The Man Who Was Thursday
|Author||G. K. Chesterton|
|Genre||Thriller, philosophical novel, adventure fiction|
|Publisher||J. W. Arrowsmith|
|Media type||Print (hardcover)|
|Pages||viii, 330 pp|
In Edwardian era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues that revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution but law. He antagonises Gregory by asserting that the most poetical of human creations is the timetable for the London Underground. He suggests Gregory isn't really serious about anarchism, which so irritates Gregory that he takes Syme to an underground anarchist meeting place, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council.
The central council consists of seven men, each using the name of a day of the week as a cover name; the position of Thursday is about to be elected by Gregory's local chapter. Gregory expects to win the election but just before, Syme reveals to Gregory after an oath of secrecy, that he is a secret policeman. Fearful Syme may use his speech in evidence of a prosecution, Gregory's weakened words fail to convince the local chapter that he is sufficiently dangerous for the job. Syme makes a rousing anarchist speech and wins the vote. He is sent immediately as the chapter's delegate to the central council.
In his efforts to thwart the council, Syme eventually discovers that the other five members are also undercover detectives; each was employed just as mysteriously and assigned to defeat the Council. They soon find out they were fighting each other and not real anarchists; such was the mastermind plan of their president, Sunday. In a surreal conclusion, Sunday is unmasked as only seeming to be terrible; in fact, he is a force of good like the detectives. Sunday is unable to give an answer to the question of why he caused so much trouble and pain for the detectives. Gregory, the only real anarchist, seems to challenge the good council. His accusation is that they, as rulers, have never suffered like Gregory and their other subjects and so their power is illegitimate. Syme refutes the accusation immediately, because of the terrors inflicted by Sunday on the rest of the council.
The dream ends when Sunday is asked if he has ever suffered. His last words, "can ye drink of the cup that I drink of?", is the question Jesus asks St. James and St. John in the Gospel of Mark, chapter 10, vs 38–39, to challenge their commitment in becoming his disciples.
The work is prefixed with a poem written to Edmund Clerihew Bentley, revisiting the pair's early history and the challenges presented to their early faith by the times.
Like most of Chesterton's fiction, the story includes some Christian allegory. Chesterton, a Protestant at this time (he joined the Roman Catholic Church about 15 years later), suffered from a brief bout of depression during his college days, and claimed afterwards he wrote this book as an unusual affirmation that goodness and right were at the heart of every aspect of the world. However, he insisted: "The book ... was not intended to describe the real world as it was, or as I thought it was, even when my thoughts were considerably less settled than they are now. It was intended to describe the world of wild doubt and despair which the pessimists were generally describing at that date; with just a gleam of hope in some double meaning of the doubt, which even the pessimists felt in some fitful fashion".
The costumes the detectives don towards the end of the book represent what was created on their respective day. Sunday, "the sabbath" and "the peace of God," sits upon a throne in front of them. The name of the girl Syme likes, Rosamond, is derived from "Rosa Mundi," meaning "Rose of the World" in Latin, and a title given to Christ.(Usually a title given to the Virgin Mary)
Martin Gardner edited The Annotated Thursday, which provides a great deal of biographical and contextual information in the form of footnotes, along with the text of the book, original reviews from the time of the book's first publication and comments made by Chesterton on the book. A less thorough annotation was done for the edition of the novel published as part of The Collected Works of G. K. Chesterton (D. J. Conlon, 1986–).
Mercury Theatre adaptation
On 5 September 1938 The Mercury Theatre on the Air presented an abridged radio-play adaptation, written by Orson Welles, who was a great admirer of Chesterton. This was almost two months before the infamous War of the Worlds broadcast.
The adaptation omits some of the metaphysical and theological discussions and treats much of the whimsical and comedic asides more seriously. Almost all of Chapter 14: The Six Philosophers is left out, in which the greater part of the metaphysical speculation is found.
APJAC Productions musical adaptation
It was reported in January 1967 that Jerome Hellman and Arthur P. Jacobs' APJAC Productions were preparing movie projects including a musical adaptation of Chesterton's novel by Leslie Bricusse. The film was not made.
BBC radio adaptations
There have been at least two adaptations broadcast by BBC radio over the years.
In 1986 the BBC broadcast a four-part series dramatised by Peter Buckman and directed by Glyn Dearman. It featured Michael Hadley as Thursday/Gabriel Syme, Natasha Pyne as Rosamond and Edward de Souza as Wednesday/The Marquis de St. Eustache. The episodes were titled:
- The Secret of Gabriel Syme
- The Man in Spectacles
- The Earth in Anarchy
- The Pursuit of the President
In 2005 the BBC broadcast the novel as read by Geoffrey Palmer, as thirteen half-hour parts. It has been re-broadcast several times since then, including in 2008 (one hundred years after first publication) and 2016. The episodes were titled:
- The Unusual Soirée
- The Anarchists' Council
- The Tale of a Detective
- The Feast of Fear
- The Exposure
- The Unaccountable Conduct of Professor de Worms
- The Man in Spectacles
- The Duel
- The Criminals Chase the Police
- The Earth in Anarchy
- The Pursuit of the President
- The Six Philosophers
- The Accuser
"The Man Was Thursday" Balázs Juszt Film Adaptation (2016)
Hungarian Balázs Juszt has written and directed a film adaptation, starring François Arnaud, Ana Ularu and Jordi Mollà, which was premiered on 21 June 2016 at the Edinburgh Film Festival. Juszt's inspiration was his Academy Award-winning mentor, István Szabó.
The 2000 video game Deus Ex features several excerpts from the book and lists Gabriel Syme as a current resident of the 'Ton Hotel'.
In Neil Gaiman's The Sandman comics, the Library of Dream's castle contains every story ever written plus every story dreamed of but never written. Among the latter is The Man Who Was October by G. K. Chesterton, which is supposedly a sequel to his Thursday.
- Margery Forester, Michael Collins – The Lost Leader, p.35.
- ISBN 978-0-89870-744-1
- The Mercury Theatre on the Air: First Person Singular — "The Man Who Was Thursday" at the Paley Center for Media; retrieved 16 June 2012
- Jacobs, Hellman Merge Under APJAC Banner – 'Boxoffice' (16 January 1967)
- Cawthorn, James; Michael Moorcock (1988). Fantasy:The 100 Best Books. New York: Carroll & Graf. pp. 51–52. ISBN 0-312-15897-1.
- Clute, John; John Grant (1997). The Encyclopedia of Fantasy. New York: St. Martin's Press. p. 181. ISBN 0-88184-708-9.
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|Wikiquote has quotations related to: The Man Who Was Thursday|
- The Man Who Was Thursday, a nightmare at Project Gutenberg
- The Man Who Was Thursday: a nightmare, 1908 First Edition at Open Library
- e-text of this book, several formats
- e-text of a note on the book by G. K. Chesterton
- A radio play based on the book by the Mercury Theatre on Air
- Sonja West's C.S. Lewis Institute lecture on Thursday
- Mercury Theatre dramatisation of The Man Who Was Thursday (MP3, 26.3 MB, 1 hour)
- The Man Who Was Thursday public domain audiobook at LibriVox