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|The Lost World|
|Directed by||Harry O. Hoyt|
|Screenplay by||Marion Fairfax|
|Based on||The Lost World|
by Arthur Conan Doyle
|Produced by||Earl Hudson|
|Edited by||George McGuire|
|Music by||Robert Israel (2017)|
|Distributed by||First National Pictures|
|106 minutes (original)|
55 minutes (Kodascope 16 mm)
64 minutes (1991)
100 minutes (1998)
93 minutes (2000)
110 minutes (2017)
|Language||Silent film (English intertitles)|
|Box office||$1.3 million|
The Lost World is a 1925 American silent fantasy giant monster adventure film adapted from Arthur Conan Doyle's 1912 novel of the same name. The film was produced and distributed by First National Pictures, a major Hollywood studio at the time, and stars Wallace Beery as Professor Challenger. It was directed by Harry O. Hoyt and featured pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on the original King Kong. Doyle appears in a frontispiece to the film, absent from some extant prints.
In 1998, The Lost World was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. Because of its age the film has come into the public domain, so that anyone may freely copy it for a commercial purpose.
From a lost expedition to a plateau in the borders of Peru, Brazil and Colombia, Paula White brings the journal of her father, explorer Maple White, to the eccentric Professor Challenger in London. The journal features sketches of dinosaurs which is enough proof for Challenger to publicly announce that dinosaurs still walk the earth. Met with ridicule at an academic meeting at the Zoological Hall, Challenger reluctantly accepts a newspaper's offer to finance a mission to rescue Maple White. Professor Challenger, Paula White, sportsman Sir John Roxton, news reporter Edward Malone (who is a friend of Roxton and wishes to go on the expedition to impress his fiancée), a skeptical professor Summerlee, an Indian servant Zambo, and Challenger's butler Austin leave for the plateau.
At their campsite at the base of the plateau, the explorers are shocked when a large rock falls, sent their way by an Apeman perched on top of an overhead ledge. As the crew look up to see their attacker, Challenger spies overhead a Pteranodon (mistakenly calling it a Pterodactyl) eating a young Toxodon alive which proves that the statements in Maple White's diary are true. Leaving Zambo and Austin at the camp, they cross a chasm onto the plateau by cutting down a tree and using it as a bridge, but it is knocked over by a Brontosaurus, leaving them trapped.
The explorers witness various life-and-death struggles between the prehistoric beasts of the plateau. An Allosaurus attacks a Trachodon, and knocks it into a bog. The Allosaurus then attacks, and is driven off by a Triceratops. Eventually, the Allosaurus makes its way to the campsite and attacks the exploration party. It is finally driven off by Ed who tosses a torch into its mouth. Convinced that the camp is not safe, Ed climbs a tree to look for a new location, but is attacked by the apeman. Roxton succeeds in shooting the apeman, but the creature is merely wounded and escapes before he can finish him off. Meanwhile, an Agathaumas is attacked by the Allosaurus, and gores it to death. Suddenly, a Tyrannosaurus attacks and kills the Agathaumas, along with an unfortunate Pteranodon.
The explorers then make preparations to live on the plateau potentially indefinitely. Challenger designs a catapult to defend the camp. During a search for Maple White, Roxton finds his remains, confirming his death. It is at this time that Ed confesses his love for Paula and the two are unofficially wed by Summerlee who used to be a minister.
Shortly afterwards, as the paleontologists are observing the Brontosaurus, an Allosaurus attacks it and the Brontosaurus falls off the edge of the plateau, becoming trapped in a mud bank at the base of the plateau. Soon afterwards, a volcano erupts causing a mass stampede among the giant creatures of the lost world. The crew is saved when Paula's pet monkey Jocko climbs up the plateau carrying a rope. The crew use the rope to pull up a rope ladder constructed by Zambo and Austin and then climb down.
As Ed makes his descent, he is again attacked by the apeman who pulls the rope ladder. The apeman is again shot and finally killed by Roxton. They discover the Brontosaurus that had been pushed off the plateau had landed softly in the mud of the river, trapped but still alive, and Challenger manages to bring it back to London, as he wants to put it on display as proof of his story.
