The Proms, more formally known as the BBC Proms or Henry Wood Promenade Concerts presented by the BBC, is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London, England, UK. Founded in 1895, each season currently consists of more than 70 concerts in Albert Hall, chamber music concerts at Cadogan Hall, additional Proms in the Park events across the United Kingdom on the Proms' last night, and associated educational and children's events. In 2009 the total number of concerts first reached 100. In classical music, Jiří Bělohlávek described the Proms as "the world's largest and most democratic musical festival".[full citation needed]
Prom is short for promenade concert, a term which originally referred to outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing. In fact this tradition has been revived in parks and stately homes around the UK at promenade concerts such as the Battle Proms. In the context of the BBC Proms, promming refers to the use of the standing areas inside the hall (the arena and gallery) for which ticket prices are much lower than for the reserved seating. Single-concert standing tickets for either the arena or gallery can be bought only on the day of the concert, which can give rise to long queues for well-known artists or works. Proms concert-goers, particularly those who stand, are sometimes referred to as "prommers" or "promenaders" Prommers can buy full-season tickets instead for guaranteed entry to every concert in the season (until 20 minutes before the concert is due to start), although not the assurance of a particular standing position. Some prommers are particularly keen in their attendance.
- 1 History
- 2 Proms seasons
- 3 Last Night of the Proms
- 4 Proms seasons
- 5 Proms Controllers
- 6 See also
- 7 References
- 8 External links
Origins and Sir Henry Wood
Promenade concerts had existed in London's pleasure gardens since the mid 18th century, and indoor proms became a feature of 19th century musical life in London from 1838, notably under the direction of Louis Antoine Jullien and Sir Arthur Sullivan. The annual series of Proms continuing today had their roots in that movement. They were inaugurated on 10 August 1895 in the Queen's Hall in Langham Place by the impresario Robert Newman, who was fully experienced in running similar concerts at His Majesty's Theatre. Newman wished to generate a wider audience for concert hall music by offering low ticket prices and an informal atmosphere, where eating, drinking and smoking were permitted to the promenaders. He stated his aim to Henry Wood in 1894 as follows:
I am going to run nightly concerts and train the public by easy stages. Popular at first, gradually raising the standard until I have created a public for classical and modern music.
Dr George Cathcart, an otolaryngologist, gave financial backing to Newman for the series (called "Mr Robert Newman's Promenade Concerts") on condition that Henry Wood be employed as the sole conductor. Wood, aged 26, seized this opportunity and built the "Queen's Hall Orchestra" as the ensemble specially devoted to performing the promenade concerts. Dr. Cathcart also stipulated (contrary to Newman's preference) the adoption of French or Open Diapason concert pitch, necessitating the acquisition of an entirely new set of wind instruments for the orchestra, and the re-tuning of the Queen's Hall organ. This coincided with the adoption of this lower pitch by other leading orchestras and concert series. Although the concerts gained a popular following and reputation, Newman went bankrupt in 1902, and the banker Edgar Speyer took over the expense of funding them. Wood received a knighthood in 1911. In 1914 anti-German feeling led Speyer to surrender his role, and music publishers Chappell & Co. took control of the concerts.
Although Newman remained involved in artistic planning, it was Wood's name which became most closely associated with the Proms. As conductor from the first concert (which opened with Wagner's Rienzi overture) in 1895, Sir Henry was largely responsible for building the repertoire heard as the series continued from year to year. While including many popular and less demanding works, in the first season there were substantial nights devoted to Beethoven or Schubert, and a programme of new works was given in the final week. Distinguished singers including Sims Reeves and Signor Foli appeared. In the first two decades Wood firmly established the policy of introducing works by contemporary composers (both British and international) and of bringing fresh life to unperformed or under-performed works. A bronze bust of Sir Henry Wood recovered from the ruins of the bombed-out Queen's Hall in 1941, and now belonging to the Royal Academy of Music, is still placed in front of the Organ for the whole Promenade season. Though the concerts are now called the BBC Proms, and are headlined with the BBC logo, the tickets are subtitled "BBC Music presents the Henry Wood Promenade Concerts".
In 1927, following Newman's sudden death in the previous year, the BBC – later based at Broadcasting House next to the hall – took over the running of the concerts. This arose because William Boosey, then managing director of Chappell & Co. (the Prom. proprietors), detested broadcasting and saw the BBC's far-reaching demands and intentions in the control of musical presentation as a danger to the future of public concerts altogether. He decided to disband the New Queen's Hall Orchestra, which played for the last time at a Symphony concert on 19 March 1927. He found it more expedient to let the Queen's Hall to the broadcasting powers, rather than to continue the Promenade concerts and other big series independently in an unequal competition with what was effectively the Government itself. So the Proms. were saved, but under a different kind of authority. The personnel of the New Queen's Hall Orchestra effectively continued until 1930 as 'Sir Henry J. Wood and his Symphony Orchestra.' When the BBC Symphony Orchestra (BBC SO) was formed in 1930, it became the main orchestra for the concerts. At this time the season consisted of nights dedicated to particular composers; Mondays were Wagner, Fridays were Beethoven, with other major composers being featured on other days. There were no Sunday performances.
During World War II
With the outbreak of World War II in 1939, the BBC withdrew its support. However private sponsors stepped in to maintain the Proms, always under Sir Henry Wood's direction, until the Queen's Hall was devastated beyond repair during an air raid in May 1941. (The site is now occupied by the St George's Hotel and BBC Henry Wood House). The concerts then moved (until 1944) to their current home, the Royal Albert Hall, during the Promenade season presented by Keith Douglas in conjunction with the Royal Philharmonic Society (of which he was Secretary).
The London Symphony Orchestra had sometimes assisted in the series since (after 1927) the New Queen's Hall Orchestra had ceased to function, and in 1942 Sir Henry Wood also invited the London Philharmonic Orchestra under its new leader Jean Pougnet to participate in this and subsequent seasons. In this he was attempting to maintain vigour in the programme, under the renewal of its relationship with the BBC as promoters. Sir Henry Wood continued his work with the Proms through vicissitudes with the BBC until his death in 1944, the year of his Jubilee Season. During that period Sir Adrian Boult, chief conductor of the BBC Symphony Orchestra, and Basil Cameron also took on conducting duties for the series, continuing them in 1944 when, under increased danger from bombing, they were moved again, this time to the Bedford Corn Exchange (home of the BBC Symphony Orchestra since 1941) which hosted them until the end of the War.
