The Oldest Systematic Program of German Idealism

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"The Oldest Systematic Program of German Idealism" (German: Das älteste Systemprogramm des deutschen Idealismus) is a fragmentary 1796/97 essay of unknown authorship. The document was first published (in German) by Franz Rosenzweig in 1917.[1][2] An English translation was made by Diana I. Behler.[3]

The Oldest Systematic Program of German Idealism. The German title is: Das Älteste Systemprogramm Des Deutschen Idealismus.  This title was made up by Franz Rosenzweig in 1917, when he first published the manuscript. He found the manuscript in the Royal Library in Berlin in 1913.  The manuscript suggested date is around 1796 and was done by handwriting research.  However, the manuscript is not dated. The Prussian State Library auctioned in March 1913 from the auction of the house Liepmannssohn in Berlin a single sheet on the front and back with Hegel's cursive handwriting. The manuscript was lost during WWII.  But Dieter Henrich found it again in 1979 in the “Biblioteka Jagiellonska” in Krakow (Poland), where it is today. Address: Jagiellonian Library, Jagiellonian University, al. Mickiewicza 22, 30-059 Cracow, Poland. Later research suggests that manuscript had come from the estate of Hegel’s student Friedrich Christoph Förster (1791-1868). He was one of the editors of Hegel’s posthumous works and most likely had access to a number of Hegel’s manuscripts. This text actually being one of them.  Hegel traveled around Bohemia with Marie and Friedrich Christoph Förster around the year 1820-21 (see Klaus Vieweg, Hegel: Der Philosoph der Freiheit. München: C.H. Beck, 2020).(Ferrer, page 6).

Authorship[edit]

Although the document is in G. W. F. Hegel's handwriting, it is thought it has been written by either Hegel, F. W. J. Schelling, Friedrich Hölderlin, or an unknown fourth person.[4] Yves Bonnefoy writes that it was "certainly inspired by Hölderlin."[5] According to Glenn Magee, most Hegel scholars assume that Hegel is the author of the document.[6]

Schelling, Hegel, and Hölderlin were classmates and roommates at Tübinger Stift, the seminary of the University of Tübingen at the time, and are collectively known as the "Tübingen Three". Hegel and Hölderlin were 27, and Schelling was 22.

Scholars on the topic of authorship:[citation needed]

  • Franz Rosenzweig (1917) – Schelling
  • Johannes Hoffmeister (1931) - Schelling.
  • Hans-Gero Boehm (1932) - Schelling.
  • Johannes Hoffmeister (1932) - Schelling.
  • Kurt Schilling (1934) - Schelling und Hölderlin.
  • Emil Staiger (1935) - Schelling.
  • Johannes Hoffmeister (1936) - Schelling.
  • Theodor Ludwig Haering (1938) - Schelling/Hölderlin/Hegel?
  • Johannes Jeremias (1938) - Hegel?
  • Gertrud Jäger (1939) - Schelling.
  • Kurt Hildebrandt (1939) - Schelling und Hölderlin.
  • Johannes Hoffmeister (1939) - Schelling.
  • Hermann Glockner (1940) - Schelling und Hölderlin.
  • Wilhelm Michel (1940) - Schelling.
  • Johannes Hoffmeister (1942) - Schelling.
  • Boris Jakowenko (1943) - Hegel!
  • Ernst Müller (1944) - Schelling.
  • Georg Lukäcs (1948) - Schelling.
  • Richard Geis (1950) - Schelling.
  • Hermann Zeltner (1954) - Schelling.
  • Karl Jaspers (1955) - Schelling.
  • Walter Schulz (1955) - Schelling.
  • Alexander Hollerbach (1957) - Schelling.
  • Manfred Schröter (1960) - Schelling.
  • Friedrich Beißner (1961) - Schelling.
  • Heinz Otto Burger (1962) - Schelling.
  • Horst Fuhrmans (1962) - Schelling.
  • Jürgen Habermas (1963) - Schelling.
  • Otto Pöggeler (1965) - Hegel.

List from: Frank-Peter Hansen (see Bibliography).

  • Martin Heidegger (1965) - not Schelling. But did not side with any other author.
  • Martin Oesch (1995) - Wilhelm Friedrich Schlegel  
  • Daniel Fidel Ferrer (2021) – Hegel (see Ferrer, page 25).

Content[edit]

Raffaele Milani writes that in the essay, "...the idea of Beauty unifies all others in a fusion of the self and nature."[7] Dieter Henrich called the document a "program for agitation." It called for a new mythology to mediate between the present state and the future envisioned poeticized state, in which poetry will function for the arts and sciences, including philosophy.[4] Jason Josephson-Storm has interpreted the essay as a source on Hegel's view of myth, especially Hegel's perception (in line with other eighteenth- and nineteenth-century German philosophers) that myth has disappeared and left a cultural vacuum, which Josephson-Storm argues anticipates the idea of disenchantment.[8]

See also[edit]

Notes[edit]

  1. ^ Robert J. Richards, The Romantic Conception of Life: Science and Philosophy in the Age of Goethe, University of Chicago Press, 2002, p. 124 n. 21.
  2. ^ "Georg Wilhelm Friedrich Hegel, [Das älteste Systemprogramm des deutschen Idealismus]". zeno.org (in German). Retrieved 2021-11-02.
  3. ^ "The Oldest Systematic Program of German Idealism (1797), translated by Diana I. Behler". livejournal.com. Retrieved 2021-11-02.
  4. ^ a b Kai Hammermeister, The German Aesthetic Tradition, Cambridge University Press, 2002, p. 76.
  5. ^ Yves Bonnefoy, "Fable and Mythology in Seventeenth- and Eighteenth-Century Literature and Theoretical Reflection" in Roman and European Mythologies edited by Wendy Doniger, University of Chicago Press, 1992, p. 241.
  6. ^ Glenn Magee, Hegel and the Hermetic Tradition, Cornell University Press, 2001, p. 84.
  7. ^ Raffaele Milani, Art of the Landscape, McGill-Queen's University Press, 2009, p. 112.
  8. ^ Josephson-Storm, Jason (2017). The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences. Chicago: University of Chicago Press. pp. 63–4. ISBN 0-226-40336-X.

Bibliography[edit]

  • Frank-Peter Hansen. Das älteste Systemprogramm des deutschen Idealismus. Rezeptionsgeschichte und Interpretation. 1989, 2014. ISBN 978-3110118094. Berlin New York: Walter de Gruyter. Page 1-514. Reviews 100s of articles from different periods since 1917. Extensive bibliography.

External links[edit]