The Postman (film)
Theatrical release poster
|Directed by||Kevin Costner|
|Produced by||Kevin Costner
|Screenplay by||Eric Roth
|Based on||The Postman
by David Brin
|Music by||James Newton Howard|
|Edited by||Peter Boyle|
|Distributed by||Warner Bros. Pictures|
|Box office||$17.6 million|
The Postman is a 1997 American epic post-apocalyptic adventure film. It is directed by, produced by, and stars Kevin Costner, with the screenplay written by Eric Roth and Brian Helgeland, based on David Brin's 1985 book of the same name. The film also features Will Patton, Larenz Tate, Olivia Williams, James Russo, and Tom Petty.
It is set in a post-apocalyptic and neo-Western version of the United States in the then near-future of the year 2013, fifteen years after an unspecified apocalyptic event that left a huge impact on human civilization and erased most technology. Like the book, the film follows the story of an unnamed nomadic drifter (played by Costner) who stumbles across the uniform of an old United States Postal Service mail carrier and unwittingly inspires hope through an empty promise of a "Restored United States of America".
In an alternate history year of 1998, an unspecified apocalyptic event known only as "The Doomwar" erased almost all technology and caused societal collapse, sending the continents back to the Dark Ages. Fifteen years later, in post-apocalyptic 2013, pockets of survivors in more rural areas have formed small villages to maintain some semblance of civilization, while others have joined militias and warlords that prey on survivors. Horses are the standard for travel, and bartering has replaced currency.
An unnamed nomad (Costner) enters the Oregon flatlands, trading Shakespearean performances for food and water. In one of the towns, the nomad is impressed into the ranks of the predominant militia, known as the Holnists and run by General Bethlehem (Will Patton). When he escapes, the nomad takes refuge in a dead postman's mail vehicle.
Wearing the postman's uniform and carrying the mail bag, he arrives in Pineview claiming to be a postman from the newly restored U.S. government. The Postman inspires a teenager named Ford Lincoln Mercury (Larenz Tate) and swears him into the postal service. The Postman also meets Abby (Olivia Williams). When the Postman leaves for the town of Benning, he carries a pile of mail left at the post office door by the townspeople.
During a raid of Pineview, General Bethlehem learns of the Postman’s tales of a restored government and becomes afraid of losing power if word spreads. He burns the American flag and post office, kills Abby’s husband and kidnaps Abby, and attacks the town of Benning. The Postman surrenders but Abby saves him from execution, and the two escape into the surrounding mountains. A pregnant Abby and a seriously-wounded Postman ride out the winter in an abandoned cabin.
When spring arrives, they cross the range and run into a girl who claims to be a postal carrier. She reveals that Ford Lincoln Mercury organized a postal service based on the Postman's story. They have established communications with other settlements, creating a quasi-society and inadvertently spreading hope.
Bethlehem is still fighting to suppress the postal carriers, who are mostly teenagers pitted against a better-equipped enemy. In the face of mounting casualties, the Postman orders everyone to disband and writes a surrender letter to Bethlehem. The militia general is shocked to learn that one of the carriers is from California, and redoubles his efforts to find the Postman. The Postman, Abby, and a small group of postal carriers travel to Bridge City. When Bethlehem's scouts catch up, the enclave leader Tom Petty (played by himself) helps the Postman to escape on a cable car to find band of volunteers for another army.
In a recitation of King Henry V's speech prior to the Siege of Harfleur, the Postman rallies himself and his troops to war. Bethlehem and his army meet the Postman's army across a field. Knowing the casualties will be great if the armies meet in battle, the Postman instead challenges Bethlehem for Holnist leadership. The Postman wins the fight with inspiration from the "Neither snow nor rain" inscription, and offers Bethlehem a chance to build a new, peaceful world. Bethlehem lunges to shoot the Postman but is shot by his former first officer. The officer surrenders, and the rest of the militia follows.
Thirty years later, in 2043, the Postman's grown daughter (Mary Stuart Masterson) speaks at a ceremony unveiling a statue in tribute to her late father. The modern clothing and technology show that the Postman's actions have rebuilt the United States, and possibly the other nations of the world.