Sir Adrian Boult and Basil Cameron continued as conductors of the Promenade Concerts after the War, on their return to the Royal Albert Hall, until the advent of Malcolm Sargent as Proms chief conductor in 1947. Sargent held this post until 1966; his associate conductor from 1949 to 1959 was John Hollingsworth. Sargent was noted for his immaculate appearance (evening dress, carnation) and his witty addresses where he good-naturedly chided the noisy Prommers. Sir Malcolm championed choral music and classical and British composers, especially Samuel Coleridge-Taylor. The charity founded in his name, CLIC Sargent, continues to hold a special Promenade Concert each year shortly after the main season ends. CLIC Sargent, the Musicians' Benevolent Fund and further musical charities (chosen each year) also benefit from thousands of pounds in donations from Prommers after most concerts. When asking for donations, Prommers from the Arena regularly announce to the audience the running donations total at concert intervals through the season, or before the concert when there is no interval.
After Wood's death, Julian Herbage acted as de facto principal administrator of the Proms for a number of years, as a freelance employee after his retirement from the BBC, with assistance from such staff as Edward Clark and Kenneth Wright. During the tenure of William Glock as Controller of the Proms, from 1960 to 1973, the Proms repertory expanded both forwards in time, to encompass then contemporary and avant-garde composers such as Boulez, Berio, Carter, Dallapiccola, Peter Maxwell Davies, Gerhard, Henze, Ligeti, Lutosławski, Lutyens, Maw, Messiaen, Nono, Stockhausen, and Tippett, as well as backwards to include music by past composers such as Purcell, Cavalli, Monteverdi, Byrd, Palestrina, Dufay, Dunstaple and Machaut, as well as less-often performed works of Johann Sebastian Bach and Joseph Haydn. From the 1960s, the number of guest orchestras at the Proms also began to increase, with the first major international conductors (Leopold Stokowski, Georg Solti and Carlo Maria Giulini) performing in 1963, and the first foreign orchestra, the Moscow Radio Symphony Orchestra, performing in 1966. Since that time, almost every major international orchestra, conductor and soloist has performed at the Proms. In 1970, Soft Machine's appearance led to press attention and comment as the first "pop" band to perform there.
The Proms continue today, and still present newly commissioned music alongside pieces more central to the repertoire and early music. Innovations continue, with pre-Prom talks, lunchtime chamber concerts, children's Proms, Proms in the Park either appearing, or being featured more heavily over the past few years. In the UK, all concerts are broadcast on BBC Radio 3, an increasing number are televised on BBC Four with some also shown on BBC One and BBC Two. The theme tune that used to be played at the beginning of each programme broadcast on television (until the 2011 season) was an extract from the end of the "Red" movement of Arthur Bliss's A Colour Symphony. It is also possible to hear the concerts live from the BBC Proms website. The Last Night is also broadcast in many countries around the world.
In 1996, a related series of eight lunchtime chamber concerts was started, taking place on Mondays during the Proms season. In their first year these were held in the Britten Hall of the Royal College of Music (just across Prince Consort Road from the Albert Hall). The following year they moved slightly further afield, to the Henry Cole Lecture Theatre at the Victoria and Albert Museum. In 2005, they moved further again, to the new Cadogan Hall, just off London's Sloane Square. These allow the Proms to include music which is not suitable for the vast spaces of the Albert Hall.
From 1998 to 2007, the Blue Peter Prom, in partnership with long-running BBC television programme Blue Peter, was an annual fixture. Aimed at children and families, the Prom is informal, including audience participation, jokes, and popular classics. High demand for tickets – which are among the lowest priced in the season – saw this Prom be split in 2004 into two Proms with identical content. In 2008, the Blue Peter Prom was replaced with a Doctor Who Prom which was repeated in both the 2010 and 2013 seasons.
The 2004 season also featured the Hall's newly rebuilt pipe organ. It took two years to complete the task (2002–2004) and was the work of Noel Mander, Ltd., of London. It was the first complete restoration of the instrument since Harrison and Harrison's work in 1936.
The tradition of Promming remains an important aspect of the festival, with over 1000 standing places available for each concert, either in the central arena (rather like the groundlings in the pit at Shakespeare's Globe) or high in the hall's gallery. Promming tickets cost the same for all concerts (still only £5 in 2015), providing a considerably cheaper option for the more popular events. Since the tickets cannot be bought in advance (although there are full-season tickets, first weekend and weekly passes available), they provide a way of attending otherwise sold-out concerts.
In 2010, the Proms Archive was introduced on the BBC Proms webpage, to allow for a systematic searching of all works that have been performed and all artists who have appeared at The Proms since their inception. On 1 September 2011, a Prom given by the Israel Philharmonic Orchestra was severely affected by interruptions from pro-Palestinian protesters. While the Palestine Solidarity Campaign had urged a boycott, they denied being behind the disruption inside the Royal Albert Hall. For the first time ever, the BBC took a Prom concert off the air.
Successive Controllers of The Proms after Glock have been Robert Ponsonby (1973–1985), John Drummond (1986–1995), Nicholas Kenyon (1996–2007), and Roger Wright (2007-2014). Edward Blakeman, editor of BBC Radio 3, became interim Proms Director upon Wright's departure in July 2014. In May 2015, the BBC announced the appointment of David Pickard as the next Director of The Proms.
|Parts of this article (those related to Proms held since 2012) need to be updated. (August 2014)|
The 2006 season (the 112th) marked the 250th birthday celebrations of Mozart and the centenary of Shostakovich's birth. New initiatives included four Saturday matinee concerts at the Cadogan Hall and the chance for audience members to get involved with The Voice, a collaborative piece performed in two Proms on 29 July. On 3 September 2006, a concert was cancelled due to a fire. The season saw the launch of a venture called the Proms Family Orchestra in which children and their extended families can make music with BBC musicians.
The 2007 season ran from 13 July–8 September 2007, with the first concert beginning with Walton's Portsmouth Point and included Elgar's Cello Concerto performed by Paul Watkins and Beethoven's Ninth Symphony. Following the previous year's Voice day, brass instruments were specially featured with two concerts on 28 July 2007. Early press coverage focused heavily on the fact that musical theatre star Michael Ball would be the central performer in a concert on 27 August and a concert of British film music on 14 July. This led to media accusations of "dumbing down", despite Kenyon's defence of the programme. Anniversaries marked in this Proms season included the 150th anniversary of the birth of Sir Edward Elgar, the 100th anniversary of the death of Edvard Grieg and the 50th anniversary of the death of Jean Sibelius as well as marking 80 years since the first BBC sponsorship of the Proms. The series also included an additional series of four Saturday matinee concerts at Cadogan Hall.
