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|Origin||Ogden, Utah, US|
|Associated acts||Donny & Marie|
The Osmonds are an American family music group with a long and varied career — a career that took them from singing barbershop music as children to achieving success as teen-music idols, from producing a hit television show to continued success as solo and group performers. The Osmonds are devout members of the Church of Jesus Christ of Latter-day Saints, and their religious values have influenced their careers.
The Osmond family was not one single act, but a group of several. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well; with Donny, the band became known as The Osmonds, under which the band enjoyed its greatest success as both a boy band and a hard rock ensemble. Their only sister Marie, who rarely sang with her brothers at that time, launched a successful career in 1973, both as a solo artist and as Donny's duet partner. A revival of the original Osmond Brothers lineup in the 1980s achieved moderate success in country music. Collectively, the family has sold 102 million records worldwide.
As of 2017, The Osmond Brothers as a group is composed of original members Merrill and Jay along with Jimmy, who perform as a trio. Donny and Marie also continue to perform as a duo; they and Merrill all have solo careers as well. Also of note are Alan's sons, who have performed as a "Second Generation" of the group since the late 1980s; one of those sons, David Osmond, is Donny's designated understudy.
The siblings' older brothers George Virl Osmond, Jr. (Virl) and Tom Osmond were born deaf and did not originally perform. They made several television appearances in later years, most notably on the family Christmas specials in the 1970s. All of the Osmonds were born in Ogden, Utah except the youngest, Jimmy, who was born in Canoga Park, California.
Barbershop and variety shows
The Osmond Brothers' career began in 1958 when Alan, Wayne, Merrill and Jay began singing barbershop music for local audiences in and around Ogden. In their made-for-TV movie Inside the Osmonds, they explain that they originally performed to earn money to support Virl and Tom in buying hearing aids and serving missions for the church. Despite their young ages (Alan was 9, Wayne 7, Merrill 5, and Jay 3) and within a few years, the boys' talent and stage presence were strong enough that their father, George Osmond, took them to audition for Lawrence Welk in California. Welk was unable to meet with them, but on the same trip, they visited Disneyland. Tommy Walker, Disneyland's Director of Entertainment and Customer Relations from 1955 to 1966, found the Osmond Brothers singing with The Dapper Dans on Main Street. Walker hired the Osmonds to perform on a segment of "Disneyland After Dark". This episode aired on 4/15/62 and 7/01/62.
While the Osmond Brothers were performing on a televised Disney special, Andy Williams's father saw them and was so impressed he told his son to book them for his television show. Andy did, and the Osmond Brothers were regulars on the show from 1962 to 1969, where they earned the nickname "one-take Osmonds" among staff due to their professionalism and tireless rehearsing. Donny soon joined them on the show, making the Osmond Brothers a 5-member group. Marie and Jimmy were also introduced on the show as the years went by. During this time, the Osmonds also toured Europe, performing with Sweden's most popular singer, Lars Lönndahl, and even releasing a single where they sang a Swedish version of "Two Dirty Little Hands" ("Fem smutsiga små fingrar").
The Osmond Brothers were regulars on the Jerry Lewis Show in 1969 and they continued to tour and perform with Andy Williams. But soon the Osmond Brothers decided they wanted to perform popular music and shed their variety-show image. They wanted to become a rock and roll band. The change was a difficult one for their father, who was suspicious of rock and roll. But he was persuaded and the boys began performing as a pop band.
Pop music success (1971–1972)
Record producer Mike Curb saw the Osmonds (no longer called "The Osmond Brothers") perform as a band and recognized that they combined a rare mix of polished performing style, instrumental skill, and vocal talent. He helped the Osmonds get a record contract with MGM and arranged for them to record at Muscle Shoals with R&B producer Rick Hall. Under Hall's guidance, the Osmonds hit the top spot on the pop chart with "One Bad Apple" in 1971. The song, "One Bad Apple", written by George Jackson, who had The Jackson Five in mind when he wrote it, was originally presented to Motown Record’s Chairman of the Board, Berry Gordy, for The Jackson Five to record, but he turned it down. It was then presented to MGM Records for The Osmonds; both the Jackson Five (who were admittedly inspired by The Osmonds' early success) and the Osmonds were aiming for the same Bubblegum sound and style of music, and it became their first number-one hit single released on November 14, 1970.
