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Season One opening, with Yvonne De Carlo featured behind the title
|Created by||Allan Burns|
|Developed by||Norm Liebmann|
Yvonne De Carlo
Beverley Owen (1964)
Pat Priest (1964–66)
|Theme music composer||Jack Marshall|
Bob Mosher (unaired lyrics)
|Opening theme||"The Munsters' Theme"|
|Country of origin||United States|
|No. of seasons||2|
|No. of episodes||70 (list of episodes)|
|Production location(s)||Universal Studios, Universal City, California|
|Running time||25 minutes|
|Production company(s)||Kayro-Vue Productions|
|Picture format||Black-and-white 35mm film|
|Original release||September 24, 1964 –|
May 12, 1966
|Followed by||The Munsters Today|
The Munsters was an American sitcom depicting the home life of a family of benign monsters starring Fred Gwynne as Frankenstein's monster-type head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife, Lily Munster; Al Lewis as Grandpa, the over-the-hill vampire who relishes talking about the "good old days"; Beverley Owen (later replaced by Pat Priest) as their teenage niece Marilyn Munster, whose non-monster persona made her the family outcast; and Butch Patrick as their half-vampire, half-werewolf son Eddie Munster. The series was a satire of both traditional monster movies and the wholesome family fare of the era, and was produced by the creators of Leave It to Beaver. It ran concurrently with the similarly macabre themed The Addams Family (which aired on ABC) and achieved higher figures in the Nielsen ratings.
In 1965, The Munsters was nominated for the Golden Globe Award for Best Television Series, but lost to The Rogues. In the 21st century it received several TV Land Award nominations, including one for Most Uninsurable Driver (Herman Munster).
The series originally aired on Thursday at 7:30 pm on CBS from September 24, 1964, to May 12, 1966; 70 episodes were produced. It was cancelled after ratings dropped to a series low, due to the premiere of ABC's Batman, which was in color. Though ratings declined by the end of its initial two-year run, The Munsters found a large audience in syndication. This popularity warranted a spin-off series, as well as several films, including one with a theatrical release.
On October 26, 2012, NBC aired a modern reimagining of The Munsters called Mockingbird Lane as a pilot. The series failed to be picked up by NBC due to disagreements on the dark nature and inconsistent tone.
The Munsters live at 1313 Mockingbird Lane in the city of Mockingbird Heights, a fictional suburb in California. The running gag of the series is that the family, while decidedly odd, consider themselves fairly typical working-class people of the era. Herman, like many husbands of the 1960s, is the sole wage-earner in the family, though Lily and Grandpa make (short-lived) attempts to earn money from time to time. While Herman is the head of the household, Lily makes many decisions, too. According to the episode in which Lily and Herman Munster were trying to surprise one another for their anniversary, they were married in 1865. Despite the novel approach of the family being (mostly) supernatural creatures (except for niece Marilyn, who is "normal"), the show followed the typical family sitcom formula of the era: the well-meaning father, the nurturing mother, the eccentric live-in relative, the naïve teenager, and the precocious child.
The costumes and appearances of the family members other than Marilyn were based on the classic monsters of Universal Studios films from the 1930s and 1940s. Universal produced The Munsters as well and was thus able to use these copyrighted designs, including their iconic version of Frankenstein's monster for Herman. Other studios were free to make films with the Frankenstein creature, for example, but could not use the costume and style of make-up originally created by Jack Pierce for the 1931 Universal Studios film Frankenstein. The make-up for the show was created and applied to the actors by Bud Westmore, who pioneered many make-up effects and designs for many of the Universal monster movies.
|Fred Gwynne||Herman Munster|
|Yvonne De Carlo||Lily Munster|
|Pat Priest||Marilyn Munster (ep. 14–70)|
|Beverley Owen||Marilyn Munster (ep. 1–13)|
|Butch Patrick||Eddie Munster|
|Mel Blanc||The Raven|
|Bob Hastings||The Raven|
|Paul Lynde||Edward H. Dudley (ep. 4, 6, 19)|
|Dom DeLuise||Edward H. Dudley (ep. 55)|
|John Carradine||Mr. Gateman, Herman's boss at the funeral parlor|
|Chet Stratton||Clyde Thornton, a coworker of Herman's down at the parlor|
|Bryan O'Byrne||"Uriah" or "Calvin", another of Herman's coworkers down at the parlor|
The idea of a family of comical monsters was first suggested to Universal Studios by animator Bob Clampett, who developed the idea from 1943 to 1945 as a series of cartoons. The project did not take off until the early 1960s, when a proposal for a similar idea was submitted to Universal Studios by Rocky & Bullwinkle writers Allan Burns and Chris Hayward. The proposal was later handed to writers Norm Liebman and Ed Haas, who wrote a pilot script, Love Thy Monster. For some time, there were executives who believed the series should be made as a cartoon and others who wanted to see it made using live-action. Finally, a presentation was filmed by MCA Television for CBS, using live-action.
