The Motherland Calls
|The Motherland Calls|
Commonwealth of Independent States
|For the heroes of the Battle of Stalingrad|
|Unveiled||15 October 1967|
near Mamayev Kurgan, Volgograd
|Designed by||Yevgeny Vuchetich, Nikolai Nikitin|
The Motherland Calls (Russian: Родина-мать зовёт!, tr. Rodina-mat' zavyot!, lit. Homeland-Mother Is Calling!) is the compositional center of the monument-ensemble "Heroes of the Battle of Stalingrad" on Mamayev Kurgan in Volgograd, Russia. It was designed by sculptor Yevgeny Vuchetich and structural engineer Nikolai Nikitin, and declared the tallest statue in the world in 1967. It is the tallest statue in Europe, the tallest statue (excluding any pedestal) of a woman in the world and the tallest freestanding non-religious statue in the world.
The monument is the central part of the triptych, consisting of the monuments "Rear-Front" in Magnitogorsk and "Warrior-Liberator" in Berlin's Treptower Park. It is understood that the sword, forged on the bank[clarification needed] of the Urals, was later raised by Motherland in Stalingrad and dropped after the Victory in Berlin.[clarification needed]
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The work of sculptor Yevgeny Vuchetich and engineer Nikolai Nikitin is an 85 metre figure of a woman stepping forward with a raised sword. The statue is an allegorical image of the Motherland, which calls on its sons and daughters to repulse the enemy and continue their further attack.
The Motherland Calls is highly complex from an engineering point of view, due to its characteristic posture with a sword raised high in the right hand and the left hand extended in a calling gesture. The technology behind the hollow statue is based on a combination of prestressed concrete with wire ropes, a solution which can also be found in another work of Nikitin's, the Ostankino Tower in Moscow. The sculpture is hollow. Inside, the entire statue consists of separate cells or chambers, like rooms in a building. The concrete walls of the sculpture are 25-30 centimetres thick.
The construction of the monument was started in May 1967 and completed on 15 October. It was the tallest sculpture in the world at the time of creation. Restoration work on the main monument of the monument complex was done in 1972, when the sword was replaced, and again in 1986.
It is most likely that Vuchetich sculpted the figure from the discus thrower Nina Dumbadze, and the face from his wife Vera. According to various sources, Anastasia Antonovna Peshkova, Valentina Izotova or Ekaterina Grebneva posed for the sculpture. It is also believed that the statue has parallels with the figure of the "Marseillaise" on the Triumphal arch in Paris, and that the statue's pose was inspired by the statue of Nike of Samothrace.
At night, the sculpture is illuminated by floodlights.
When the memorial was dedicated in 1967 it was the tallest statue in the world, measuring 85 metres (279 ft) from the tip of its sword to the top of the plinth. The plinth measures another 2 metres (6.6 ft), and is installed on a concrete foundation with a depth of 16 metres (52 ft). The figure measures 52 metres (171 ft), and the sword 33 metres (108 ft). The monument weighs over 8,000 tonnes (7,900 long tons; 8,800 short tons). The statue contains 5,500 tonnes of concrete and 2,400 tons of metal structures, the sword itself weighs 14 tons.. The rigidity of the frame is supported by 99 metal cables constantly in tension.
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Two hundred steps, symbolizing the 200 days of the Battle of Stalingrad, lead from the bottom of the hill to the monument. The statue appears on both the current flag and coat of arms of Volgograd Oblast.
Marshal of the Soviet Union Vasily Ivanovich Chuikov is buried in the area of the monument, as is famous Soviet sniper Vasily Zaytsev, who killed 225 soldiers and officers of the German army and their allies in the battle of Stalingrad.
The sword was originally made of stainless steel, trimmed with titanium sheets. The huge mass and high windage of the sword, due to its colossal dimensions, caused a strong swinging of the sword under the influence of wind loads, which caused excessive mechanical stress in the place where the hand holding the sword was attached to the body of the sculpture. Deformations in the design of the sword also caused the movement of sheets of titanium plating, creating-pitched sound of thundering metal. Therefore, in 1972, the blade was replaced by another - entirely consisting of steel, - and in the upper part of the sword, holes were provided that made it possible to reduce its windage.
In 2009, reports said the statue was leaning due to changes in groundwater level causing movement of the foundations. The statue is not fixed to its foundations and is held in place only by its weight. An anonymous official claimed that it had shifted 20 centimetres and was not expected to move much farther without collapsing. A program of monument restoration was developed in 2008–2009, and conservation and restoration work started in 2010.
In spring 2017, a comprehensive restoration program of the monument lasting for a year and a half at a cost of two billion rubles began. All formed cracks must be repaired and more than 6,000 m2 of concrete surfaces must be restored.
- The sculpture is depicted on the postage stamp of the GDR 1983.
- A copy of the sculpture is present in Manchuria, China.
- Socialist realism
- Mother Motherland, name for any of several huge statues in various cities of the former Soviet Union
- Worker and Kolkhoz Woman
- List of statues by height
- Ильин С. Б., Лонгинов А. С., Сульдин А. В. (1986). Всенародная академия. М.: Политиздат. p. 62.
- Кудзоев О. А., Ваганов А. С. (1989). Скульптурная летопись края. Челябинск: Южно-Уральское книжное издательство. p. 101. ISBN 5-7688-0158-8.
- Слука И. (2015). "Великая Отечественная война". 100 самых знаменитых монет СССР. p. 17.
- Монумент скульптура «Родина-мать» в Волгограде
- "«Родина-мать зовет!» 10 фактов о монументе". culture.ru (in Russian). Retrieved 2017-02-27.
- Иванушкина, Полина. (2013). "«Слушайте! Я — Родина-мать!»" (17 (1694) за 24 апреля) (Аргументы и факты ed.): 69. External link in
- "Родину-мать зовут Валей". // Волгоград-Инфо. 15.06.2003. Archived from the original on 2011-08-26. Retrieved 2010-10-17. Check date values in:
- Галкина, Анна. "Родина-мать обосновалась на Семи Ветрах". // Ваша газета. 08.06.2011. Archived from the original on 2012-02-04. Retrieved 2011-11-15. Check date values in:
- Pearman, Hugh (5 November 2014). "The Power of Remembrance". RIBA Journal.
- "Памятник-ансамбль героям Сталинградской битвы на Мамаевом кургане". Подвиг народа: Памятники Великой Отечественной войны. 1980. p. 127.
- "Родина-мать зовет! - Военная история - Каталог статей - Танковое братство". Танковое братство.
- "Как устроен мемориал «Родина-мать»". BIGPICTURE.RU. Retrieved 2016-06-03.
- "Скульптура «Родина-мать зовет!» в Волгограде на фото и карте". russights.ru. Retrieved 2016-06-03.
- Galpin, Richard (8 May 2009). "Russia's massive leaning statue". BBC News. Retrieved 2016-02-11.
- "Родина-Мать ушла на «больничный" [Motherland" goes on "sick leave"] (in Russian). V1.ru. 15 October 2010. Retrieved 2016-02-11.
- "Родину-мать на Мамаевом кургане оденут на полтора года в строительные леса". V1.ru. 19 January 2017.
Scott W. Palmer, "How Memory was Made: The Construction of the Memorial to the Heroes of the Battle of Stalingrad", The Russian Review 68:3 (July 2009), 373-407.
|Wikimedia Commons has media related to The Motherland Calls.|
- Google Maps Satellite view of statue in Volgograd
- The Motherland Calls: Russia's symbol of victory (23 minute RT documentary)
- YouTube video of Родина-мать зовёт! ("Rodina Mat' Zovyot!")
- View from the top and inside
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