|Created by||Gerry Anderson|
Nyree Dawn Porter
|Theme music composer||Mitch Murray
|Opening theme||"Avenues and Alleyways" Instrumental|
|Ending theme||"Avenues and Alleyways" sung by Tony Christie|
|Country of origin||United Kingdom|
|No. of series||2|
|No. of episodes||52 (list of episodes)|
|Cinematography||Brendan J. Stafford
John S. Smith
|Running time||25 mins approx. per episode
|Production company(s)||Group Three Productions|
|Picture format||Film (16 and 35 mm) 4:3 Colour|
|Original release||29 September 1972– 15 March 1974|
The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series to exclusively use live actors as opposed to marionettes (following UFO), and his second to be firmly set in contemporary times (following The Secret Service). It was also the only Gerry Anderson-produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor, Brut, ended its funding and thus forced the series' cancellation.
The Protectors was first broadcast in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long—making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn (of The Man from U.N.C.L.E. fame) as Harry Rule, Nyree Dawn Porter (co-star of The Forsyte Saga) as the Contessa Caroline di Contini, and Tony Anholt (later to star in Space: 1999 and Howards' Way) as Paul Buchet. Episodes often featured prominent guest actors.
Three inexplicably affluent international private detectives/troubleshooters are charged with ensuring the protection of innocents. They belong to an organisation called The Protectors, based in London. Harry Rule leads the group. The Contessa lives in Italy (when she is not working with Harry). She runs her own detective agency, which specializes in exposing art frauds and recovering stolen art. Paul Buchet works out of Paris, and is the group's researcher and gadget specialist. Adventures range from simple kidnapping to convoluted cases of international intrigue. These characters are all very wealthy and drive exotic cars of the era, such as the Citroën SM and Jensen Interceptor.
According to co-producer Gerry Anderson, the show's format was outlined in a brief note that Lew Grade gave him, and he was then given a free hand to develop it, although Grade ultimately cast two of the main actors himself. The format of the series allowed for occasional episodes in which not all of the main actors appeared, including two in which Vaughn's character was absent.
Like The Persuaders!, a similar series also produced by ITC that aired around the same time, The Protectors was shot on location at numerous "exotic" locations throughout Europe, such as Salzburg, Rome, Malta and Paris, giving the series a sixties "jet set" feel (it was also the first Anderson production to have such a luxury). In order to offset the cost of location filming, and also perhaps because the equipment was more portable, the series was shot on 16mm film rather than the usual 35mm.
The episodes aimed at fast-paced action set against an international background, incorporating elements from both private-eye detective shows and espionage shows, but within a half-hour format. The lack of screen time, compared with the 50-minute timeslot used by shows like The Persuaders! or Department S, resulted in plots that were rather simplistic, with motivation and characterisation sacrificed for action, owing to the writers having to cram as much as possible into a 25-minute timeslot and still produce gripping television. Accordingly, the series suffered from most of the same drawbacks that beset The Adventurer, another half-hour ITC show that aired at the same time.
The theme tune of the series, "Avenues and Alleyways", was a minor hit for Tony Christie (and was successfully revived by Christie in the 2000s, thanks in part to its use in the soundtrack to the film Love, Honour and Obey).
Courtfield Mews, London SW5 was used as the filming location for The Protectors headquarters.
In Germany the series was known as Kein Pardon für Schutzengel (meaning "No Mercy for Guardian Angels") and in France as Poigne de fer et séduction ("Iron Fist and Seduction"). This highlights another snag which bedevilled the show: its English title, The Protectors, could imply that Robert Vaughn was playing a bodyguard, in a more serious version of the 1980s ITV show Minder, but very few of the episodes cast Vaughn's team in the role of bodyguards: hence the title made little sense, and was actually misleading for casual viewers.
In the United States the show was not networked, but aired instead in first-run syndication. This term refers to programming whose initial broadcast in the USA is as a syndicated show (i.e. broadcast ad hoc, airing on different days and at different times in different cities, rather than being seen simultaneously on every station affiliated to one of the big three networks). This made it more difficult for the show to make any impact in America, despite its big-name American star, and this hurt its overseas sales.
According to Robert Vaughn's autobiography, there were numerous problems between the actor and both the show's financier, Lew Grade, and its co-producer, Gerry Anderson. Anderson claimed in his own autobiography that Vaughn acted like a Hollywood prima donna and refused to get along with the other actors; but John Hough, who directed several episodes (and the opening title sequence of the series), had more problems with Vaughn's business partner, Sherwood Price, than with Vaughn himself. Vaughn claimed that he felt the series was "tasteless junk", and that he could not understand the scripts either before or during shooting.