The Osmonds soon had hits with other light, R&B-style pop numbers like "Double Lovin'" (#14) and "Yo-Yo" (#3). In each of these hits, the formula was the same; Merrill sang lead, and Donny was "co-lead" in essence, singing the "hook" or "chorus" of the song.
At this time the Osmonds also recorded several hits that were billed to Donny, the lead soloist on the songs: "Sweet and Innocent" (#7), "Go Away Little Girl" (#1), "I Knew You When" (#9) and "Puppy Love" (#2). The Osmonds were at their peak of popularity.
The Osmonds began writing and performing their own music and their sound moved towards rock music beginning with their album Phase III. In addition to "Yo-Yo", Phase III produced the major hit "Down by the Lazy River" (#4). The following Crazy Horses album was the band's first really personal statement — the brothers have been quoted as saying that the title song refers to air pollution from cars, and its instrumentation featured an even harder rock sound bordering on early heavy metal. They wrote all the songs and played all the instruments with Alan on rhythm guitar, Wayne on lead guitar, Merrill on lead vocals and bass, Jay on drums and Donny on keyboards. All the brothers sang backing vocals, with Jay and Donny sometimes singing lead parts. But Donny singing co-lead on these songs was abandoned for the reason given below (except for Lazy River, which he also did not sing co-lead on).
Rock-and-roll and Osmondmania
With their clean-cut image, talent, and energetic pop-rock sound, the Osmonds toured to crowds of screaming fans in the US. They even had their own 1972–1973 Saturday-morning cartoon series The Osmonds on ABC-TV. By this time the Osmonds had broken through in the UK as well: counting group and solo recordings, members of the Osmond family charted 13 singles on the UK charts during 1973. Some observers coined a new word, "Osmondmania", to describe the phenomenon, by analogy with the similar "Beatlemania" of nearly a decade earlier: the same type of hysteria was generated at their concerts during this period.
But it was short lived, as changes and challenges soon arrived. In early 1972, thirteen year old Donny's voice had changed. This was a major upset to the group's formula that had proved so successful. Not only did this eliminate Merrill's young-sounding co-lead's voice (forcing Merrill's already mature tenor voice to strain to cover most of the higher notes, with audible difficulty, through the next few years), but it also ended Donny's bubble gum like ballads, which became so popular with fans. With this development, Donny spent much of 1972 and then 1973 touring with his brothers but singing his old songs with his new voice, although the success of Crazy Horses singles "Hold Her Tight" (#14) and title track "Crazy Horses" (on which Donny did not sing) kept the group very popular through 1973.
The older boys were of age to go on church missions, yet they believed they could reach more people through their music. They recorded an ambitious album in 1973 called The Plan, perhaps best described as a Mormon concept album with progressive rock aspirations. One reviewer suggested that The Plan carried a too-strong religious message—Mormonism is, after all, fairly conservative and not usually associated with the themes of rock-and-roll. He likewise suggested that the music was too varied and experimental. The album produced only two minor hits: "Let Me In" and "Goin' Home" (both #36 in the USA, although they both went top 5 in the UK and "Let Me In" was also a major hit on the easy listening charts). Furthermore, the older boys may have wanted to reduce the regular touring that is a necessity in popular music but not so good for marriage. But "The Plan" was a major departure from the pop music which made them so popular. The combination of this album, along with Donny's voice change the year before, meant that with young fans the Osmonds popularity would soon wane.
Another major factor in the band's decline was the sheer diversity of its output: within three years, the Osmonds had waffled between bubblegum pop, hard rock, and easy listening, and Donny's solo career as an oldies cover artist further muddled the band's direction. Donny's collaboration with Steve and Eydie, "We Can Make it Together" (billed as featuring all of the Osmonds as Alan, Wayne and Merrill had penned the track for Donny), came out on the easy listening charts at the same time the much harder "Crazy Horses" song was charting.