The show was produced by Joe Connelly and Bob Mosher, who were already known for creating the Leave It to Beaver television series. Prior to that, they wrote over 1,500 episodes of Amos 'n' Andy, a presence on network radio for nearly its entire history.
Originally conceived as a color show, The Munsters was ultimately filmed in black-and-white to save money and to resemble the old B&W monster films Universal and other studios used to make. Over the course of season one (completed by Season 1, Episode 7 "Tin Can Man"), makeup for Herman, Lily, and Grandpa was changed. Some of the changes included Lily's hair becoming all black instead of having a gray/white streak on the right side of her head, a change of jewelry to a bat instead of a star, and angled eyebrows. Grandpa was given more exaggerated makeup and heavier eyebrows, and Herman's face was widened to give him a dopier and less human appearance. He also added a stutter to bolster his character whenever he was angry or wanted to make a point, and he frequently left his mouth open, adding to the effect of a more goofy, less frightening, figure.
While its humor was usually broad, the series was visually sophisticated. The Munsters' home was a crumbling Second Empire Victorian mansion, riddled with smoke, filthy with dust and cobwebs. A running joke was that when Lily "dusted" the house, her Electrolux emitted clouds of dust, which she applied to surfaces most people would clean. As a running gag, parts of the house would often be damaged (mostly by Herman's tantrums or clumsiness), but the damage would not exist later. Although many episodes featured scenes outside the house, much of the action took place within the walls of the Munsters' home.
The Munster family's multi-level Victorian home had the fictional address of 1313 Mockingbird Lane in Mockingbird Heights. (The town's location is not specified in the series, but in later incarnations, it is described as a small town outside Los Angeles. Leo Durocher, who was then coaching with the Los Angeles Dodgers, guest-starred as himself in one episode, further hinting that the show was set in, or near, Los Angeles.) The exterior shots were filmed on the Universal Studios backlot. In the 1950s, it was assembled with other homes on the backlot. Until production of The Munsters in 1964, the house could be seen as a backdrop on many shows, including Leave It to Beaver. It was also the home of the family in Shirley (NBC, 1979–80) and has appeared in other TV shows such as Coach and (after a remodel) Desperate Housewives. The interiors for the Munsters' mansion were filmed entirely on an enclosed sound stage.
In the fourth episode ("Rock-A-Bye Munster"), Lily buys a hot-rod and a hearse from a used car dealership and has them customized into one car (Munster Koach) for Herman's birthday present. The Munster Koach and DRAG-U-LA were designed by Tom Daniel and built by auto customizer George Barris for the show. The "Munster Koach" was a hot rod built on a lengthened 1926 Ford Model T chassis with a custom hearse body. It was 18 feet long and cost almost $20,000 to build. Barris also built the "DRAG-U-LA," a dragster built from a coffin (according to Barris, a real coffin was, in fact, purchased for the car), which Grandpa used to win back "The Munster Koach" after Herman lost it in a race.
The instrumental theme song, titled "The Munsters' Theme", was composed by composer/arranger Jack Marshall. The theme song's lyrics, which the sitcom's co-producer Bob Mosher wrote, were never aired on CBS. Described by writer Jon Burlingame as a "Bernard-Herrmann-meets-Duane-Eddy sound", the theme was nominated for a Grammy Award in 1965. A sample of the theme was used in the song "Uma Thurman" by Fall Out Boy.
Butch Patrick later recorded a song called "Whatever Happened To Eddie?," which is set to The Munsters theme.
The first presentation was 16 minutes and in color (later cut to just over 13 minutes) and was used to pitch the series to CBS and its affiliates. It never aired, and the script was reused as the basis for episode 2, "My Fair Munster". The cast in order of appearance in the title sequence was: Joan Marshall as Phoebe (instead of Lily), Beverley Owen as Marilyn, Nate "Happy" Derman as Eddie, Al Lewis as Grandpa, and Fred Gwynne as Herman. Although the same house exterior was later used in the actual aired series, it was changed at that point to make it look more gothic and "spooky". Changes included adding the tower deck and Marilyn's deck, a new coat of paint, and enlarging the living room. Although Grandpa had the same dungeon, Herman did not have padding in the pitch episode, had a more protruding forehead, and was broad but thin. The most noticeable difference was his somber expression, compared to his comical silliness during the series. All characters, except Marilyn, had a blue-green tint to their skin. The biggest character difference was that Eddie was portrayed by Derman as a nasty brat.
The title sequence had light, happy music (picked up from the Doris Day movie The Thrill of It All) instead of the more hip surf theme that was to come. The episode is available on the complete first season of The Munsters DVDs. It was also decided that Joan Marshall looked too much like Morticia Addams and that Happy Derman was too nasty as Eddie, so both were replaced. On the basis of the first presentation, the new series, still not completely cast, was announced by CBS on February 18, 1964. A second black-and-white presentation was made with the new actors. In this version, Butch Patrick's Eddie appeared with a more "normal" look, although his hairstyle was later altered to include a widow's peak.