However, while being unloaded from the ship, the spooked and disoriented animal escapes and causes havoc until it reaches Tower Bridge, where its massive weight causes a collapse, and it swims down the River Thames. Challenger is morose as the creature leaves. Ed discovers that the love he left in London has married in his absence, allowing him and Paula to be together. Roxton morosely but gallantly hides his love for Paula as Paula and Ed leave together, while two passersby note: "That's Sir John Roxton – sportsman."
- Sir Arthur Conan Doyle as himself (appears in a frontispiece to the film, missing from some prints)
- Bessie Love as Paula White
- Lewis Stone as Sir John Roxton
- Lloyd Hughes as Edward Malone
- Wallace Beery as Professor Challenger
- Arthur Hoyt as Professor Summerlee
- Alma Bennett as Gladys Hungerford
- Virginia Brown Faire as Marquette the half-caste girl (uncredited)
- Bull Montana as Apeman/Gomez
- Francis Finch-Smiles as Austin
- Jules Cowles as Zambo
- Margaret McWade as Mrs. Challenger
- George Bunny as Colin McArdle
- Charles Wellesley as Major Hibbard
- Nelson MacDowell as Attorney (uncredited)
- Chrispin Martin as Bearer/Cannibal (scenes deleted)
- Jocko the monkey as himself
- Mary the chimpanzee as herself (uncredited)
- Agathaumas (seen in battle with Allosaurus and Tyrannosaurus and is based on a hypothetical restoration by Charles R. Knight,)
- Allosaurus (main carnivorous dinosaur seen, attacking Trachodon and Triceratops among others)
- Apeman (menaces the team of explorers)
- Brachiosaurus (seen during the volcanic eruption, one of which was attacked by a Tyrannosaurus)
- Brontosaurus (The main antagonist. After falling into a bog at the conclusion of a fight with an Allosaurus, one is captured and taken to civilization, where it escapes and terrorizes the city)
- Edmontosaurus (is preyed upon by the Allosaurus and called by synonym Trachodon or Anatosaurus)
- Pteranodon (the first prehistoric animal seen by the team of explorers)
- Stegosaurus (one disturbs the Agathaumas before the fight with the Allosaurus and Tyrannosaurus. It escaped the volcano eruption)
- Toxodon (a juvenile was seen being eaten alive by the Pteranodon. It is the only prehistoric mammal that is not a primate they find on the plateau)
- Triceratops (shown to be capable of handling an Allosaurus in battle)
- Tyrannosaurus (is seen to have little trouble bringing down Agathaumas, as well as having a taste for a Pteranodon that swoops in too close. One fights with a Brachiosaurus in the eruption scene. Like the film Fantasia, it is shown with three fingers.)
Other animals on the plateau
- Mesopithecus live-acted by a Capuchin monkey
- Chimpanzee (helps the apeman antagonize the explorers)
- Laughing owl live-acted by a horned owl
- Feathered Hylonomus
- Spider monkey
Animals in the Amazon
- Caiman or alligator
- Jaguar (stock footage)
- Scarlet macaw
- Spectacled bears (erroneously identified as "spectacle cave bears")
- Two-toed sloth (stock footage)
- Three-toed sloth
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This was the first feature-length film made in the United States, possibly the world, to feature model animation as the primary special effect, or stop motion animation in general. Willis H. O'Brien had previously, in 1918, worked on a film called The Ghost of Slumber Mountain that used stop motion photography. In The Lost World, he combined animated dinosaurs with live-action footage of human beings, but at first he was able to do this only by separating the frame into two parts (also known as split screen). As work went on, O'Brien's technique grew better and he could combine live-action and stop-motion footage in the same part of the screen.
For the live action scenes, an open sewer behind the MGM studio in Los Angeles was used as a river.
This section needs expansion. You can help by adding to it. (November 2016)
In 1922, Conan Doyle showed O'Brien's test reel to a meeting of the Society of American Magicians, which included Harry Houdini. The astounded audience watched footage of a Triceratops family, an attack by an Allosaurus and some Stegosaurus footage. Doyle refused to discuss the film's origins. On the next day, The New York Times ran a front-page article about it, saying "(Conan Doyle's) monsters of the ancient world, or of the new world which he has discovered in the ether, were extraordinarily lifelike. If fakes, they were masterpieces".