Solo careers take off
Donny, and to a lesser extent, Marie and Jimmy, soon began to emerge as solo artists. Jimmy was becoming "big in Japan", and in 1972 had a #1 hit in the United Kingdom with "Long Haired Lover from Liverpool". Marie, then 13 years old, hit #1 on the US country chart in 1973 with "Paper Roses" (a song originally recorded by Anita Bryant a decade prior). Donny had a string of pop hits with a string of covers of earlier teen-pop songs, including "Go Away Little Girl" (#1, originally by Steve Lawrence), "Puppy Love" (#3, a Paul Anka composition) and "The Twelfth of Never" (#8, originally recorded by Johnny Mathis). From 1971 to 1976, he had 12 Top 40 hits, including 5 in the Top 10; for most of these, the Osmonds were still performing as a full band, but backing and giving star billing to Donny for songs on which he sang lead.
Donny's popularity, and his numerous solo hits, have led many to assume he was the group's lead. Merrill was nevertheless the usual lead singer; Donny would usually sing the choruses on songs billed to The Osmonds, thus being a "co-lead". (The family resemblance between Donny and Merrill at the time likely made the confusion worse; in later years, Merrill grew out his beard and let his hair go gray to distinguish the two.) Donny's emergence as a solo star and the record company's desire to appeal to the teen-girl audience often thrust Donny out in front of the group.
By now the family was touring, recording, creating and producing for five technically separate artists: The Osmonds, Donny Osmond, Marie Osmond and Jimmy Osmond — plus Donny and Marie had begun recording duets and had hits with "I'm Leaving It Up to You" (#4) and "Morning Side of the Mountain" (#8). Through all the stress and pressures created by these many efforts, the family hung together. The 2001 ABC-TV movie Inside the Osmonds depicts the family mottoes as being "It doesn't matter who's out front, as long as it's an Osmond" family, faith, and career. In that order".
The Donny and Marie Show and its challenges
By 1976, though, the group's record sales were softening; Osmondmania had faded and been replaced by "Rollermania", as the Bay City Rollers became the hot pop band of choice in the mid-1970s. Their 1975 album The Proud One sold poorly (despite the title track providing a chart-topping easy listening hit and the group's last U.S. top-40 hit to date), and MGM Records was sold to Polydor Records. Their first album under Polydor was the album Brainstorm; that album sold only slightly better than its predecessor, and its lead single, "I Can't Live a Dream," fell short of the top 40. Polydor would release two more albums from the family (a Christmas album that included all of the performing family members, and a greatest hits compilation).
The Osmonds poured themselves into a new venture: the older brothers began producing The Donny & Marie Show which was a hit on ABC from 1976–1979. But the success came at a cost. The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977. As a result, the Osmonds as a performing band became a lower priority to Donny and Marie. The older brothers deferred or gave up their dreams of being a rock-and-roll band. Donny experienced stage anxiety and Marie had a brief bout with an eating disorder after a network executive told her she looked heavy.
When the show was cancelled in 1979, the Osmonds were taken by surprise, as they had believed that the show would be renewed, and found themselves in debt and without a clear direction. The group left Polydor and attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere; it would be their only album on that label. Steppin' Out was a transitional album for the Osmonds and was produced under the auspices of Maurice Gibb; among its tracks was the first recorded version of "Rest Your Love on Me," a country song that would become a hit for Gibb's own band, the Bee Gees, and topped the country charts in a cover version by Conway Twitty. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981.
They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately.
After the 1970s
The Osmonds performed together in 1981 at The Front Row Theatre in Highland Heights, Ohio. This included all the brothers as well as Donny, Marie and Jimmy. Jay Osmond is the primary choreographer for the Osmond's concerts and some television concerts.
Jimmy worked as a businessman and manager. He eventually moved to Branson, Missouri, and opened the Osmond Family Theater, where he and his brothers performed until 2002. They appear in Branson during the Christmas season.