1965 Easter special
During season one, the Munster family appeared in an Easter special, when they visited Marineland of the Pacific in Palos Verdes, California, to get a new pet for Eddie. Shot on videotape, it aired just once on CBS on April 18, and was long thought lost until a copy was donated to the Paley Center in New York in 1997.
|First aired||Last aired|
|1||38||September 24, 1964||June 10, 1965|
|2||32||September 16, 1965||May 12, 1966|
|Special||April 18, 1965|
In October 2011, the series was picked up by Cartoon Network's sister channel Boomerang and ran through the entire month of October that year for Halloween alongside The Addams Family. It vanished from Boomerang after Halloween 2013.
- 1964–1965: #18 (24.7 rating) – Tied with Gilligan's Island
- 1965–1966: #61 (no rating given, 30.7 share)
In 1973, there was an animated one-hour special for ABC, The Mini-Munsters, based on characters from the original series.
Several Munsters movies were released, three featuring original cast members.
The Munsters Today
A sequel television series, titled The Munsters Today, ran from 1988 to 1991 and lasted for 72 episodes. The unaired pilot episode, written by Lloyd J. Schwartz, explained the 22-year gap through an accident in Grandpa's lab that put the family to sleep. They awake in the late 1980s and have to adapt to their new surroundings. It featured John Schuck (Herman), Lee Meriwether (Lily), Howard Morton (Grandpa), and Jason Marsden (Eddie). Marilyn was portrayed by Mary-Ellen Dunbar in the unaired pilot, and by Hilary Van Dyke thereafter.
NBC ultimately canceled plans for Mockingbird Lane to be produced as a weekly series, but later announced the pilot episode would air in late October 2012 as a Halloween special.
In August 2017, it was announced that Seth Meyers is developing a modern-day interpretation of the series. The series will place with the Munsters in Brooklyn, New York, where they try to fit in as an ordinary family.
Between 2004 and 2008, Universal Studios Home Entertainment released the entire series on DVD in Regions 1 & 2.
|DVD Name||Ep#||Region 1||Region 2||Region 4||Additional Information|
|Season 1||38||August 24, 2004
February 5, 2013 (re-released)
|October 17, 2005||November 30, 2006||
|Season 2||32||October 25, 2005
February 5, 2013 (re-released)
|May 1, 2006||October 25, 2006||
|The Complete Series||70||October 7, 2008
September 13, 2016 (re-released)
|The Complete Series (Closed Casket Collection)||70||N/A||October 8, 2007||
|The Complete Series||August 3, 2016|
The "Family Portrait" episode in color, which was absent from the season 1 and 2 standalone box sets, was released on a standalone Region 1 DVD on October 7, 2008.
Gold Key Comics produced a Munsters comic book which ran 16 issues from 1965 to 1968 and had photo covers from the TV series. When it first appeared, the Comics Code Authority still forbade the appearance of vampires in comic books. However, this was not a problem at Gold Key, because Gold Key was not a member of the Comics Magazine Association of America and therefore did not have to conform to the Comics Code. Lily and Grandpa appeared in the comics without controversy.
Other merchandise included a set of rubber squeaky toys, Colorforms, and an Aurora model kit of the living room and family. AMT produced model kits of the Munster Koach as well as Drag-u-La. The Aurora model of the living room featured Herman in his electric chair, Eddie squatting in front of the fire, Lily was knitting and Grandpa was hanging, bat like, from the rafters. Marilyn was not included. ERTL later produced a very detailed 1:18 scale diecast of the Munster Koach. Mattel issued two Herman Munster Dolls, one was a talking doll and the other was a hand puppet (both having chatty rings that you could pull to make them talk utilizing Gwynne's actual voice) that were issued from 1964 until around 1968.
A video game based on The Munsters was published by "Again, Again" (a division of Alternative Software) in 1989. It was available for the Amstrad CPC, ZX Spectrum, Commodore 64, Commodore Amiga, Atari ST, MSX, and DOS, but was heavily criticized by gaming press at the time because of its short length and lackluster game play.
In 1990, Atari Corporation released Midnight Mutants for the Atari 7800, featuring Al Lewis' likeness in his Grampa Munster character on the box art and label art. However, since Atari did not sign an agreement with Universal, they could not call him "Grampa Munster"; he was simply called "Grampa".
The first episode guide for the series was written by Richard H. Campbell for Media Sight #3, 1981.
Sawyer's View-Master Stereo Pictures issued a 3-D reel set of The Munsters depicting the episode "The Most Beautiful Ghoul in the World" in 1966, Packet No. B 481. The set contains three reels, each with seven 3-D views, as well as a small booklet containing drawings and additional text. The View-Master set is notable because the photographs provide rare color views of the characters and sets, including house interiors and Grandpa's dungeon laboratory. The photos are an accurate depiction of the characters' makeup as designed for black and white filming. Herman, Eddie, and Grandpa all wear heavy greenish-white facial makeup, which contrasts noticeably with their un-made-up hands and wrists. Lily, besides heavy facial makeup, has light greenish-white makeup on her hands and wrists. Marilyn, identified on the packet as "Daughter Marilyn," is of course in non-character "normal" makeup.
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