The Man Comes Around (song)
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|"The Man Comes Around"|
|Song by Johnny Cash|
|from the album American IV: The Man Comes Around|
|Released||May 24, 2002|
"The Man Comes Around" is the title track from Johnny Cash's American IV: The Man Comes Around, released in 2002. It was written several years prior to the release of the album; however, Cash updated it for the album. It is one of the last songs Cash wrote before his death. Both sung and spoken, the song makes numerous Biblical references, especially to the Book of Revelation.
Symbols and references in the lyrics
There are numerous biblical references in the lyrics. A spoken portion from Revelation 6:1–2 in the King James Version[REV 6:1-6:2] introduces the song. The passage describes the coming of the Four Horsemen of the Apocalypse, each heralded by one of the "four beasts" first mentioned in Revelation 4:6–9. The musical portion then begins with Cash reciting that "the man" (Jesus Christ) will one day come to pass judgment. The chorus indicates that these events will be accompanied by trumpets, (as in Revelation ch.8,9,11), pipers (Rev.18:22), and "one hundred million angels singing". The voice of the Lord in Revelation is often likened to the sound of a loud trumpet (Revelation 1:10; 4:1; and 8:13). Revelation 5:11 states that John saw that there are millions of angels in Heaven.
The song also alludes to the Parable of the Ten Virgins from the Gospel of Matthew (25:1–13) with the lyrics "The virgins are all trimming their wicks," a reference to the virgins' preparation of the Second Coming of Christ. The phrase, "It's hard for thee to kick against the pricks" cites Acts 26:14, where Paul the Apostle describes meeting Jesus while traveling to Damascus. It is a reference to a Greek proverb where a kicking ox only injures himself by attempting to kick against a goad, intended to represent the futility of resisting the Lord.
Elsewhere, the song mentions the wise men who bow before the Lord's throne, and cast their "golden crowns" at the feet of God. Revelation 4 refers to elders who worship the Lord and "lay their crowns" before Him (Revelation 4:10). "Alpha and Omega" refers to Jesus Christ (Rev.1:8,11, 21:6, 22:13). "Whoever is unjust... etc" is a quote from Revelation 22:11.
The arrangement of the song is sparse (although not so much as in some of Cash's later compositions, such as 'God's Gonna Cut You Down'); two guitars, piano (played in the bass register), and an electric organ.
Of the album's fifteen tracks, only three were written by Cash, with "The Man Comes Around" the sole song specifically penned for it, and the only song Cash wrote in its entirety.
The song was inspired by a dream Cash had about Queen Elizabeth II in which the queen compared Cash to "a thorn tree in a whirlwind." Haunted by the dream, Cash became curious if the phrase was a biblical reference and eventually found a similar phrase in the Book of Job.
The song was listed as the 296th best song of the 2000s by Pitchfork Media.
In popular culture
- The song was used during the opening credits and closing credits of the 2003 film The Hunted.
- The song was used during a scene in the 2008 in the movie My Best Friend's Girl
- The song was featured prominently in the final scenes of the season one finale of Terminator: The Sarah Connor Chronicles
- The song was featured in the closing scenes of the HBO miniseries Generation Kill
- The song was used during the opening and closing credits of the film Linewatch
- The song was used in the opening sequence of the Criminal Minds episode "Elephant's Memory" (season 3, episode 16)
- The album Sleepytime Tunes Lullaby Renditions of Johnny Cash, credited to The Lullaby Players, features an instrumental cover version done in a lullaby arrangement for children
- The song was used on the final episode of BBC's Being Human in the warm up to what is supposed to be a battle between Mitchell and Herrick
- The song was used in the opening sequence of the CSI episode "Better Off Dead" (season 10, episode 10)
- The song was sampled in English DJ/Producer Doctor P's, song "Flying Spaghetti Monster" as part of his Animal Vegetable Mineral – Part 1 EP
- The song was used in the climactic penultimate episode of the first season of the new Dallas series in August 2012
- The song was used in the trailer and soundtrack for the 2012 film Killing Them Softly
- The first lines of the song were used in the pilot Sleepy Hollow.
- The song was used in episode 11 of the first season of The Blacklist
- The song was the soundtrack for an ESPN promotional TV spot for SEC football featuring each team's coach.
- The song was used in the promo for Bray Wyatt vs Undertaker at Wrestlemania 31.
- Parodying its use in the opening sequence of Dawn of the Dead, the song was used in the closing film of the "Patriotism" episode (series 4, episode 3) of Stewart Lee's Comedy Vehicle.
- The song was used during the opening and closing of SkySports coverage of the United States Grand Prix.
- The song played over the end credits of the film Logan (directed and co-written by James Mangold who had previously directed the Johnny Cash biopic Walk the Line).
- books.google.com Google Books
- American IV: The Man Comes Around album review - PopMatters Retrieved 10 February 2015
- Johnny Cash Joins Gospel Hall of Fame - Country Weekly Retrieved 10 February 2015
- Brinkley, T. (October 15, 2006), "Walking the Line", The New York Times (review),
one of his last original compositions. (login required)
- In the album's liner notes, Cash states that the song is "based, loosely, on the book of Revelation, with a couple of lines or a chorus, from other biblical sources".
- Beckett, Colin (1 September 2003). "Johnny Cash - American IV: The Man Comes Around". Stylus Magazine. Retrieved 2 December 2013.
- Kamp, David (October 2004). "American Communion". Vanity Fair. Retrieved 2 December 2013.
- Lewis, J. S. (27 October 2014). "Movie Music Moment: Dawn of the Dead ("When the Man Comes Around")". Cineflect. Retrieved 2016-08-09.
- Lyons, William John (2009). Lyons, W.J.; Økland, J., eds. "The Apocalypse according to Johnny Cash: Examining the 'effect' of the Book of Revelation on a contemporary apocalyptic writer" (PDF). The Way the World Ends? The Apocalypse of John in Culture and Ideology. Sheffield: Sheffield Phoenix Press: 95–122. Retrieved 2 December 2013.