The Orator

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Aule Meteli (The Orator)
Arringatore.jpg
Year110-90 BCE
Mediumbronze sculpture
Dimensions179 cm (70 in)
LocationNational Archaeological Museum, Florence

The Orator, also known as L'Arringatore (Italian), Aule Meteli (Etruscan) or Aulus Metellus (Latin), is an Etruscan bronze sculpture from the late second or the early first century BC.[1] Aulus Metellus was an Etruscan senator in the Roman republic, originally from Perugia or Cortona.[2] The Aulus Metellus sculpture was found in 1566 with the exact location being debated, but all sources agree the sculpture was found either in or around Lake Trasimeno in the province of Perugia on the border between Umbria and Tuscany,[2][3] 177 kilometers (110 miles) from Rome.

Description[edit]

The statue is 179 cm in height[1] and wears a toga exigua, consisting of a short sleeved tunic underneath a close fitting toga, slung over the left arm and shoulder while leaving the right arm free for movement. The hem starts over the left ankle and heads diagonally upwards to above the right calf.[4][disputed (for: vice-versa in photos) ] The statue also wears a pair of boots called calceus senatorius, a type of footwear worn by senators and high ranking magistrates made of red leather.[5] The statue stands in a contrapposto pose with one leg supporting the bulk of its weight.[6] The hair of the statue is cut short and combed to the left.[6] The left arm rests at its side with the hand raised and opened slightly,[6] while the right arm is stretched out, bent at the elbow, its palm open and the fingers spread out.[2]

Inscription[edit]

On the Aulus Metellus statue there is an inscription written in the Etruscan language. The inscription reads "auleśi meteliś ve[luś] vesial clenśi / cen flereś tece sanśl tenine / tu θineś χisvlicś" ('To (or from) Auli Meteli, the son of Vel and Vesi, Tenine (?) set up this statue as a votive offering to Sans, by deliberation of the people').[7]

Purpose[edit]

The Aulus Metellus statue was made for the purpose of a votive offering.[1] A votive offering is an object given to any god of a panhellenic religion as payment for the successful fulfillment of a prayer. This object could be anything from a handmade effigy or, if the giver of the offering is wealthy, a commissioned statue.[8] This idea of the statue being a votive offering is debated, and some historians say the statue was an honorary statue intended for public viewing rather than an offering to the gods.[6]

There is some debate about the family that originally owned the statue and their socioeconomic status.[2][6] Spivey and other sources state that the Aulus Metellus statue belonged to a wealthy family due to the statue being made out of expensive materials (i.e. bronze) and the level of craftsmanship present in the statue.[2][9] Shiell states the Aulus Metellus statue belonged to a more average Roman family.[6]

See also[edit]

Gallery[edit]

References[edit]

  1. ^ a b c 1913-1982., Janson, H. W. (Horst Woldemar) (2004). History of art : the Western tradition. Janson, Anthony F. (Rev. 6th ed.). Upper Saddle River, N.J.: Pearson/Prentice-Hall. ISBN 9780131828957. OCLC 51460547.CS1 maint: numeric names: authors list (link)
  2. ^ a b c d e Spivey, Nigel (1997). Etruscan Art. Thames and Hudson Ltd London. pp. 174–176. ISBN 0-500-20304-0.
  3. ^ Curry, Virginia (2012). Familia in Eternam: The Intimate Imagery of The Egalitrian Etruscan Couple. ProGuest LLC. pp. 88–90.
  4. ^ Hughes, Lisa (January 2001). Remembering the dead: The liberti of late republican municipalities and colonies of Italy. pp. 93–94.
  5. ^ Carlson, Mark (2002). Footwear of the middle ages.
  6. ^ a b c d e f Shiell, William (May 2003). Reading Acts the Lector and the Early Christian Audience. Waco Texas.
  7. ^ Koen, Wylin (2000). Il verbo etrusco: ricerca morfosintattica delle forme usate in funzione verbale. p. 112.
  8. ^ Mikalson, Jon (2009). Ancient Greek Religion. pp. 1–31.
  9. ^ Jessup, Erin (2012). Dental Disease in Roman Period Individuals from the Sodo and Terontola, in the Territory of Cortona, Italy. HeritageBranch. pp. 33–34. ISBN 978-0-494-90758-0.