The 2007 season was Kenyon's last season as controller of the BBC Proms, before he became managing director at the Barbican Centre from October 2007. Roger Wright became Controller of the Proms in October 2007, whilst retaining responsibility for BBC Radio 3 and taking up a broader role controlling the BBC's classical music output across all media.
The 2008 season ran from 18 July to 13 September 2008. The BBC released details of the season slightly earlier than usual, on 9 April 2008. Composers whose anniversaries were marked include:
- Ralph Vaughan Williams, 2008 being 50 years since his death
- Elliott Carter and Olivier Messiaen, each in his centenary year
- Nikolai Rimsky-Korsakov, to mark the centenary of his death
- Karlheinz Stockhausen, whose 80th birthday would have fallen during the season (he died on 5 December 2007).
The celebration of Stockhausen was centred on two large-scale concerts on 2 August 2008, and complementing Vaughan Williams's interest in folk music, the first Sunday was given over to a celebration of various aspects of British folk, including free events in Kensington Gardens and the Albert Hall, and ending with the first-ever céilidh in the Albert Hall itself.
Other changes included additional pre-Prom talks and events. For the first time, there was a related talk or event before every Prom, held in the Royal College of Music. The popular family-oriented Prom this year became the Doctor Who Prom, (in place of the Blue Peter Prom of recent years). The Doctor Who Prom included a mini-episode of Doctor Who, "Music of the Spheres".
Just over a month before the announcement, Margaret Hodge, a Minister of State at the Department for Culture, Media and Sport suggested "that the Proms was one of several big cultural events that many people did not feel comfortable attending" and advocated an increase in multicultural works and an effort to broaden the audience. Her comments received wide criticism in the musical world and media as being a fundamental misunderstanding of the nature of the Proms, with Gordon Brown even distancing himself from her remarks.
In the 2009 season, which ran from 17 July to 12 September 2009, the total number of concerts reached 100 for the first time. The principal anniversary composers included:
- George Frideric Handel (250th anniversary of his death)
- Joseph Haydn (200th anniversary of his death)
- Felix Mendelssohn (200th anniversary of his birth)
- Henry Purcell (350th anniversary of his birth)
Other composer anniversaries noted in the 2009 Proms included:
- Louis Andriessen (70th birthday)
- Harrison Birtwistle (75th birthday)
- John Casken (60th birthday)
- George Crumb (80th birthday)
- Frederick Delius (75th anniversary of his death)
- Edward Elgar (75th anniversary of his death)
- Jonathan Harvey (70th birthday)
- Gustav Holst (75th anniversary of his death)
- Albert Ketèlbey (50th anniversary of his death)
- Bohuslav Martinů (50th anniversary of his death)
- Peter Maxwell Davies (75th birthday)
- Heitor Villa-Lobos (50th anniversary of his death)
The humorist and music impresario Gerard Hoffnung was also remembered with the performance in the Last Night of Malcolm Arnold's A Grand Grand Overture, which was commissioned for the first Hoffnung Music Festival. The 2009 Proms featured Bollywood music for the first time, as part of a day-long series of concerts and events also covering Indian classical music. Performers in the day included Ram Narayan, Rajan and Sajan Mishra, and Shaan. Noted historical anniversaries covered in the 2009 Proms included the 75th anniversary of the MGM film musical, and the 10th year of the West-Eastern Divan Orchestra. There was a child-oriented Prom to mark the Darwin bicentenary as well as a Free Family Prom including the Proms Family Orchestra.
The 2010 Proms season ran from 16 July to 11 September. The principal anniversary composers included:
- Frédéric Chopin (200th anniversary of his birth)
- Gustav Mahler (150th anniversary of his birth)
- Robert Schumann (200th anniversary of his birth)
- Stephen Sondheim (80th birthday)
- Arvo Pärt (75th birthday)
- Rodgers and Hammerstein (50th anniversary of the death of Oscar Hammerstein II)
Other anniversaries of composers featured at The Proms included:
- Thomas Arne (300th anniversary of his birth)
- Wilhelm Friedemann Bach (300th anniversary of his birth)
- Samuel Barber (100th anniversary of his birth)
- Alban Berg (125th anniversary of his birth)
- George Benjamin (50th birthday)
- James Dillon (60th birthday)
- Bayan Northcott (70th birthday)
- Gunther Schuller (85th birthday)
- Mark-Anthony Turnage (50th birthday)
- Hugo Wolf (150th anniversary of his birth)
In addition, Hubert Parry and Alexander Scriabin received particular focus. One day was dedicated particularly to Sir Henry Wood, including a recreation of the 1910 Last Night. For families, the Doctor Who Prom, first introduced in 2008, received new renditions hosted by the newest Doctor (Matt Smith) and his companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill). The booking system was also revised with a new online system to allow ticket buyers to set up a personalised Proms plan in advance to speed up the booking process.
The 2011 Proms season began on 15 July 2011 and ran until 10 September 2011. The principal anniversary composers included:
- Percy Grainger (50th anniversary of his death)
- Franz Liszt (200th anniversary of his birth; 125th anniversary of his death)
- Gustav Mahler (100th anniversary of his death)
- Tomás Luis de Victoria (400th anniversary of his death)
Other anniversaries of composers featured at The Proms included:
- Richard Rodney Bennett (75th birthday)
- Marc-André Dalbavie (50th birthday)
- Marcel Dupré (125th anniversary of his birth)
- Henri Dutilleux (95th birthday)
- Sofia Gubaidulina (80th birthday)
- Bernard Herrmann (100th anniversary of his birth)
- Stan Kenton (100th anniversary of his birth)
- Colin Matthews (65th birthday)
- Steve Reich (75th birthday)
The music of Frank Bridge also received a particular non-anniversary-related focus. Other notable performances included the first Proms performance of Havergal Brian's Symphony No. 1 ('The Gothic'), which was also the 6th live performance ever, and subsequently released on a Hyperion commercial recording. The 2011 Proms season also featured new works by Sally Beamish, Harrison Birtwistle, Peter Maxwell Davies, Pascal Dusapin, Graham Fitkin, Thomas Larcher, Kevin Volans, Judith Weir, and Stevie Wishart.
