The Myth (film)

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The Myth
The Myth film.jpg
Film poster
Traditional 神話
Simplified 神话
Mandarin Shénhuà
Cantonese San4-waa2
Directed by Stanley Tong
Produced by Jackie Chan
Solon So
Barbie Tung
Willie Chan
Yang Buting
Albert Yeung
Written by Stanley Tong
Li Haishu
Hui-Ling Wang
Starring Jackie Chan
Tony Leung Ka-fai
Kim Hee-sun
Mallika Sherawat
Music by Wong Chung-Yin
Gary Chase
Cinematography Horace Wong
Ng Man-Ching
Michael Johnson
Lai Yiu-Fai
Choi Shung-Fai
Edited by Yau Chi-Wai
Distributed by JCE Movies Limited
Release date
  • 11 May 2005 (2005-05-11)
Running time
118 minutes
Country Hong Kong
Language Cantonese
Mandarin Chinese
Budget USD$15,000,000

The Myth is a 2005 Hong Kong martial arts-fantasy-adventure film directed by Stanley Tong, starring Jackie Chan, Tony Leung Ka-fai, Kim Hee-sun and Mallika Sherawat.


During the Qin dynasty, the general Meng Yi is tasked with escorting Ok-Soo, a Korean princess, back to China to marry the Qin emperor. Along the journey, a Korean warrior attempts to seize her back but Meng Yi saves her. Ok-soo falls in love with Meng Yi and displays her affections for him openly, but Meng honourably rejects her and successfully completes his mission. The Qin emperor becomes critically ill later and he sends Meng Yi to find the elixir of immortality, the only thing that can save his life. The guards escorting the elixir are ambushed by rebels on the orders of the treacherous prince and chancellor. Meng Yi hands over the elixir to his deputy, Nangong Yan, before dying in the ensuing battle. Although Nangong Yan manages to bring the elixir to the emperor, the prince and chancellor wanted Nangong Yan and Ok-soo to test the validity of the elixir and force them to consume the elixir, condemning them to imprisonment in the Qin emperor's mausoleum for eternity.

In the present-day, Jack, an archaeologist, is Meng Yi's reincarnation, and he often dreams about his past life. One day, his friend William invites him on a quest to find a rare material that can create a field of zero gravity. They travel to a floating tomb of a Dasar prince in India, where Jack discovers a painting of the princess he has been seeing in his dreams. Jack also learns that during a mission to the Qin Empire, the Dasar prince brought treasures and women as gifts. In return, the Qin emperor offered him one of his concubines and asked him to choose, but refused when the prince chose his favourite, Ok-soo. Instead, the Qin emperor gave him a painting of Ok-soo and the Qin Star Gem. William removes a strange black rock from a feline statue, and accidentally collapses the zero gravity field holding up the tomb, resulting in its destruction. William manages to escape but Jack leaps off a cliff and falls into a river. He loses consciousness and drifts along with the current until he is saved by Samantha, an Indian peasant girl. Samantha brings Jack to see her uncle, a Kalaripayattu guru, who tells Jack to take the sword he found and fight with one of his students. During the fight, Jack has a recollection of a duel he had with the Dasar prince in his past life, and briefly recovers his fighting skills from his life as Meng Yi. Samantha's uncle enlightens Jack about his past and future, and Jack succeeds in returning home safely and he delivers the sword to the National Museum of China as a national treasure. His action angered Professor Koo, the leader of the syndicate that has been funding Jack and William's treasure hunt.

After extensive research, Jack and William conclude that the anti-gravity material is actually a fragment of a meteorite that fell to Earth during the Qin dynasty. They find the exact location of the Qin emperor's mausoleum, concealed behind a waterfall. The massive tomb contains the strongest fragment of the meteorite, which is powerful enough to make the tomb become a floating palace. Jack meets Ok-soo and Nangong Yan still alive inside the tomb and they mistake him for Meng Yi. Just then, Professor Koo and his men enter the tomb and attempt to seize the immortality elixir, leading to an aerial fight between both parties. William accidentally breaks the balance of the field after removing a piece of the meteorite and causes the tomb to collapse on itself, and dies from drowning in mercury. While Jack is escaping from the collapsing tomb, he asks Ok-soo to come with him, but she refuses after realising he is not Meng Yi and says she will wait for the real Meng Yi forever because she believes he still lives.

Before the film ends, Jack is seen at home with a published copy of The Myth, a book written by him about his adventure and his experiences which he dedicates to William.



Box office[edit]

The Myth was released in Hong Kong on 23 September 2005, and earned a strong HK$6,230,000 in its first three days. It ended its run with HK$17 million, making it the third highest-grossing domestic release in Hong Kong that year, and overseas for a worldwide total of $120 million.

