The Mummy's Hand
|The Mummy's Hand|
U.S. insert poster
|Directed by||Christy Cabanne|
|Produced by||Ben Pivar|
|Written by||Griffin Jay|
|Edited by||Philip Cahn|
|Distributed by||Universal Studios|
The Mummy's Hand is a 1940 American black-and-white horror film directed by Christy Cabanne and produced by Ben Pivar for Universal Studios. Although it is sometimes claimed by fans as a sequel or follow-up to The Mummy, it does not continue the 1932 film's storyline, or feature any of the same characters (except the Pharaoh Amenophis). It was the first of a series of four films all featuring the mummy named Kharis, the sequels being The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse. Tom Tyler played Kharis in this film but Lon Chaney, Jr. took over the role for the following three sequels.
The film begins with the Egyptian Andoheb (George Zucco) traveling to the Hill of the Seven Jackals in answer to the royal summons of the High Priest of Karnak (Eduardo Ciannelli). The dying priest of the sect explains the story of Kharis (Tom Tyler) to his follower. The tale closely parallels that of the original film, except that Kharis steals the sacred tana leaves in the hope of restoring life to the dead Princess Ananka. His penalty upon being discovered is to be buried alive, without a tongue, and the tana leaves are buried with him.
The leaves are the secret to Kharis' continued existence. During the cycle of the full moon, the fluid from the brew of three tana leaves is to be administered to the creature to keep him alive. Should despoilers enter the tomb of the Princess, a fluid of nine leaves will restore movement to the monster.
Meanwhile, down on his luck archaeologist Steve Banning (Dick Foran) and his sidekick, Babe Jenson (Wallace Ford), discover the remnants of a broken vase in a Cairo bazaar. Banning is convinced it is an authentic ancient Egyptian relic, and his interpretation of the hieroglyphs on the piece lead him to believe it contains clues to the location of the Princess Ananka's tomb.
With the support of the eminent Dr. Petrie (Charles Trowbridge) of the Cairo Museum, but against the wishes of Andoheb, who is also employed by the museum, Banning seeks funds for his expedition. Banning and Jenson meet an American magician, Solvani (Cecil Kellaway), who agrees to fund their quest. His daughter Marta (Peggy Moran) is not so easily swayed, thanks to a prior visit from Andoheb, who brands the two young archeologists as frauds.
The expedition departs in search of the Hill of the Seven Jackals, with the Solvanis tagging along. In their explorations, they stumble upon the tomb of Kharis, finding the mummy along with the tana leaves, but find nothing to indicate the existence of Ananka's tomb.
Andoheb appears to Dr. Petrie in the mummy's cave and has the surprised scientist feel the creature's pulse. After administering the tana brew from nine leaves, the monster quickly dispatches Petrie and escapes with Andoheb, through a secret passageway, to the temple on the other side of the mountain.
The creature continues his periodic marauding about the camp, killing an Egyptian overseer and eventually attacking Solvani and kidnapping Marta. Banning and Jenson set out to track Kharis down, with Jenson going around the mountain and Banning attempting to follow the secret passage they have discovered inside the tomb.
Andoheb has plans of his own. Enthralled by Marta's beauty, he plans to inject himself and his captive with tana fluid, making them both immortal. Jenson arrives in the nick of time, and guns down Andoheb outside of the temple, while Banning attempts to rescue the girl. However, Kharis appears on the scene and Banning's bullets have no effect on the immortal being. Marta overheard Adoheb tell the secret of the tana fluid and tells Banning and Jenson that Kharis must not be allowed to drink any more of the serum. When the creature raises the tana serum to his lips, Jenson shoots the container from his grasp. Dropping to the floor, Kharis attempts to ingest the spilled life-giving liquid. Banning seizes the opportunity to overturn a brazier onto the monster, engulfing it in flames. The ending has the members of the expedition heading happily back to the United States with the mummy of Ananka, and the spoils of her tomb.
- Tom Tyler as Kharis
- Dick Foran as Steve Banning
- Peggy Moran as Marta Solvani
- Wallace Ford as Babe Jenson
- Eduardo Ciannelli as The High Priest
- George Zucco as Professor Andoheb
- Cecil Kellaway as The Great Solvani
- Charles Trowbridge as Dr. Petrie
- Sig Arno as The Beggar
- Eddie Foster as Egyptian Starting Fight
- Harry Stubbs as Bartender
- Michael Mark as Bazaar Owner
- Mara Tartar as Girl Vendor
- Leon Belasco as Ali
At the film's release, film critic Bosley Crowther wrote for The New York Times, "It's the usual mumbo-jumbo of secret tombs in crumbling temples and salacious old high priests guarding them against the incursions of an archaeological expedition, led this time by Dick Foran, Peggy Moran and Wallace Ford. While the scientists busily explore dank passageways and decipher weird hieroglyphics on tombs and chests, jackals howl outside, the native work-gangs mutiny and the mummy is always just around the corner. Once or twice Miss Moran makes a grimace — as if she had caught an unpleasant odor — and screams. Otherwise every one seems remarkably casual. If they don't seem to worry, why should we? Frightening or funny, take your choice."
In 2015, Graeme Clark, comparing the movie with Boris Karloff's and granting 6 out of 10 stars, writes, "This was no eerie love story across the millennia, this was straight fright fare with Universal Studios' least-loved monster, here in the form that viewers would know him best, shambling, strangling, singleminded and mute. A nice touch is that his eyes have been blacked out for his closeups, giving him an undead look. However, more than half the short movie is over before we get to the creepy chase scenes..."
In 2017, Tim Janson of the SciFi Movie Page gave The Mummy's Hand three stars out of five, writing, "There isn’t really much of a plot here other than to give Zucco a chance to let the Mummy wild on a murderous rampage", noting that it also provided "great escapist entertainment".
- Michael Brunas, John Brunas & Tom Weaver, Universal Horrors: The Studios Classic Films, 1931-46, McFarland, 1990 p. 229
- Crowther, Bosley (September 20, 1940). "Movie Review: The Mummy's Hand (1940)". The New York Times. Retrieved December 26, 2015.
- Clark, Graeme. "Mummy's Hand, The". The Spinning Image. Retrieved December 26, 2015.
- Janson, Tim. "Mummy's Hand, The". The SciFi Movie Page. Retrieved June 5, 2017.
- "The Mummy's Hand". Rotten Tomatoes. Retrieved December 26, 2015.
|Wikiquote has quotations related to: The Mummy's Hand|
|Wikimedia Commons has media related to The Mummy's Hand.|