The 2011 Proms also featured the first ever 'Comedy Prom' hosted by comedian and pianist Tim Minchin, as well as the debut of the Spaghetti Western Orchestra. No other 'Comedy Prom' has taken place to date.
The children's prom of 2011 was based on the CBBC television series 'Horrible Histories', and featured a number of songs from the show.
The 2012 Proms was the 188th season, began on 13 July 2012 and ran until 8 September 2012. The principal composers of the last night included:
- Frederick Delius
- Josef Suk - Towards a New Life, Op 35c
- Giuseppe Verdi - A Masked Ball - ‘Forse la soglia attinse … Ma se m’è forza perderti’
- Jules Massenet
- Max Bruch - Concerto for Violin No. 1 in G minor
- Giacomo Puccini
- John Williams - Olympic Fanfare and Theme
- Antonin Dvořák - Overture 'Carnival'
- Dmitri Shostakovich - The Gadfly – Romance
- Ruggero Leoncavallo
- Henry Wood - Fantasia on British Sea-Songs
- Edward Elgar - Pomp and Circumstance March No. 1 in D major ('Land of Hope and Glory')
- Charles Parry - Jerusalem (orch. Elgar)
|This section needs expansion. You can help by adding to it. (August 2014)|
The 2013 season celebrated the 200th anniversary of Richard Wagner's birth, featuring concert performances of seven of his thirteen operas, including an entire performance of Der Ring des Nibelungen in one week conducted by Daniel Barenboim.
|This section needs expansion. You can help by adding to it. (August 2014)|
The 2014 season had a number of pieces in commemoration of the 100 year anniversary of the outbreak of World War I, including the premier of the first violin concerto "1914" by Gabriel Prokofiev and "Requiem Fragments" by John Tavener. Also performed were "War Elegy" by Ivor Gurney, and Benjamin Britten's "War Requiem".
There were special proms for younger children (The Cbeebies prom), a staging of Kiss Me, Kate, and a concert inspired by the World War I-era War Horse, featuring puppets from the play. The late night proms season included performances by the Pet Shop Boys and Paloma Faith.
The Late Night Proms included collaborations with BBC Asian Network (Prom 8), Radio 1 (Prom 16, featuring dance music hits from the past 20 years) and Radio 1Xtra (Prom 37, which featured grime artists Stormzy, Wretch 32, Little Simz and others).
Last Night of the Proms
Many people's perception of the Proms is taken from the Last Night, although this concert is very different from the others. It usually takes place on the second Saturday in September, and is broadcast in the UK on BBC Radio 3, and on BBC2 (first half) and BBC1 (second half). The concert is traditionally in a lighter, 'winding-down' vein, with popular classics being followed by a series of British patriotic pieces in the second half of the concert. This sequence traditionally includes Edward Elgar's "Pomp & Circumstance March No. 1" (to part of which "Land of Hope and Glory" is sung) and Henry Wood's "Fantasia on British Sea Songs", followed by Thomas Arne's "Rule, Britannia!". However, the "Fantasia" did not feature from 2008 to 2011, though "Rule, Britannia!" has retained its place in the programme in its own right. The full "Fantasia" re-appeared in 2012, but was again absent from the 2013 concert. The concert concludes with Hubert Parry's "Jerusalem" (a setting of a poem by William Blake), and the British national anthem, in recent years in an arrangement by Benjamin Britten. The repeat of the Elgar March at the Last Night can be traced to the spontaneous audience demand for a double encore at its premiere at a 1901 Proms concert. The closing sequence of the second half became fully established in 1954 during Sargent's tenure as chief conductor of the Proms. The Prommers have made a tradition of singing "Auld Lang Syne" after the end of the concert, but it was not included in the programme until 2015. However, when James Loughran, a Scot, conducted the Last Night concert in the late 1970s and early 1980s he included the piece as part of the programme. Since 2009, "You'll Never Walk Alone", for audience participation has been included annually – a contribution made by the current Proms director, Roger Wright.
Tickets are highly sought after. Promming tickets are the same price as for other concerts during the season, but tickets for seats are more expensive. To book a seat in advance, it is necessary to have bought tickets for at least five other Proms concerts in the season to have a chance of getting a Last Night ticket, and an advance booking must include those five concerts, plus an application for a Last Night ticket. Tickets can only be purchased in an equivalent (or lower) price band to that sold for the previous tickets. Once the advance booking period ends, there is no requirement to have booked for additional concerts, but the Last Night is generally sold out by this time, though returns may be available. For standing places, a full season pass automatically includes admission to the Last Night; day Prommers need to present five ticket stubs from concerts previously attended at the box office to qualify to purchase a standing Last Night ticket, either in the Arena or the Gallery. (Prior to 2009, the requirement was for six concerts in addition to the Last Night when purchasing a ticket in advance, though this has remained at five since then.)
In recent years, a quantity of Arena standing tickets for the Last Night have been available for purchase on the day itself, with no requirement for having attended any previous concerts. These are sold on a 'first-come first-served' basis to those who are prepared to queue on the day itself. In the post-War period, with the growing popularity of the "Last Night", the only way to obtain tickets was through a postal ballot system where prospective buyers submitted an application well in advance, along with a stamped and addressed reply envelope. The lucky ones received their tickets by return. A ballot now exists annually for the chance for individuals to purchase a maximum of two tickets from a special allocation of 100 stalls seats for the Last Night.
Prommers with tickets are likely to queue up much earlier than usual (many overnight, and in past years, some slept outside the hall for up to three weeks beforehand to guard their place in the queue – though this is no longer permitted) to ensure a good place to stand in the hall, the resulting camaraderie adds to the atmosphere. Fancy dress is an optional extra: from dinner jackets to patriotic T-shirts. Many use the occasion for an exuberant display of Britishness. Union Flags are carried and waved by the Prommers, especially during "Rule, Britannia!".
Flags, balloons and party poppers are all welcomed – though John Drummond famously discouraged this 'extraneous noise' during his tenure as Director of the Proms. Sir Henry Wood's bust is adorned with a laurel chaplet by representatives of the Promenaders, who often wipe an imaginary bead of sweat from his forehead or make some similar gentle visual joke. Since 2006, the cost of standing place tickets has remained at just £5.00. Many people consider these tickets to be the best ones due to the atmosphere of standing in the concert hall for up to 3 hours, albeit with a 20-minute interval.