In April 1925, on a London-Paris flight by Imperial Airways, The Lost World became the first film to be shown to airline passengers. As film stock of the era was nitrate and highly flammable, this was a risky undertaking on a wood and fabric-hulled plane, a converted WW1 bomber, the Handley-Page O 400.
This is the first dinosaur-oriented film hit, and it led to other dinosaur films, from King Kong to the Jurassic Park series. Michael Crichton's sequel to Jurassic Park was named The Lost World, in homage to Doyle's novel and film.
American Film Institute recognition
- George Eastman House – Laserdisc preservation with stills showing missing scenes
- George Eastman House – Film restoration using materials from Czech National Film Archive. Some sequences still missing and some inadvertently left out
- David Shepard, Serge Bromberg – DVD version using Kodascope prints, Czech archive materials and trailers. Like the George Eastman House restoration, some sequences are still missing and some inadvertently left out
- Flicker Alley – Blu-ray version of new 2K restoration (from various sources – original 35 mm nitrate copy, safety print, various 16 mm copies, etc.) with around eight min. of recently discovered footage and a new full orchestra score by Robert Israel (produced by Serge Bromberg of Lobster Films and dedicated to David Shepard of Film Preservation Associates)
The Lost World entered the public domain on January 1, 1954, after 28 years of protection plus the remainder of the final calendar year. Although 95 years of protection was possible for works published in 1925, protection beyond 28 years required, at the time, a renewal with the US copyright office during the 28th year. The copyright of The Lost World was not renewed.
Any elements of the film that were not released in 1925, and were not released during the lifetime of the movie's producer, have 70 years of copyright protection after the death of the producer. The producer, Earl Hudson, died in 1959, so any such film elements will enter the public domain on January 1, 2030.
- List of stop-motion films
- List of rediscovered films
- List of incomplete or partially lost films
- Stark Mad (1929)
- King Kong (1933)
- Journey to the Beginning of Time (1955)
- "Business: Film Exports". Time. July 6, 1925. Archived from the original on June 3, 2008. Retrieved July 12, 2011.
- Quigley Publishing Company "The All Time Best Sellers", International Motion Picture Almanac 1937–38 (1938) p. 942 accessed April 19, 2014
- "Complete National Film Registry Listing". Library of Congress, Washington, DC. Retrieved May 4, 2020.
- The Associated Press (November 17, 1998). Rice, Patrick A. (ed.). "'Easy Rider,' other films join national registry". The Times Herald. Vol. 93, no. 321. Port Huron, Michigan: Gannett. p. 21 – via Newspapers.com.
- "Copyright Search Report: The Lost World (1925)". Internet Archive. United States Copyright Office. Retrieved January 25, 2020.
- Hirtle, Peter B. "Copyright Term and the Public Domain in the United States". Cornell University. Cornell University Library Copyright Information Center. Retrieved January 25, 2020.
- Lederer, Josie P. (June 1925). "The Lost World". Pictures and Picturegoer. Vol. 9, no. 52. pp. 12–13.
- Marcel Delgado – The Man Who Made Monsters
- Glut, Donald F.; Brett-Surman, Michael K. (1997). "Dinosaurs and the media". In Farlow, James; Brett-Surman, Michael K. (eds.). The Complete Dinosaur. Bloomington and Indianapolis: Indiana University Press. pp. 675–706. ISBN 978-0-253-33349-0.
- Bilbow, Tony (June 29, 1968). "Bessie Love". Late Night Line-Up. BBC – via Getty Images.
- Pettigrew, Neil (1999). The Stop-Motion Filmography. MacFarland and Company, Inc. p. 427.
- "An Aerial "Picture Theatre"". Flight. April 16, 1925. p. 225.
- Wilmington, Michael (June 8, 1997). "The First 'Lost World'". Chicago Tribune. Retrieved April 17, 2016.
- AFI's 100 Years...100 Thrills Nominees
- AFI's 10 Top 10 Ballot
- SilentEra.com Notes on the various restorations of this film, and DVD/BD info
- The Lost World Blu-ray
- The Lost World essay  by Brian Taves on the National Film Registry website
- The Lost World at IMDb
- The Lost World at AllMovie
- The Lost World at the American Film Institute Catalog
- The Lost World at Rotten Tomatoes
- The Lost World at the TCM Movie Database
- The Lost World is available for free download at the Internet Archive
- "The Lost World" essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pp. 96–97