Marie recorded a number of successful duets with Donny and continued to sing country music; she had several Top 40 country hits in the mid-1980s, the biggest of which was "Meet Me in Montana" with Dan Seals (#1). She starred in the Broadway musicals The King and I (as the lead, Anna) and The Sound of Music (as the lead, Maria) in the mid-1990s. She returned to television first in the short-lived 1995 ABC sitcom Maybe This Time and then with Donny in 1998 to co-host Donny & Marie, a talk/entertainment show that lasted two seasons.
Marie suffered from postpartum depression and wanted to help other women who suffered from it. In 2001 Marie, Marcia Wilkie and Dr. Judith Moore wrote a book on postpartum depression titled, Marie Osmond Behind the Smile. Marie remarried her first husband Stephen Craig in 2011. She was able to wear the same wedding dress after 26 years.
Donny returned to the pop music scene in 1989; when he released "Soldier of Love" to much success in the UK, American music industry insiders were wary of the Osmond brand and promoted the song as being by a "mystery artist". The song indeed became a turntable hit in this manner, and when Osmond's identity as the mystery artist was revealed, "Soldier of Love" eventually rose to number 2 on the US charts and was enough of a success to warrant a follow-up single, "Sacred Emotion", which peaked at #13. He performed on Broadway as Gaston in the stage production of Beauty and the Beast, and also gave over 2,000 performances as Joseph in the touring production of Joseph and the Amazing Technicolor Dreamcoat. He has hosted games shows in the US and UK (most notably the 2002-2004 revival of Pyramid and the British version of Identity), continues to appear on television, winning the ninth season (Fall 2009) of ABC's Dancing with the Stars, and still tours in the US and England. Since September 2008, Donny & Marie have been performing a 90-minute show at The Flamingo Las Vegas.
The show began back in September 2008 and was originally scheduled to run for 6 months. The response was so overwhelming that the Flamingo immediately asked for a two year extension. The Donny & Marie Show is scheduled to continue through 2017. To date, Donny & Marie have been awarded “The Best Show in Las Vegas” for 2012, 2013, & 2014, according to the Las Vegas Review Journal. The showroom has even been renamed "The Donny and Marie Showroom" back in 2013.
Alan, Wayne, Merrill and Jay returned to using the name "The Osmond Brothers" and, building on the boom in country pop crossover artists and drawing from the success of the covers of "Rest Your Love on Me" from the previous album, started focusing on recording country music full time. They had two top-30 Billboard Country hits in the early 1980s: "I Think About Your Lovin'" (#17) and "It's Like Fallin' in Love (Over and Over)" (#28), in addition to a handful that reached the bottom of or narrowly missed the top 40. The Osmond Brothers' record sales were hampered by a reluctance to go on tour; the group instead opted to stay in Branson, Missouri and promote their music through promotional music videos. The brothers continue to perform with various line-ups and sometimes with their children in Branson. Merrill performs and records as a solo artist as well; his biggest hit independent of his siblings was a duet with Jessica Boucher, "You're Here to Remember, I'm Here to Forget", a piece Merrill specifically chose to break from his family-friendly image (like Donny, Merrill had to hide his Osmond identity and recorded the song under the name "Merrill and Jessica") and which became a hit on the country charts in 1987. Alan has multiple sclerosis, and does not perform as often today; likewise, Wayne, who survived a brain tumor in 1997, retired from the group in the early 2010s. All of the brothers are married, some with large families. Alan's eight sons started performing in the mid-1980s as "The Osmond Boys", now known as "The Osmonds—Second Generation".
In 2007–2008 all of the Osmonds went on a tour of Europe to celebrate the fiftieth anniversary of their career in show business. A special televised concert in Las Vegas (the only tour stop in the US), commemorating the anniversary, aired on US PBS stations on March 10, 2008. Alan played piano with the orchestra for most of the show and Virl and Tom provided signed lyrics for two songs. The Osmonds' long-time friend and mentor Andy Williams made a surprise appearance, reminiscing about how his father had told him to put the brothers on his variety show.
In 2009, Donny and Marie Osmond recorded a television special for the British channel ITV1: An Audience with Donny and Marie, part of ITV's long running An Audience with... series was based on their Las Vegas stage show.