- Kevin Costner as The Postman
- Will Patton as General Bethlehem
- Larenz Tate as Ford Lincoln Mercury (John Stevens)
- Olivia Williams as Abby
- James Russo as Captain Idaho
- Tom Petty as Bridge City Mayor (an alternate future version of himself)
- Daniel von Bargen as Pineview Sheriff Briscoe
- Scott Bairstow as Luke
- Giovanni Ribisi as Bandit 20
- Roberta Maxwell as Irene March
- Joe Santos as Colonel Getty
- Ron McLarty as Old George
- Brian Anthony Wilson as Woody
- Peggy Lipton as Ellen March
- Rex Linn as Mercer
- Shawn Hatosy as Billy
- Ryan Hurst as Eddie March
- Charles Esten as Michael
- Anne Costner as Ponytail
- Ty O'Neal as Drew
- Andrew Babel as Captain Strikard
- Cary Jordan as Dr. Stevens (Psychologist)
- Ellen Geer as Pineview Woman
- Tom Bower as Larry
- Lily Costner as Lily March
- Joe Costner as Letter Boy
- Judy Herrera as Carrier
- Greg Serano as California Carrier
- Mary Stuart Masterson as Hope, the Postman's daughter (uncredited)
- Joseph McKenna as Holnist Captain
- George Wyner as Benning Mayor
|The Postman (Music from the Motion Picture)|
|Film score by James Newton Howard|
|Released||December 23, 1997|
|Label||Warner Sunset/Warner Bros.|
- "Main Titles"
- "Shelter in the Storm"
- "The Belly of the Beast"
- "General Bethlehem"
- "Abby Comes Calling"
- "The Restored United States"
- "The Postman"
- "Almost Home" – performed by Jono Manson
- "It Will Happen Naturally" – performed by Jono Manson
- "The Next Big Thing – performed by Jono Manson
- "This Perfect World" – performed by John Coinman
- "Once This Was the Promise Land" – performed by John Coinman
- "I Miss My Radio" – performed by Jono Manson and John Coinman
- "Come and Get Your Love" – performed by John Coinman
- "You Didn't Have to Be So Nice" – performed by Amy Grant and Kevin Costner
On his personal website, author David Brin reveals that while studios were bidding for The Postman, his wife decided during a screening of Field of Dreams that Kevin Costner should portray The Postman. Brin agreed that the emotions evoked by Field of Dreams matched the message he intended to deliver with his novel. A decade later, after learning Costner would be cast as the lead, Brin said he was "thrilled". Costner discarded the old screenplay (in which the moral message of the novel had been reversed) and hired screenwriter Brian Helgeland; Brin says the two of them "rescued the 'soul' of the central character" and reverted the story's message back to one of hope.
In an interview with Metro before filming began, Brin expressed his hope that The Postman would have the "pro-community feel" of Field of Dreams instead of the Mad Max feel of Costner's other post-apocalyptic film Waterworld. Brin said that, unlike typical post-apocalyptic movies that satisfy "little-boy wish fantasies about running amok in a world without rules", the intended moral of The Postman is that "if we lost our civilization, we'd all come to realize how much we missed it, and would realize what a miracle it is simply to get your mail every day."
The Postman received overwhelmingly negative reviews from critics.
Stephan Holden of The New York Times criticized the movie for its "bogus sentimentality" and "mawkish jingoism". Roger Ebert described The Postman as "good-hearted" yet "goofy... and pretentious". However, Ebert recognized the movie as a failed parable, for which he said the viewers "shouldn't blame them for trying". On Siskel & Ebert, Ebert and Gene Siskel gave the film "two thumbs down", with Siskel calling it "Dances with Myself" (in reference to Costner's Oscar-winning film Dances with Wolves) while referring to the bronze statue scene.
According to review aggregator Rotten Tomatoes, 3 out of 32 film critics gave the film a positive review, with a "Rotten" score of 9% and an average rating of 3.8/10. Metacritic gives the film a metascore of 29 out of 100 based on 14 reviews.
The film was a notable failure at the box office. The first four days after opening brought in only $5.3 million on 2,207 screens. Produced on an estimated $80 million budget, it returned less than $18 million.
Awards and nominations
|Saturn Award||Best Science Fiction Film||Nominated|
|Best Supporting Actor||Will Patton||Nominated|
|Best Actor||Kevin Costner||Nominated|
|Razzie Award||Worst Actor||Won|
|Worst Picture||Kevin Costner, Steve Tisch, and Jim Wilson||Won|
|Worst Screenplay||Eric Roth and Brian Helgeland, based on the book by David Brin||Won|
|Worst Original Song||The entire song selection||Won|
- "THE POSTMAN (15)". Warner Bros. British Board of Film Classification. January 16, 1998. Retrieved August 31, 2013.
- The Postman at Box Office Mojo
- Brin, David (December 1998). "The Postman: the Movie". Worlds of David Brin. DavidBrin.com. Retrieved January 27, 2010.
- Stentz, Zack (June 12, 1997), "Brin on science fiction, society and Kevin Costner", Metro, retrieved August 3, 2007
- Holden, Stephen (December 24, 1997). "Movie Review: The Postman – Neither Snow, Nor Rain, Nor Descent to Anarchy...". The New York Times. Retrieved August 3, 2007.
- Ebert, Roger (December 25, 1997). "The Postman". Chicago Sun-Times. Retrieved August 3, 2007.
- "Week of December 27, 1997" (1997). Television: Siskel & Ebert. Burbank: Buena Vista Television.
- "'Titanic's' Voyage Is Steaming Ahead". Los Angeles Times. Retrieved June 3, 2012.
- "The Postman (1997)". Box Office Mojo. January 23, 1998. Retrieved January 27, 2010.
- Parish, James Robert (2006), Fiasco – A History of Hollywood’s Iconic Flops, Hoboken, New Jersey: John Wiley & Sons, pp. 359 pages, ISBN 978-0-471-69159-4
- Turner, Barnard Edward (2005), Cultural Tropes of the Contemporary American West, Lewiston, New York: Edwin Mellen, pp. 267 pages, ISBN 0-7734-6219-8
- The Postman at the Internet Movie Database
- The Postman at Box Office Mojo
- The Postman at Rotten Tomatoes
- The Postman at Metacritic
|Golden Raspberry Award for Worst Picture
18th Golden Raspberry Awards
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