Critical response[edit]

On Rotten Tomatoes, the film has a rating of 20%, based on five reviews, with an average rating of 3.9/10.[1] Styna Chyn, from filmtreat, wrote:

"Even though Jackie Chan did not direct “The Myth,” (Stanley Tong), he did produce it; and his creative input echoes throughout this genre-bending action film. Shot in China, Hong Kong, and Hampi, India, “The Myth” is a comedy of epic proportions. Combining historical fantasy, martial arts, and science-fiction, Tong’s film follows archaeologist Jack (Jackie Chan) and scientist William (Tony Leung Ka-Fai) on their adventures in investigating the veracity of a myth involving immortality, levitation, and a Korean princess-turned-concubine for Emperor Qin towards the end of the Qin Dynasty."[2][3]

David Cornelius, from efilmcritic, gave the film 4 out of 5 stars and wrote:

"Once again, it’s time to lament that while Jackie Chan has spent the past few years churning out mostly mediocre-or-worse flops like “Around the World in 80 Days” or those damn “Rush Hour” sequels in Hollywood, he’s also spent the same time flying back home every now and then to make some darn-good-or-better flicks that, sadly, remain mostly unseen Stateside because they’ve been unceremoniously dumped onto DVD by the studios that pick up the rights to them but then never really bother to do anything about it."[4]

Jim Hemphill, from Reel Films Reviews, gave the film 4 out of 5 stars and wrote a positive review:

"Jackie Chan's The Myth is enjoyable but second-rate Jackie Chan, an action film that's completely satisfying on every level except when compared to the star's own best work. Chan has, in some ways, become a victim of his own excellence: the astonishing stunt work and action choreography of his peak years (the 1980s period of the Police Story and Project A films) have set up expectations that no performer could continue to live up to, certainly not after moving into middle age. Viewers weaned on Chan's classics will undoubtedly find The Myth to be Jackie-lite, a slightly slowed-down version of his usual acrobatics. Yet the film does contain a few superb set pieces reminiscent of vintage Chan, and director Stanley Tong's opulent visual style makes it a feast for the eyes—and the bottom line is that half-speed Jackie Chan is still more dynamic than just about any other action hero."[5]

However, in Variety, Robert Koehler wrote a generally negative review of the film:

"Resembling a story session where many ideas are brainstormed and few stick, The Myth messily reps Jackie Chan in epic mode as a contempo archaeologist drawn into a plot to plunder the treasure of the Qin Dynasty's first emperor. As part of a movement in H.K. cinema to return to the ambitious movies of yore, helmer Stanley Tong's multi-period adventure flirts with considerable entertainment on one hand and near self-destruction on the other. Whether Chan's star power will pull in enough international bizbiz is doubtful, though ancillary should flex muscles in most territories."[6]

David Nusair, writing for Reel Film Reviews from the 2005 Toronto International Film Festival, was even less impressed:

"That The Myth eventually turns into an almost interminable experience is a shame, given the light-hearted and genuinely entertaining vibe of the film's opening hour...Fortunately, The Myth contains several expectedly impressive action sequences – with a fight set within a rat paper factory an obvious highlight – although it's not long before such moments wear out their welcome. This is particularly true of an unbelievably tedious plot development towards the end, which finds all of the film's central characters forced to duke it out inside some kind of an infinite, gravity-defying mausoleum (!) Chan is reportedly looking to get away from some of the sillier films he's been churning out as of late, but The Myth certainly does not mark a step in the right direction".[7]

Home media[edit]

On 4 May 2009, the DVD was released in Cine Asia in the United Kingdom in Region 2. Another version, including "An Introduction to Cine Asia Featurette", was released later in the United Kingdom on 28 February 2011.

Theme song[edit]

The theme song for the film, titled Wujin De Ai (無盡的愛; Endless Love) was performed in both Mandarin and Korean by Jackie Chan and Kim Hee-sun. Chan's stanzas were all sung in Mandarin, while Kim's solo stanzas were sung in Korean. However, the duets were all sung in Mandarin.

An alternative version, titled Meili De Shenhua (美麗的神話; Beautiful Myth), was performed in Mandarin by Sun Nan and Han Hong.

The song was reused as the ending theme song for the 2010 television series of the same title. This version was performed in Mandarin by Hu Ge and Bai Bing.

Action team[edit]

The Kalaripayattu martial arts were performed by experts from C. V. N. Kalari school, led by Sunil Kumar Gurukkal, and based in the town of Nadakkavu, Calicut in the state of Kerala, India. The list of stunt performers includes: John Foo, Wu Gang, Han Kwan Hua, Lee in Seob, Ken Lo, Park Hyun Jin and William Dewsbury.[citation needed]

Television series[edit]

On 10 January 2010, a 50 episodes television series, titled The Myth, was broadcast on CCTV-8 in China.[8] Jackie Chan was the producer for the series while Stanley Tong was the creative director. The television series had a storyline that is different from the film.

See also[edit]


  1. ^ "Jackie Chan: The Myth (2005)". Rotten Tomatoes. Retrieved 27 September 2016. 
  2. ^ "The Myth". Film Threat. 29 November 2005. Retrieved 28 July 2011. 
  3. ^ "Virupaksha Temple | Hampi. India!". Retrieved 28 July 2011. 
  4. ^ "Movie Review – Myth, The". eFilmCritic. 30 October 2007. Retrieved 28 July 2011. 
  5. ^ [1][dead link]
  6. ^ Koehler, Robert (20 September 2005). "The Myth Movie Review". Variety. 
  7. ^ "2005 TIFF Update No. 8 – Reviews by David Nusair". Retrieved 28 July 2011. 
  8. ^ "TV version of 'The Myth' aired on CCTV". Retrieved 14 January 2010. 

External links[edit]