In 2011, Wayne, Merrill and Jay performed in Findlay, Ohio on December 11. They performed some of their old songs as well as some Christmas music. They walked in the audience during part of the concert making it a family friendly concert.
As of 2015, Donny and Marie currently perform their residency in Las Vegas at The Flamingo and also tour extensively around the world, with Alan's son David Osmond occasionally filling in for Donny. Merrill, Jay and Jimmy also sing together at the Suncoast Hotel and Casino in Las Vegas, along with some limited touring, mostly in the UK. Since Andy Williams's death, Merrill, Jay and Jimmy took over operations of his long-running Christmas show, which they perform in Branson, Missouri in November. In 2012, the trio released their first studio album in 28 years, I Can't Get There Without You, which featured the recording debut of Jimmy as lead singer.
Olive Osmond, mother of the Osmond siblings, died on May 9, 2004 at age 79. Their father, George Osmond, died on November 6, 2007 at age 90. The couple was survived by their nine children and 55 grandchildren as well as a number of great-grandchildren; Olive by 22, George by 48. Before George Osmond's death, plans were being made for him and the 120+ members of the Osmond family to appear on The Oprah Winfrey Show to celebrate the family's 50th anniversary in show business. He died just a few days prior to the taping. The family ultimately decided to go on with the show as scheduled, and on Thursday, November 9, the entire Osmond family appeared on stage with Oprah Winfrey as a tribute to their father. The show aired the following day, the same day as George Osmond's funeral.
Hollywood Walk of Fame
In 2003, the Osmond Family was honored for their achievements in the entertainment industry with a star on the Hollywood Walk of Fame.
Until 2008, The Osmonds' 1960s and 1970s albums had never been released on CD legitimately in any country. Several 2-for-1 bootleg collections have been released on all of the original catalogs. Most notably the first and original four-album sets released on the Maestro label. Maestro released the albums as an original master series with hard-to-find bonus tracks in top quality sound. Each set contained four albums on two CDs with all original album covers and MGM label art work intact. The albums were finally reissued in 2008 by British label Cherry Red Records offshoot imprint, 7t's, beginning with 1971's Osmonds / Homemade and wrapping up the series with 1975's Around the World – Live In Concert.
|Year||Album details||Peak chart positions||Certifications|
|1963||Songs We Sang on The Andy Williams Show
|1963||We Sing You a Merry Christmas
|1963||Preview: The Travels of Jaimie McPheeters
|1965||The New Sound of The Osmond Brothers Singing
More Songs They Sang on The Andy Williams Show
|1968||The Wonderful World of The Osmond Brothers
|1970||Hello! The Osmond Brothers
|The Sensational Incredible Fantastic Osmonds
|The Osmonds Live
|1974||Love Me for a Reason
|1975||The Proud One "I'm Still Gonna Need You" in the UK
|Around the World: Live in Concert
|Osmond Family Christmas
|1977||The Osmonds Greatest Hits
|1982||The Osmond Brothers
|1984||One Way Rider
|2000||The All-Time Greatest Hits of the Osmond Family (Box Set)
|2002||20th Century Masters - The Millennium Collection: The Best of The Osmonds
|2008||50th Anniversary Reunion Concert
|2012||I Can't Get There Without You
|Year||Single||Peak chart positions||B-Side||Label||Album||Certifications|
