The Most Happy Fella
|The Most Happy Fella|
London Studio Cast Recording
|Basis||They Knew What They Wanted by Sidney Howard|
1959 Broadway revival
1960 West End
1979 Broadway revival
1980 US television
1991 Goodspeed Opera House
1991 Ahmanson Theatre
1992 Broadway revival
2006 New York City Opera
The Most Happy Fella is a 1956 musical with a book, music, and lyrics by Frank Loesser. The story, about a romance between an older man and younger woman, is based on the play They Knew What They Wanted by Sidney Howard. The show is described by some theatre historians and critics as operatic. The original Broadway production ran for 14 months and it has enjoyed several revivals, including one staged by the New York City Opera.
Background and history
A friend of Loesser’s recommended the Howard play They Knew What They Wanted as material for a musical in 1952. After he read it, Loesser agreed it had musical potential, but decided to omit the political, labor, and religious material. It took him four years to complete the musical.
The Most Happy Fella frequently has been described as an opera, but some have qualified the term. In his book The World of Musical Comedy, Stanley Green noted that the musical is “one of the most ambitiously operatic works ever written for the Broadway theatre ... Loesser said ‘I may give the impression this show has operatic tendencies. If people feel that way – fine. Actually all it has is a great frequency of songs. It’s a musical with music.’ ” In an article in the Playbill Magazine for the original Broadway production, Loesser wrote, “What was left seemed to me to be a very warm simple love story, happy ending and all, and dying to be sung and danced.” Brooks Atkinson, theatre critic (The New York Times), called it a “music drama”, noting Loesser “has now come about as close to opera as the rules of Broadway permit.” Composer, conductor, and musical theatre teacher Lehman Engel and critic/author Howard Kissel called it a “fresh musical (perhaps opera)”. Music Theatre International describes the show: "Filled with sweeping ballads, intense dramatic arias and tuneful, splashy Broadway-style numbers, this ambitious "Broadway opera" has found a home on opera and musical-theatre stages alike."
- Act 1
In the Golden Gate Restaurant in San Francisco in 1927, tired and harassed young waitress Cleo commiserates with her friend. Cleo's feet hurt ("Ooh My Feet") and her friend has had to fend off the cashier's advances ("I Know How It Is"). As they clean up ("Seven Million Crumbs"), Cleo's friend finds a jeweled tie pin and a note addressed to the friend as "Rosabella," written in odd broken English ("I Don't Know (The Letter)"). She decides to answer, thinking of the possibilities ("Somebody, Somewhere").
In Napa, the mailman has a letter for Tony Esposito, who has been enjoying a "mail order love affair" for the past four months. Tony, a large and hearty older Italian immigrant and a successful grape farmer, happily shows the crowd the picture of his "girlfriend" ("The Most Happy Fella"). Meek farmhand Herman expresses admiration of his boss's initiative in pursuing Rosabella ("Standing on the Corner"). But as Tony prepares to send his own picture in return, his sister Marie points out that he is too old and unattractive for a beautiful young woman like Rosabella, and he accepts that she is probably right. At that moment Joe, the young, handsome and nomadic farm foreman, arrives to tell Tony that he plans to leave town and travel somewhere else ("Joey, Joey, Joey"). Tony sees his opportunity and asks Joe for a photograph as a memento, then sends it as his own to his beloved ("Rosabella").
Several weeks later, Rosabella has agreed to come to Napa and marry Tony ("Abbondanza"), but as he prepares to leave for the bus station to collect her, imagining their future together ("Plenty Bambini"), he discovers to his horror that Joe has remained in town longer than planned to attend the wedding ("Spozalizio"). Rosabella arrives at the farm with the postman ("Special Delivery," "Benvenuta") and meets Joe ("Aren't You Glad?"), only to discover that he is not Tony. Upset at the subterfuge, she starts to leave. However, Tony has been injured in a truck accident en route to the bus station, and he pleads with Rosabella to stay and marry him immediately in case he does not live. She relents ("No Home, No Job") and they marry. Joe, who now must stay to run the ranch during Tony's convalescence, is upset but tries to comfort her ("Don't Cry"), and in a moment of mutual weakness they embrace.