Another tradition of the Last Night is that near the end of the concert the conductor makes a speech thanking the musicians and audiences, mentioning the main themes covered through the season, noting the cumulative donations collected by the Promenaders' Musical Charities over the season, and announcing the date of the First Night of the Proms for the following year. The tradition of the Last Night Speech dates from 1941, when Sir Henry Wood gave the first such speech at the close of that Proms season, the first at the Royal Albert Hall, where he thanked colleagues and sponsors. Wood gave another similar speech of thanks at the 1942 Last Night, and a pre-recorded version was aired to the audience at the 1943 Last Night. During his tenure as conductor of the Proms, Sir Malcolm Sargent established the tone of making the Last Night speeches more humorous in nature. Subsequent conductors at the Last Night have generally continued this tradition, although one exception was in 1997 when Sir Andrew Davis more seriously addressed the deaths of Diana, Princess of Wales, Mother Teresa, and Sir Georg Solti in his 1997 Last Night speech.
The Royal Albert Hall could be filled many times over with people wishing to attend the Last Night. To accommodate these people, and to cater for those who are not near London, the Proms in the Park concerts were started in 1996. Initially there was only one, in Hyde Park, adjacent to the Hall. More locations have been added in recent years, and in 2005, Belfast, Glasgow, Swansea and Manchester hosted a Last Night Prom in the Park which was broadcast live from each venue. 2007 saw Manchester's prom being replaced by one in Middlesbrough. 2008 featured a reduction from 5 to 4 Proms in the Park, in Hyde Park, Belfast, Glasgow and Swansea. 2009 returned to a total of 5 Proms in the Park, in Hyde Park, Glasgow, Swansea, County Down and Salford. Each location has its own live concert, typically playing the countries' respective national anthems, before joining in a live big screen video link up with the Royal Albert Hall for the traditional finale.
Leonard Slatkin, chief conductor of the BBC Symphony Orchestra from 2000–2004, expressed a desire to tone down the nationalism of the Last Night somewhat, and on the Last Night of the seasons from 2002 until 2007 "Rule Britannia" has only been heard as part of Henry Wood's '"Fantasia on British Sea Songs" (another piece traditional to the Last Night) rather than separately. Slatkin, an American and the first non-Commonwealth citizen to lead the Last Night, conducted his first Last Night in 2001, just days after the 9/11 attacks. The atmosphere was more restrained and less festive than normal, with a heavily revised programme where the finale of Beethoven's 9th Symphony replaced the "Sea Songs", and Samuel Barber's "Adagio for Strings" was performed in tribute to the victims of the attacks.
On the day of the 2005 Last Night, the hall management received word of a bomb threat, which led to a thorough search of the Albert Hall for 5 hours, but the concert took place with a modest time delay. This has led to increased security concerns, given the stature of the Last Night in British culture, which Jacqui Kelly of the Royal Albert Hall staff noted:
"That was quite a nerve-wracker—our biggest event, the one everybody knows the Albert Hall for, and we were in real danger of losing it. We're an iconic thing, up there in the public eye, so we have to expect that."
2008 also contained some departures from the traditional programme. "Pomp and Circumstance March No 1" was moved to after the conductor's speech. In addition, most of Wood's "Fantasia on British Sea Songs" was replaced by Vaughan Williams's Sea Songs as a final tribute in his anniversary year. However, Wood's arrangements of naval bugle calls from the start of the "Fantasia" were retained, and Sargent's arrangement of "Rule Britannia" returned with Bryn Terfel as soloist. As on his 1994 Last Night appearance, he sang one verse in a Welsh translation, with the chorus also translated into Welsh.
2009 saw the continued absence of Wood's Sea Songs, this time replaced by specially commissioned fanfares, and extracts from Handel's "Music for the Royal Fireworks". In 2009, for the first time, the Last Night was shown live in several cinemas across Asia and in Canada and Australia.
Last Night conductors
The following table lists by year the conductors of the Last Night of the Proms. Normally, the Chief Conductor of the BBC Symphony Orchestra leads this concert, but guest conductors have directed the Last Night on several occasions. Additionally, the tradition was for the concert to be led by a British conductor. Hence although Rudolf Schwarz, Antal Dorati, Pierre Boulez, Rudolf Kempe and Gennadi Rozhdestvensky served as Chief Conductors, none ever took to the podium at this concert. Leonard Slatkin became the first non-British Chief Conductor to appear in 2001 (Charles Mackerras having been the first non-Briton to lead proceedings in 1980), followed by Jiří Bělohlávek in 2007. In 2013, Marin Alsop was the first female conductor in its 118-year history. The festival, which began on 12 July, included 75 concerts at the Royal Albert Hall and four across the UK.
