Heroes of Telemark instead. Taylor insisted on playing the role with an American accent because he was more comfortable with it by that stage in his career.
The film opens with animated titles by the Richard Williams studio.
Like Where the Spies Are, also filmed in MGM-British Studios, MGM planned a Boysie Oakes film series. Cardiff recalled that the censors made them delete one of Taylor's lines: "it smells like a Turkish wrestler's jockstrap".
Release of the film was held up a number of months due to a legal conflict between producer Leslie Elliot and MGM. Jack Cariff thought this hurt the final box office result of the film, which was disappointing.
The original score was composed by Lalo Schifrin and includes a driving main title vocal theme and a soft end title theme ("My Liquidator"), both sung by Shirley Bassey. Other than the "Goldfinger"-type title song, Lalo Schifrin deliberately avoided the John Barry James Bond style of music.
The Liquidator was released to DVD by Warner Home Video on September 6th, 2012, via the Warner Archive DVD-on-demand service.
- "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
- French box office for 1967 at Box Office Story
- Bowyer, Justin (2003). Conversations with Jack Cardiff. Batsford. p. 190. ISBN 0-7134-8855-7.
- p.152 Callan, Michael Feeney Richard Harris: Sex, Death & The Movies Robson, 30 November 2004
- Vagg, Stephen (2010). Rod Taylor: An Aussie in Hollywood. Bear Manor Media. p. 115. ISBN 1-59393-511-0.
- Stephen Vagg, Rod Taylor: An Aussie in Hollywood (Bear Manor Media, 2010) p118
- "The Liquidator soundtrack liner notes". Film Score Monthly. Lukas Kendall. 9 No. 16. November 2006.
- Spencer, Kristpher (2008). Film and Television Scores, 1950–1979: A Critical Survey by Genre. McFarland & Co. pp. 72–73. ISBN 0-7864-3682-4.