- Act 2
A week later ("Fresno Beauties"), Joe and Rosabella regret their indiscretion ("Cold and Dead"), and at the encouragement of Tony's doctor ("Love and Kindness"), the newlywed couple makes a fresh start ("Happy to Make Your Acquaintance"). Cleo arrives in Napa, revealing that Tony has sent for her and offered her a job to keep Rosabella company, and she immediately takes a dislike to Marie ("I Don't Like This Dame") but hits it off with fellow Texan Herman ("Big D"). As time passes, Tony and Rosabella grow closer, Marie feels increasingly lonely, and Joe longs to travel again ("How Beautiful the Days"). Marie tries to convince Tony that the age difference between him and Rosabella is too great ("Young People"), and he believes her even though Rosabella herself indicates otherwise ("Warm All Over"). Cleo and Herman also grow closer, though she is frustrated by his passive, compliant nature ("I Like Everybody"). She urges Rosabella to tell Tony of her feelings, as Tony is treating her like a child rather than a wife ("I Love Him/I Know How it Is"). Tony, overjoyed by Rosabella's expression of love ("Like a Woman Loves a Man"), discards his cane ("My Heart Is So Full of You"). Later Rosabella collapses at a party ("Hoedown"), and the doctor tells her she is pregnant (with Joe's child). She is upset by this news, and Cleo rushes her away before she can tell the still-overjoyed Tony ("Mamma, Mamma").
- Act 3
In Tony's barn a short time later, Cleo hints to Herman that she may be leaving ("Goodbye, Darlin'") but he remains unbelievingly cheerful, to her frustration. As the preparations for the wedding party are taking place, the doctor asks the community to leave the couple alone for a little while ("Song of a Summer Night"). Rosabella tells Tony she is pregnant ("Please Let Me Tell You"). Tony rejects her in a rage when she reveals that Joe is the father. She and Cleo leave to return to San Francisco, but when Tony learns that Joe is leaving as well, he concludes that they are leaving together and rushes to the bus station with a gun to confront them. When he discovers that Joe has already left ("Tell Tony and Rosabella Goodbye for Me"), however, he resolves to forgive her ("She Gonna Come Home Wit' Me"). Marie begs her brother to let her go ("Nobody's Ever Gonna Love You") and snatches away his cane to prevent him from leaving, but Cleo attacks her and grabs it back. Brutish farmhand Pasquale intervenes in the struggle, and Herman finally finds the nerve to stand up for her by striking Pasquale ("I Made a Fist"). Tony convinces Rosabella to return to their home, where they will tell their friends and the townspeople Tony is the father. Reunited with Rosabella and soon to be a father, Tony affirms that he truly is "the most happy fella." ("Finale").
Original Broadway production
Directed by Joseph Anthony and choreographed by Dania Krupska, the original Broadway production was produced by Kermit Bloomgarden and Lynn Loesser and opened on May 3, 1956 at the Imperial Theatre, transferred to The Broadway Theatre on October 21, 1957 and closed on December 14, 1957 after 676 performances. The cast included Robert Weede as Tony, Jo Sullivan as Rosabella, Art Lund as Joey, Susan Johnson as Cleo, Shorty Long as Herman and Mona Paulee as Marie. The future dancer and actress Zina Bethune appeared as Tessie, one of the children in the ensemble. The scenic and lighting design was by Jo Mielziner.
The original production was partially bankrolled by Lucille Ball and Desi Arnaz. The 1957 I Love Lucy episode "Lucy's Night In Town" focuses on the Ricardos and Mertzes going to a sold-out performance. Three songs from the show are heard in scenes showing the characters sitting in the theater. At one point, Fred Mertz is inspired by the title to remark, "The guy is not married."
The New York City Center staged a limited run of 16 performances from February 10 through February 22, 1959.
