The Man Who Had Three Arms
The play takes place in a theatre where the main character Himself is about to speak to the assembled group about his life of celebrity as "The Man Who Had Three Arms". The other two actors of the play, The Man and The Woman, play, variously, two people who are introducing Himself, the parents and wife of Himself, and the manager of Himself. In the first act, Himself describes his transformation from a successful family man to a person who is horrified to discover that a third arm is growing from between his shoulder blades. In the second act, Himself describes being on the celebrity circuit and all that entails—“money, sex, adulation”—while he grows more and more in debt. His wife leaves him. He falls apart in front of the audience only to deal with a final surprise.
The play contains harsh satire of the Catholic Church, the excesses of the culture of celebrity, and the shallowness of parent/child relationships, and involves some interaction between the lead character and the audience. It also contains quite a bit of humor and occasional vulgar language. 
The play was commissioned for the New World Festival of he Arts in Miami, Florida. The play premiered at the Coconut Grove Playhouse, Florida, in June 1982. Directed by Albee, the cast was Robert Drivas, Patricia Kilgarriff, and William Prince.
The play premiered on Broadway at the Lyceum Theatre on April 5, 1983 and closed on April 17, 1983 after 8 previews and 16 performances. Directed by Albee the cast featured Robert Drivas as "Himself", Patricia Kilgarriff as "The Woman" and William Prince as "The Man".
The play was presented in Albright College, Reading, Pennsylvania, in November 1988. It was directed by Dr. Lynn Morrow and starred Edward Fernandez. (Mr. Albee was in residence during the production period.) Dr. Morrow then presented the production in Edinburgh, Scotland, in August 1989, where it won a "Fringe First" award.
Most references to the play overlook the prestigious award it won for Mr. Albee.
Frank Rich reviewing the production for The New York Times wrote that it "isn't a play - it's a temper tantrum in two acts... One of the more shocking lapses of Mr. Albee's writing is that he makes almost no attempt even to pretend that Himself is anything other than a maudlin stand-in for himself, with the disappearing arm representing an atrophied talent."
The Christian Science Monitor reviewer wrote: "The Man Who Had Three Arms could well be the bitter complaint of a playwright whose earlier great success has been followed by a wounding decline in popular and critical response. In this respect, the play is a sad spectacle. Yet it offers passages of eloquence and emotional power. Furthermore, in attacking the world, Himself has been well armed with the Albee arsenal of articulate attack weapons."
- Horn, Barbara Lee. "' The Man Who Had Three Arms' Productions and Credits", Edward Albee: A Research and Production Sourcebook, Greenwood Publishing Group, 2003, ISBN 0313311412, pp. 51-52
- Bottoms, Stephen (ed.) "Chronology" The Cambridge Companion to Edward Albee, Cambridge University Press, 2005, ISBN 1139827243, p. xx
- "'The Man Who Had Three Arms' 1983" playbillvault.com, accessed November 22, 2015
- Luere, Jeane. "Reviewed Work: 'The Man Who Had Three Arms' by Edward Albee. Excerpt" Theatre Journal, (jstor.org) Vol. 41, No. 3, Performance in Context (Oct., 1989), pp. 407-410
- Gehman, Geoff. "In Some Ways, 'Three Arms' Needs A Hand Theater Review" The Morning Call, November 19, 1988
- Rich, Frank. "Stage: Drama by Albee, 'Man Who Had 3 Arms'" New York Times, April 6, 1983, ISSN 0362-4331, p. C15
- Beaufort, John. "Satiric allegory from Edward Albee; 'The Man Who Had Three Arms' Play by Edward Albee. Directed by Mr. Albee." csmonitor.com, April 14, 1983