|1963||"Be My Little Baby Bumblebee"||—||—||—||—||—||—||—||"I Wouldn't Trade the Silver in My Mothers Hair (For All the Gold in the World)"||MGM Records||Songs We Sang on The Andy Williams Show|
|"The Travels of Jaimie McPheeters"||—||—||—||—||—||—||—||"Aura Lee"||Preview: The Travels of Jaimie McPheeters|
|1964||"Mister Sandman"||—||—||—||—||—||—||—||"My Mom"||The New Sound of The Osmond Brothers|
|1965||"Vi Sjunger Pa Svenska"||—||—||—||—||—||—||—||non-album single|
|1967||"Flower Music"||—||—||—||—||—||—||—||"I Can't Stop"||Uni Records|
|1968||"Mary Elizabeth"||—||—||—||—||—||—||—||"Speak Like a Child"||Barnaby Records|
|"I've Got Loving on My Mind"||—||—||—||—||—||—||—||"Mollie - "A""|
|1969||"Taking a Chance on Love"||—||—||—||—||—||—||—||"Groove with What You Got"|
|1970||"I've Got Loving on My Mind"||—||—||—||—||—||—||—||"Mollie - "A""||single reissue|
|"One Bad Apple"||1||37||—||1||—||—||35||"He Ain't Heavy, He's My Brother"||MGM Records||Osmonds||
|1971||"I Can't Stop"||96||—||—||—||—||—||—||"Flower Music"||Uni Records||single reissue|
|"Double Lovin'"||14||—||—||9||—||—||—||"Chilly Winds"||MGM Records||Homemade|
|"Yo-Yo"||3||—||—||1||—||—||87||"Keep on My Side"||Phase III||
|1972||"Down by the Lazy River"||4||—||—||1||—||40||33||"He's the Light of the World"||
|"Hold Her Tight"||14||—||—||6||—||—||—||"Love Is"||Crazy Horses|
|"We Can Make it Together" (w/ Steve and Eydie)||68||7||—||—||—||—||—||The World of Steve & Eydie|
|"Crazy Horses"||14||—||—||12||—||2||23||"That's My Girl"||Crazy Horses||
|1973||"Goin' Home"||36||—||—||30||91||4||55||"Are You Up There?"||The Plan||
|"Let Me In"||36||4||—||15||5||2||65||"One Way Ticket to Anywhere"||
|"Movie Man"||—||—||—||—||—||—||—||"Traffic in My Mind"|
|1974||"I Can't Stop"||—||—||—||—||—||12||64||"Flower Music"||MCA Records||single reissue|
|"Love Me for a Reason"||10||2||—||18||5||1||53||"Fever"||MGM Records||Love Me for a Reason||
|1975||"Having a Party"||—||—||—||—||—||28||85||"Sun, Sun, Sun"|
|"The Proud One"||22||1||—||25||4||5||—||"The Last Day Is Coming"||The Proud One||
|"I'm Still Gonna Need You"||—||38||—||—||—||32||—||"Thank You"|
|1976||"I Can't Live a Dream"||46||38||—||70||35||37||—||"Check It Out"||Polydor Records||Brainstorm|
|"Back on the Road Again"||—||—||—||—||—||—||—|
|1979||"Rainin'"||—||—||—||—||—||—||—||"Check It Out"||Mercury Records||Steppin' Out|
|"Steppin' Out"||—||—||—||—||—||—||—||"Put Your Love on the Line"|
|1982||"I Think About Your Lovin'"||—||—||17||—||—||—||—||"Working Man's Blues"||Elektra Records||The Osmond Brothers|
|"It's Like Falling in Love (Over and Over)"||—||—||28||—||—||—||—||"Your Leaving Was the Last Thing on My Mind"|
|"Never Ending Song of Love"||—||—||43||—||—||—||—||"You'll Be Seeing Me"|
|1983||"She's Ready for Someone to Love Her"||—||—||67||—||—||—||—||One Way Rider|
|1984||"Where Does an Angel Go When She Cries"||—||—||43||—||—||—||—|
|"One Way Rider"||—||—||—||—||—||—||—|
|"If Every Man Had a Woman Like You"||—||—||39||—||—||—||—|
|"Baby, When Your Heart Breaks Down"||—||—||56||—||—||—||—|
|1986||"Baby Wants"||—||—||45||—||—||—||—||"Lovin' Proof"||EMI America Records|
|"You Look Like the One I Love"||—||—||69||—||—||—||—|
|"Looking for Suzanne"||—||—||70||—||—||—||—|
|"—" denotes releases that did not chart.|
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- Biography: The Osmonds, Pure and Simple (documentary)
- "Inside the Osmonds" (DVD)
- The Unofficial Disneyland 1955 Companion: The Anecdotal Story of the Birth of The Happiest Place on Earth, Jim Korkis, 2016
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