The Mating Call

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The Mating Call
Directed by James Cruze
Produced by Howard Hughes (uncredited)
Written by Walter Woods (adaptation)
Herman J. Mankiewicz (titles)
Based on The Mating Call (novel)
by Rex Beach
Starring Thomas Meighan
Evelyn Brent
Renée Adorée
Alan Roscoe
Music by Frances Ring
Martin Roones
Robert Israel (2004)
Cinematography Ira H. Morgan
Edited by Walter Woods (uncredited)
Production
company
The Caddo Company
Distributed by Paramount Pictures
Release date
  • July 21, 1928 (1928-07-21)
Running time
72 minutes (restored version)
Country United States
Language Silent film
English intertitles
Budget $400,000[1]

The Mating Call is a 1928 pre-Code silent drama film about a soldier who returns home from World War I to find his marriage has been annulled and his wife has remarried. The film was produced by Howard Hughes for his Caddo Corporation, and was originally released by Paramount Pictures.[2] It is based on a novel, The Mating Call, by Rex Beach. In 2006, the film was restored and re-released by Turner Classic Movies in partnership with the University of Nevada, Las Vegas, along with two other Hughes-produced films Two Arabian Knights (1927) and The Racket (1928). Renée Adorée had a brief nude scene in the film.

Plot[edit]

Leslie Hatton, a poor farmer, becomes a captain and a war hero in World War I. While on a leave, he secretly marries Rose, the "village belle", but he only has time for a few kisses and a hug before he has to return to the fighting. After the Armistice, Major Hatton comes home, only to be told by Marvin Swallow that his wife's parents have had their marriage annulled, as she was not of age. Rose married wealthy Lon Henderson and the couple went abroad. Les returns to farming.

One day, the Hendersons return. Rose, disillusioned by Lon's repeated infidelity, throws herself at Les. He weakens and embraces her, but then Lon shows up. The two men struggle when Lon pulls out a gun. Fortunately no one is hurt, and Les invents a French wife on her way to the farm so he will be left alone.

He goes to Ellis Island in search of a real wife. An official directs him to Catherine and her parents, poor would-be immigrants who are facing deportation. He offers to marry her in exchange for the family being allowed to settle in America. Her parents strongly oppose the bargain, but she accepts. That night, Catherine is prepared to share her bed with her husband, but sensing her resigned attitude, Les decides at the last minute to sleep alone in another room. They gradually fall in love.

Meanwhile, Lon decides to break off his affair with young Jessie Peebles. When Marvin asks her to marry him, she asks for a little time to consider. Les later finds her lifeless body in a pond on his farm. Lon, a member of the local Ku Klux Klan-like Order, insinuates that Les must have had something to do with Jessie's suicide. Les is taken at gunpoint to face vigilante justice. The head of the Order sends for Lon, but decides in his absence that the evidence is overwhelming, and Les is tied up and whipped. The men sent to fetch Lon find him dead in his office and Marvin hiding with a gun. They take him back to the Order meeting. He denies having killed Lon and produces Lon's love letters to Jessie, exonerating Les. The head of the Order rules that, even if Marvin did not kill Lon, he would have been justified to do so. One of his men stages it to look like suicide. (Judge Peebles, Jessie's father, is shown at home, unloading and cleaning his gun. One cartridge has been discharged.)

Cast[edit]

Background[edit]

Although the story takes place immediately after World War I (1918-1919), all of Evelyn Brent's and Helen Foster's clothes are strictly in the 1928 short skirt mode, completely out of place in the time frame of the story. The film does reflect, however, some of the societal issues following the war. During the war, women had greater freedom regarding employment and their role in society, and there was pressure after the end of the war for them to return to their pre-war status.[1]

Reception[edit]

Adorée received positive reviews for her performance in The Mating Call, even though it differed little from the wide-eyed "Euro-damsels" that were her trademark.

Preservation[edit]

This film, long thought to be lost, was discovered in the archives of Howard Hughes memorabilia by curators at the University of Nevada, Las Vegas.[4]

References[edit]

  1. ^ a b Kear, Lynn; King, James (2009). Evelyn Brent: The Life and Films of Hollywood's Lady Crook. Jefferson, North Carolina: McFarland. p. 167. ISBN 978-0-7864-4363-5. 
  2. ^ The AFI Catalog of Feature Films:The Mating Call
  3. ^ "Sir Arthur Sullivan's Nephew and the Marx Brothers", NitrateVille.com, July 30, 2015
  4. ^ "Silent Era: The Mating Call". silentera.com. Retrieved 2011-09-24. 

External links[edit]