|Conductor||Last Night(s) ...2|
|Sir Henry Wood 3||1895–1939, 1941–1943 2|
|Sir Adrian Boult||1945, 1946 1 7|
|Basil Cameron||1945 7|
|Sir Malcolm Sargent||1947–1966|
|Sir Colin Davis 4||1967–1972|
|Norman Del Mar||1973, 1975||19831|
|Sir Charles Groves||1974, 1976, 19781|
|James Loughran||1977, 1979||1981, 1982, 19841|
|Sir Charles Mackerras||19801|
|Sir Mark Elder||1987||20061 5|
|Sir Andrew Davis 6||1988||1990–1992, 1994–20001|
|Sir John Pritchard||1989|
|Jiří Bělohlávek||2007||2010, 2012|
|Sir Roger Norrington||20081|
|David Robertson||20091 8|
|Marin Alsop||20131, 2015|
|Sakari Oramo||2014, 2016|
- ^1 Duties undertaken as Guest Conductor, rather than as resident Chief Conductor, BBC Symphony Orchestra
- ^2 The seasons of 1940 and 1944 were curtailed by German bombing, so there was no official "Last Night", Wood died shortly before what should have been the end of the 1944 season
- ^3 Sir Henry from 1911 onwards
- ^4 Later Sir Colin
- ^5 Later Sir Mark
- ^6 Sir Andrew from 1994 onwards
- ^7 Constant Lambert, Basil Cameron and Sir Adrian Boult jointly undertook proceedings upon the return in 1945
- ^8 Robertson has been Principal Guest Conductor of the BBC SO since 2005
|No||Season||Start date (1st night)||End date (Last night)||Location||No of Proms|
|1||1895||Saturday 10 August||Saturday 5 October||Queen's Hall, London||49|
|2||1896||Saturday 29 August||Saturday 10 October||Queen's Hall, London||37|
|3||1897||Saturday 28 August||Saturday 9 October||Queen's Hall, London||43|
|4||1898||Saturday 27 August||Saturday 15 October||Queen's Hall, London||43|
|5||1899||Saturday 26 August||Saturday 21 October||Queen's Hall, London||49|
|6||1900||Saturday 25 August||Saturday 10 October||Queen's Hall, London||67|
|7||Summer 1901||Saturday 24 August||Saturday 9 October||Queen's Hall, London||67|
|7a||Winter 1901/02||Saturday 26 December||Saturday 1 February||Queen's Hall, London||33|
|8||1902||Saturday 23 August||Saturday 8 November||Queen's Hall, London||67|
|9||1903||Saturday 22 August||Friday 23 October||Queen's Hall, London||54|
|10||1904||Saturday 6 August||Friday 21 October||Queen's Hall, London||66|
|11||1905||Saturday 19 August||Friday 27 October||Queen's Hall, London||60|
|12||1906||Saturday 18 August||Friday 26 October||Queen's Hall, London||60|
|13||1907||Saturday 17 August||Saturday 26 October||Queen's Hall, London||61|
|14||1908||Saturday 15 August||Saturday 24 October||Queen's Hall, London||61|
|15||1909||Saturday 14 August||Saturday 23 October||Queen's Hall, London||61|
|16||1910||Saturday 13 August||Saturday 22 October||Queen's Hall, London||61|
|17||1911||Saturday 12 August||Saturday 21 October||Queen's Hall, London||61|
|18||1912||Saturday 17 August||Saturday 26 October||Queen's Hall, London||61|
|19||1913||Saturday 16 August||Saturday 25 October||Queen's Hall, London||61|
|20||1914||Saturday 15 August||Saturday 24 October||Queen's Hall, London||61|
|21||1915||Saturday 14 August||Saturday 23 October||Queen's Hall, London||61|
|22||1916||Saturday 26 August||Saturday 21 October||Queen's Hall, London||49|
|23||1917||Saturday 25 August||Saturday 20 October||Queen's Hall, London||49|
|24||1918||Saturday 11 August||Saturday 19 October||Queen's Hall, London||61|
|25||1919||Saturday 16 August||Saturday 25 October||Queen's Hall, London||61|
|26||1920||Saturday 14 August||Saturday 23 October||Queen's Hall, London||61|
|27||1921||Saturday 13 August||Saturday 22 October||Queen's Hall, London||61|
|28||1922||Saturday 12 August||Saturday 21 October||Queen's Hall, London||61|
|29||1923||Saturday 11 August||Saturday 20 October||Queen's Hall, London||61|
|30||1924||Saturday 9 August||Saturday 18 October||Queen's Hall, London||61|
|31||1925||Saturday 8 August||Saturday 17 October||Queen's Hall, London||61|
|32||1926||Saturday 14 August||Saturday 16 October||Queen's Hall, London||55|
|33||1927||Saturday 13 August||Saturday 24 October||Queen's Hall, London||37|
|34||1928||Saturday 11 August||Saturday 6 October||Queen's Hall, London||49|
|35||1929||Saturday 10 August||Saturday 5 October||Queen's Hall, London||49|
|36||1930 (Northern)||Monday 26 May||Saturday 21 June||Free Trade Hall, Manchester
Town Hall, Leeds
|36a||1930 (London)||Saturday 9 August||Saturday 4 October||Queen's Hall, London||49|
|37||1931||Saturday 8 August||Saturday 3 October||Queen's Hall, London||48|
|38||Summer 1932||Saturday 6 August||Saturday 1 October||Queen's Hall, London||49|
|38a||Winter 1932/33||Saturday 31 December||Saturday 14 February||Queen's Hall, London||13|
|39||1933||Saturday 12 August||Saturday 7 October||Queen's Hall, London||49|
|40||Summer 1934||Saturday 11 August||Saturday 6 October||Queen's Hall, London||49|
|40a||Winter 1934/35||Monday 31 December||Saturday 12 January||Queen's Hall, London||12|
|41||Summer 1935||Saturday 10 August||Saturday 5 October||Queen's Hall, London||49|
|41a||Winter 1935/36||Monday 30 December||Saturday 11 January||Queen's Hall, London||12|
|42||1936||Saturday 8 August||Saturday 3 October||Queen's Hall, London||49|
|43||1937||Saturday 7 August||Saturday 2 October||Queen's Hall, London||49|
|44||1938||Saturday 6 August||Saturday 1 October||Queen's Hall, London||49|
|45||1939||Saturday 12 August||Saturday 1 September||Queen's Hall, London||17.5|
|46||1940||Saturday 10 August||Saturday 7 September||Queen's Hall, London||25|
|47||1941||Saturday 12 July||Saturday 23 August||Royal Albert Hall, London||37|
|48||1942||Saturday 27 June||Saturday 22 August||Royal Albert Hall, London||49|
|49||1943||Saturday 19 June||Saturday 21 August||Royal Albert Hall, London||55|
|50||1944||Saturday 10 June||Thursday 29 June||Royal Albert Hall, London||17|
|51||1945||Saturday 21 July||Saturday 15 September||Royal Albert Hall, London||49|
|52||1946||Saturday 27 July||Saturday 21 September||Royal Albert Hall, London||49|
|52a||Winter 1947||Monday 6 January||Saturday 18 January||Royal Albert Hall, London||12|
|53||Summer 1947||Saturday 19 July||Saturday 13 September||Royal Albert Hall, London||49|
|53a||Winter 1948||Monday 5 January||Saturday 17 January||Royal Albert Hall, London||12|
|54||Summer 1948||Saturday 24 July||Saturday 18 September||Royal Albert Hall, London||49|
|54a||Winter 1949||Monday 10 January||Saturday 22 January||Royal Albert Hall, London||12|
|55||Summer 1949||Saturday 23 July||Saturday 17 September||Royal Albert Hall, London||49|
|55a||Winter 1950||Monday 9 January||Saturday 21 January||Royal Albert Hall, London||12|
|56||Summer 1950||Saturday 22 July||Saturday 16 September||Royal Albert Hall, London||49|
