The Power of Love (film)
|The Power of Love|
Still from film published in Exhibitor's Herald
|Directed by||Nat G. Deverich
Harry K. Fairall
|Produced by||Harry K. Fairall|
Barbara Bedford, Noah Beery
Haworth Film Company
|Distributed by||Perfect Pictures|
|September 27, 1922|
Don Almeda promises his daughter Maria to Don Alvarez because of his financial trouble. Maria does not love Don Alvarez and falls in love with Terry O'Neal. He is a stranger who has been wounded by robbers associated with Alvarez and later he takes Alvarez's place at a masquerade ball. Alvarez robs an old padre of some pearls and stabs him with O'Neal's knife and accuses O'Neal of the murder. Alvarez tries to shoot him, but wounds Maria instead, because she has thrown herself in front of him. Maria recovers and after proving that Alvarez is a thief and a killer, marries O'Neal.
- Elliot Sparling as Terry O'Neal
- Barbara Bedford as Maria Almeda
- Noah Beery as Don Almeda
- Aileen Manning as Ysabel Almeda
- Albert Prisco as Don Alvarez
- John Herdman as The Old Padre
The film utilized the red-and-green anaglyph system for the 3D experience and also gave the audience the option of viewing one of two different endings to the film (in 2D) by looking through only the red or green lens of the spectacles, depending on whether the viewer wanted to see a happy or tragic ending. The Power of Love is the only film released in the two-camera, two-projector Fairall-Elder stereoscopic format developed by Harry K. Fairall and Robert F. Elder.
The film was not a success in 3D and was only screened one time again in this version for exhibitors and press in New York City. The film received a decent review in Moving Picture World. Despite other rave reviews, it was not booked again by other exhibitors in this format.
- Harry Kenneth Fairall; findagrave.com Retrieved September 29, 2016
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