The West End production, directed by Jerome Eskow, opened at the London Coliseum on April 21, 1960, and ran for 288 performances. The cast included Inia Te Wiata as Tony, Helena Scott as Rosabella, Art Lund as Joey, Libi Staiger as Cleo, Jack De Lon as Herman, and Nina Verushka as Marie. Inia Te Wiata also starred in the Australian production, which played the Princess Theatre, Melbourne and the Palace Theatre, Sydney in 1961.
A Broadway revival began previews at the Majestic Theatre on September 20, 1979, officially opened on October 11, and closed on November 25, 1979, after 53 performances and 23 previews. Directed by Jack O'Brien, set design by Douglas W. Schmidt, costumes by Nancy Potts, lighting by Gilbert Vaughn Hemsley, Jr., orchestrations by Don Walker, and choreographed by Graciela Daniele, it starred Giorgio Tozzi as Tony, Frederick Burchinal as Tony (Wed. and Sat. matinees), Sharon Daniels as Rosabella, Linda Michelle as Rosabella (Wed. and Sat. matinees), Adrienne Leonetti as Marie, Steven Alex-Cole as Max, Dennis Warning as Herman, Dean Badolato as Clem, David Miles as Jake, Kevin Wilson as Al, Stephen Dubov as Sheriff, Gene Varrone as Giuseppe, Darren Nimnicht as Pasquale, Tim Flavin as Busboy, Dan O'Sullivan as Postman, Franco Spoto as Ciccio, Joe McGrath as Doctor, Lawrence Asher as Priest, Michael Capes as Bus Driver, Bill Hastings as Cashier/brakeman, Louisa Flaningam as Cleo, and Richard Muenz as Joe. The production was filmed and later broadcast by PBS' Great Performances in 1980. A 2-DVD set of this PBS performance was preserved and is for sale to the public - see https://www.imdb.com/title/tt0289344/usercomments for details.
A New York City Opera production ran from September 4 through October 18, 1991. Directed by Arthur Alan Seidelman, it starred Louis Quilico as Tony, Elizabeth Walsh as Rosabella, and Karen Ziemba as Cleo.
The Goodspeed Opera House presented the musical, directed by Gerald Gutierrez, in May and June 1991. This production had two pianos instead of a full orchestra, using a Loesser-approved piano arrangement by Robert Page. The production was then staged by the Center Theatre Group at the Ahmanson Theatre in Los Angeles for ten weeks starting in October 1991. In exchange for mounting the show, the Center Theatre Group shared in potential Broadway profits.
Based on the Goodspeed production, with most of the cast and creative team intact, a Broadway revival began previews at the Booth Theatre on January 24, 1992, officially opened on February 13, and closed on August 30 after 229 performances. Again directed by Gerald Gutierrez, the cast included Spiro Malas as Tony, Sophie Hayden as Rosabella, Charles Pistone as Joe, Claudia Catania as Marie, Liz Larsen as Cleo, and Scott Waara as Herman.
In February 2013, Tulsa Opera presented a production directed by Dorothy Danner and conducted by Kostis Protopapas, featuring Chaim Joseph as Tony, Latrine Thurman as Rosabella, and Christopher Foeum as Joe.
The Original Broadway cast album was produced by Goddard Lieberson for Columbia Records. It was highly unusual for the time, in that it recorded virtually the entire show, including all but a few of lines of the dialogue. Because the score was so extensive, the cast album had to be released as a three LP record set. Columbia also released a more conventional album of excerpted highlights. The Original cast album was re-released on November 15, 1991 by Sony (ASIN: B0000027TC). The 1992 Broadway revival cast album was produced by RCA Victor Broadway (ASIN: B000003FBK) and released on June 9, 1992. Jay Records released a "complete" studio recording (CDJAY2 1306), including material that had been cut, on July 11, 2000. The recording featured Louis Quilico as Tony.