|56a||Winter 1951||Monday 8 January||Saturday 20 January||Royal Albert Hall, London||12|
|57||Summer 1951||Saturday 28 July||Saturday 22 September||Royal Albert Hall, London||49|
|58||Winter 1952||Monday 7 January||Saturday 19 January||Royal Albert Hall, London||12|
|58a||1952||Saturday 26 July||Saturday 20 September||Royal Albert Hall, London||49|
|59||1953||Saturday 25 July||Saturday 19 September||Royal Albert Hall, London||49|
|60||1954||Saturday 24 July||Saturday 18 September||Royal Albert Hall, London||49|
|61||1955||Saturday 23 July||Saturday 17 September||Royal Albert Hall, London||49|
|62||1956||Saturday 21 July||Saturday 15 September||Royal Albert Hall, London||49|
|63||1957||Saturday 20 July||Saturday 14 September||Royal Albert Hall, London||49|
|64||1958||Saturday 26 July||Saturday 20 September||Royal Albert Hall, London||49|
|65||1959||Saturday 25 July||Saturday 19 September||Royal Albert Hall, London||49|
|66||1960||Saturday 23 July||Saturday 17 September||Royal Albert Hall, London||49|
|67||1961||Saturday 22 July||Saturday 16 September||Royal Albert Hall, London||49|
|68||1962||Saturday 21 July||Saturday 15 September||Royal Albert Hall, London||49|
|69||1963||Saturday 20 July||Saturday 14 September||Royal Albert Hall, London||49|
|70||1964||Saturday 25 July||Saturday 19 September||Royal Albert Hall, London||49|
|71||1965||Saturday 17 July||Saturday 11 September||Royal Albert Hall, London||49|
|72||1966||Saturday 23 July||Saturday 17 September||Royal Albert Hall, London||50|
|73||1967||Saturday 22 July||Saturday 16 September||Royal Albert Hall, London||51|
|74||1968||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||52|
|75||1969||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||52|
|76||1970||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||53|
|77||1971||Friday 23 July||Saturday 18 September||Royal Albert Hall, London||54|
|78||1972||Friday 21 July||Saturday 16 September||Royal Albert Hall, London||57|
|78a||Winter 1972/73||Friday 29 December||Friday 5 January||Royal Albert Hall, London||8|
|79||1973||Friday 20 July||Saturday 15 September||Royal Albert Hall, London||55|
|80||1974||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||55|
|81||1975||Friday 25 July||Saturday 20 September||Royal Albert Hall, London||57|
|82||1976||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||56|
|83||1977||Friday 22 July||Saturday 17 September||Royal Albert Hall, London||55|
|84||1978||Friday 21 July||Saturday 16 September||Royal Albert Hall, London||55|
|85||1979||Friday 20 July||Saturday 15 September||Royal Albert Hall, London||54|
|86||1980||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||57|
|87||1981||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||56|
|88||1982||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||57|
|89||1983||Friday 22 July||Saturday 17 September||Royal Albert Hall, London||57|
|90||1984||Friday 20 July||Saturday 15 September||Royal Albert Hall, London||59|
|91||1985||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||60|
|92||1986||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||60|
|93||1987||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||66|
|94||1988||Friday 22 July||Saturday 17 September||Royal Albert Hall, London||69|
|95||1989||Friday 21 July||Saturday 16 September||Royal Albert Hall, London||68|
|96||1990||Friday 20 July||Saturday 15 September||Royal Albert Hall, London||66|
|97||1991||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||67|
|98||1992||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||66|
|99||1993||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||67|
|100||1994||Friday 15 July||Saturday 10 September||Royal Albert Hall, London||68|
|101||1995||Friday 21 July||Saturday 16 September||Royal Albert Hall, London||70|
|102||1996||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||72|
|103||1997||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||73|
|104||1998||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||73|
|105||1999||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||72|
|106||2000||Friday 14 July||Saturday 9 September||Royal Albert Hall, London||72|
|107||2001||Friday 20 July||Saturday 15 September||Royal Albert Hall, London||73|
|108||2002||Friday 19 July||Saturday 14 September||Royal Albert Hall, London||73|
|109||2003||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||73|
|110||2004||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||74|
|111||2005||Friday 15 July||Saturday 10 September||Royal Albert Hall, London||74|
|112||2006||Friday 14 July||Saturday 9 September||Royal Albert Hall, London||73|
|113||2007||Friday 13 July||Saturday 8 September||Royal Albert Hall, London||72|
|114||2008||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||76|
|115||2009||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||76|
|116||2010||Friday 16 July||Saturday 11 September||Royal Albert Hall, London||76|
|117||2011||Friday 15 July||Saturday 10 September||Royal Albert Hall, London||74|
|118||2012||Friday 13 July||Saturday 8 September||Royal Albert Hall, London||76|
|119||2013||Friday 12 July||Saturday 7 September||Royal Albert Hall, London||75|
|120||2014||Friday 18 July||Saturday 13 September||Royal Albert Hall, London||76|
|121||2015||Friday 17 July||Saturday 12 September||Royal Albert Hall, London||76|
|122||2016||Friday 15 July||Saturday 10 September||Royal Albert Hall, London||75|
|123||2017||Friday 14 July||Saturday 9 September||Royal Albert Hall, London||to be announced|
 The second half of concert 18 and the remaining 31 concerts (19–49) of the 1940 season (Saturday 2 September to Saturday 7 October) were cancelled due to the outbreak of World War II.
 Concerts 26–49 of the 1941 season (Saturday 8 September to Saturday 5 October) were cancelled due to intensified nightly air raids during World War II.
 Concerts 18–55 (Friday 30 June to Saturday 12 August) of the 1944 season were cancelled due to V-1 flying bombs ("Doodle Bugs") which had started to fall on London during World War II.
- William Glock (1960–1973)
- Robert Ponsonby (1973–1985)
- John Drummond (1986–1995)
- Nicholas Kenyon (1996–2007)
- Roger Wright (2007–2014)
- Edward Blakeman (interim Director; 2014–present)
- David Pickard (2015 -)
- Jiří Bělohlávek, Speech from The Last Night of the Proms 2007, 8 September 2007.
- Robert Elkin, Queen's Hall, 1893–1941 (Rider & Co, London 1944), pp. 25-6.
- Henry J. Wood, My Life of Music (Victor Gollancz, London, First edition 1938, cheap edition 1946), 1946, p. 68.
- Wood, 1946, p. 68.