Awards and nominations
Original Broadway production
|1957||Tony Award||Best Musical||Nominated|
|Best Performance by a Leading Actor in a Musical||Robert Weede||Nominated|
|Best Performance by a Featured Actress in a Musical||Jo Sullivan||Nominated|
|Best Direction of a Musical||Joseph Anthony||Nominated|
|Best Choreography||Dania Krupska||Nominated|
|Best Conductor and Musical Director||Herbert Greene||Nominated|
|Theatre World Award||Susan Johnson||Won|
1979 Broadway revival
|1980||Tony Award||Best Performance by a Leading Actor in a Musical||Giorgio Tozzi||Nominated|
|Drama Desk Award||Outstanding Actor in a Musical||Nominated|
1992 Broadway revival
|1992||Tony Award||Best Revival||Nominated|
|Best Performance by a Leading Actress in a Musical||Sophie Hayden||Nominated|
|Best Performance by a Featured Actor in a Musical||Scott Waara||Won|
|Best Performance by a Featured Actress in a Musical||Liz Larsen||Nominated|
|Drama Desk Award||Outstanding Revival||Nominated|
|Outstanding Actor in a Musical||Spiro Malas||Nominated|
|Outstanding Actress in a Musical||Sophie Hayden||Nominated|
|Outstanding Featured Actor in a Musical||Scott Waara||Won|
|Outstanding Featured Actress in a Musical||Liz Larsen||Nominated|
|Outstanding Director of a Musical||Gerald Gutierrez||Nominated|
|Theatre World Award||Spiro Malas||Won|
- Green, pp. 266-267
- "Review, New York City Opera", backstage.com, accessed 20 August 2009
- "The music-the more operatic stuff ..." Simon, John. (16 September 1991). "Good Fella", The New York Magazine, p. 66
- Block, Geoffrey. (2004). Enchanted Evenings. Oxford University Press US. ISBN 0-19-516730-9. p. 216
- Atkinson, Brooks. (4 May 1956). "Theatre: Loesser’s Fine Music Drama". The New York Times, p. 20
- Engel, Lehman; Kissel, Howard (2006). Words with Music: Creating the Broadway Musical Libretto. Hal Leonard Corporation. ISBN 1-55783-554-3, p. 295
- The Most Happy Fella Music Theatre International, retrieved July 24, 2018
- "The Most Happy Fella". Internet Broadway Database. The Broadway League. Retrieved 9 December 2018.
- "... this fella's most happy, too". The Australian Women's Weekly. 28 (52). Australia, Australia. 31 May 1961. p. 4. Retrieved 22 August 2017 – via National Library of Australia.
- Guernsey, Otis L.; Sweet, Jeffrey; Hirschfeld, Al. Theater Yearbook 1991-1992 (1992), Hal Leonard Corporation, ISBN 1-55783-147-5, p. 289
- Rich, Frank."Review/Theater; Rethought, Refined and Revived: Goodspeed's 'Most Happy Fella'"The New York Times, May 30, 1991
- Isenberg, Barbara."Stage:Most 'Happy' Again",Los Angeles Times, October 13, 1991
- Gans, Andrew."Ravinia Festival to Feature Hearn in Happy Fella and Mitchell and Headley in Concert", playbill.com, November 27, 2006
- Gans, Andrew."Paul Sorvino Is a Most Happy Fella Beginning March 4", playbill.com, March 4, 2006
- " 'The Most Happy Fella' at City Opera, 21 Mar 2006", operatoday.com, accessed August 16, 2009
- Ben Brantley, "Uncorking a Napa Vintage for a Toast to Adult Romance" in New York Times, 3 April 2014.
- Staff, "The Verdict: Critics Review Encores! Most Happy Fella With Laura Benanti, Cheyenne Jackson and Shuler Hensley" in Playbill, 3 April 2014.
- The Most Happy Fella jayrecords.com, accessed August 16, 2009
- "Tony Awards" tonyawards.com
- Green, Stanley (1984). The World of Musical Comedy: The Story of the American Musical Stage As Told Through the Careers of Its Foremost Composers and Lyricists. Da Capo Press. ISBN 0-306-80207-4