- Ivan Hewett (12 July 2007). "The Proms and the Promenerders". The Daily Telegraph. London. Retrieved 20 July 2008.
- Peter Mullen. "Everyone knows Henry Wood set up the Proms. But who remembers the man who hired him to do it?". The Independent. London. Retrieved 19 April 2009.
- John Smith. "Encore for the Proms". Manchester Evening News. Retrieved 19 April 2009.
- Wood 1946, pp. 68-84.
- Wood 1946, pp. 69-71, 73.
- Jacobs, Arthur (2004). "Wood, Sir Henry Joseph (1869–1944)". Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/37001. Retrieved 10 January 2000. Check date values in:
- In a B.B.C. Interview recorded on 23 August 1941, introducing Sir Henry Wood, W.W. Thompson, the orchestral manager, remarked, 'There's only one man to speak for the Proms, for he is the Proms. That's Sir Henry Wood. Would you live them over again, Sir Henry?' (Henry Wood): 'Every day and every hour.' (Thompson): 'All those five thousand concerts?' (Henry Wood): 'Every one of them.' R. Elkin, Queen's Hall 1893-1941 (Rider & Co., London 1944), Transcript pp. 138-46, at p. 143.
- For a list of Wood's principal 'novelties' from 1895 to 1937, see Wood 1946, pp. 353-372.
- "Sir Henry Wood Collection.". Retrieved 13 September 2014.
- Elkin 1944, p. 33, quoting from W. Boosey, Fifty Years of Music (Ernest Benn Limited, London 1931), at pp. 177-78. The title 'Queen's Hall Orchestra' was briefly revived in 1935 and 1936 for some recordings and a series of Sunday Concerts.
- Thomas Russell, Philharmonic Decade (Hutchinson & Co, London, New York, Melbourne & Sydney ), pp. 97-8.
- Further details of Wood's sometimes difficult relations with Keith Douglas and with the BBC are given in Reginald Pound, Sir Henry Wood: A Biography (Cassell, London 1969).
- Russell, Philharmonic Decade, pp. 97-8, 112.
- In 1944 an article in The Times commented, 'The Proms. as we know them are Sir Henry Wood's creation, and in their unbroken though slightly war-damaged career of 48 years they have depended on him through all vicissitudes of taste, finance, personnel, and management.' (quoted in) Elkin (1944), p. 37.
- Russell (), p. 112.
- Doctor, Jenny (2008). "The Parataxis of "British Musical Modernism"". The Musical Quarterly. 91 (1–2): 89–115. doi:10.1093/musqtl/gdn031. Retrieved 19 September 2010.
- Bayan Northcott. "Small ripples in a calm sea: As the 100th season of Henry Wood Proms sails into port, Bayan Northcott wonders if the programming is running out of steam". The Independent. London. Retrieved 19 September 2010.
- BBC Proms Guide 2007. BBC. 2007. ISBN 978-1-84607-256-7.
- Lasserson, David. "Blue Peter Proms". The Guardian. UK.
- BBC Press Office. "Blue Peter presenters perform at the Proms". Retrieved 1 September 2007.
- Fisher, Neil. "The Proms have been innovating ever since 1895". The Times. UK. Retrieved 1 January 2009.
- "What is promming?". BBC. 2010. Retrieved 19 July 2010.
- "How to book/buy tickets". BBC. 2010. Retrieved 19 July 2010.
- Andrew Hough and Andy Bloxham "Proms: Palestinian protest at Royal Albert Hall forces BBC to abandon live broadcast", The Daily Telegraph, 2 September 2011
- Marcus Dysch "Anti-Israel protesters disrupt BBC Proms", The Jewish Chronicle, 2 September 2011
- Andrew Clements (2014-07-17). "Start of Proms marks end of Roger Wright's tenure as director". The Guardian. Retrieved 2015-06-07.
- "David Pickard named as Director, BBC Proms" (Press release). BBC. 26 May 2015. Retrieved 2015-06-02.
- John Plunkett (2015-05-26). "Glyndebourne chief David Pickard to head BBC Proms". The Guardian. Retrieved 2015-06-07.
- "Proms resume after fire at venue". BBC News Online. Retrieved 11 April 2007.
- BBC Proms Guide 2009. BBC. 2009. ISBN 978-1-84607-788-3.
- Alberge, Dalya. "BBC Proms to feature West End show tunes". The Times. London. ISSN 0140-0460. Retrieved 26 April 2007.
- Akbar, Arifa. "BBC denies dumbing down as Michael Ball signs up for Proms". The Independent. UK: Independent News & Media. Retrieved 26 April 2007.
- "Dam Busters fly in for British film score night at the Proms". Evening Standard. London: Associated Newspapers. Retrieved 26 April 2007.
- Higgins, Charlotte. "Proms chief takes over at Barbican". The Guardian. UK: Guardian Media Group. Retrieved 11 April 2007.
- "Radio 3 Controller to run the BBC Proms". BBC press release CF2/VB. BBC Online. Retrieved 26 April 2007.
- "BBC Proms homepage". BBC Proms website. BBC. 2008. Retrieved 13 February 2008.
- Jessica Duchen. "BBC Proms: Everything you wanted to know (but were afraid to ask)". The Independent. London. Retrieved 20 July 2008.
- Ciar Byrne. "Doctor Who makes his debut at the Proms". The Independent. London. Retrieved 20 July 2008.
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- "BBC Proms 2010: Parry and Scriabin spotlights". BBC. Retrieved 22 April 2010.
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- Andrew Clements. "Prom 4: Gothic Symphony – review". The Guardian. Retrieved 22 March 2012.
- Fiona Maddocks. "Havergal Brian: Symphony No 1 ('The Gothic') – review". The Observer. Retrieved 22 March 2012.
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- "The Last Night". BBC Proms website. BBC. 2008. Retrieved 22 October 2008.
- Hamilton, James (2008). "Last Night of the Proms brought to a rousing finale with patriotic splendour". Sunday Herald. Retrieved 22 October 2008.
- Colin Matthews. "The evolution of the Proms". The Times Literary Supplement. London. Retrieved 20 July 2008.
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- "How to Book / Last Night Booking". BBC. Retrieved 9 April 2009.
- Robert Cowan/Edward Seckerson. "Last Saturday saw the Last Night of the Proms and the first night of the Royal Opera's exile at the Barbican. Robert Cowan and Edward Seckerson were at the respective venues...". The Independent. London. Retrieved 7 September 2009.
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