Vaughn was given the opportunity to direct one episode himself—number 23 in production order, "It Could Be Practically Anywhere on the Island". Although Vaughn had a better relationship with Grade, the mogul called "It Could be Practically..." the worst episode he had ever seen of anything; Vaughn himself was less than fond of it. To understand Vaughn's jaundiced opinion of the script, it needs to be realised that he was asked to direct a thirty-minute show devoted to searching a large island for a stolen microfilm swallowed by a dog, and 'deposited' by said dog (i.e. excreted) in an unknown locale that might be anywhere on the island.
Series 1 (1972–73)
|No.||Title||Directed by||Written by||Original air date||Production
|1||"2000 ft to Die"||John Hough||Terence Feely||29 September 1972||1|
|Scientist Freddie Reiwald contacts the Protectors when his colleagues at the Cranston Research Centre die in suspicious circumstances. In Italy, Harry and Caroline discover that an unknown party has completed Reiwald's research into the production of synthetic gold. Now Reiwald's daughter's life is in danger, and Harry must protect her.|
|2||"Brother Hood"||Don Chaffey||John Goldsmith||6 October 1972||2|
|The Protectors are hired to help a billionare's brother break out of prison. Guest-starring Patrick Troughton.|
|3||"See No Evil"||Jeremy Summers||Donald Johnson||13 October 1972||10|
|The Protectors arrive in Rome to find a blackmailer who has got out of control. Guest-starring James Bolam.|
|4||"Disappearing Trick"||Jeremy Summers||Brian Clemens||20 October 1972||3|
|The Contessa risks the lives of the Protectors, when an old friend arrives asking for her help.|
|5||"Ceremony for the Dead"||Jeremy Summers||Donald James||27 October 1972||26|
|The Protectors are hired to stop the kidnapping of a president.|
|6||"It Was All Over in Leipzig"||Don Chaffey||Donald James||3 November 1972||25|
|While investigating a plot to overthrow the government of a Mediterranean nation the Protectors end up confronting two old friends of the Contessa, one of whom she was once romantically involved with.|
|7||"The Quick Brown Fox"||Don Chaffey||Donald James||10 November 1972||5|
|The Protectors are hired to help find a missing band of Nazis.|
|8||"King Con"||Jeremy Summers||Tony Barwick||17 November 1972||12|
|The Protectors find themselves in the middle of a war over some antiques.|
|9||"Thinkback"||Cyril Frankel||Brian Clemens||24 November 1972||14|
|Harry is the victim of a car crash. But was it an accident?|
|10||"A Kind of Wild Justice"||Jeremy Summers||Donald James||1 December 1972||8|
|The daughter of a gangster returns to kill Harry.|
|11||"Balance of Terror"||Don Chaffey||John Goldsmith||8 December 1972||11|
|A scientist disappears with a deadly virus.|
|12||"Triple Cross"||John Hough||Lew Davidson||15 December 1972||7|
|A charming charlatan cons Caroline's friend.|
|13||"The Numbers Game"||Don Chaffey||Ralph Smart||29 December 1972||6|
|14||"For the Rest of Your Natural…"||John Hough||Tony Barwick||5 January 1973||18|
|Caroline is abducted by an old enemy who sends her on a bizarre trial.|
|15||"The Bodyguards"||Don Chaffey||Dennis Spooner||12 January 1973||19|
|16||"A Matter of Life and Death"||Don Chaffey||Donald James||19 January 1973||22|
|17||"The Big Hit"||Roy Ward Baker||Donald James||26 January 1973||13|
|Someone is out to destroy the Protectors.|
|18||"One and One Makes One"||Don Chaffey||Jesse & Pat Lasky||2 February 1973||9|
|A spy goes missing with crucial information.|
|19||"Talkdown"||Jeremy Summers||Jesse & Pat Lasky||9 February 1973||20|
|20||"Vocal"||Cyril Frankel||Brian Clemens||16 February 1973||24|
|21||"…With a Little Help from My Friends"||Jeremy Summers||Sylvia Anderson||23 February 1973||17|
|22||"Chase"||Harry Booth||Brian Clemens||2 March 1973||16|
|A relaxing time for Caroline and Harry.|
|23||"Your Witness"||Jeremy Summers||Donald James||9 March 1973||4|
|24||"It Could Be Practically Anywhere on the Island"||Robert Vaughn||Tony Barwick||16 March 1973||23|
|In Malta, Harry gets involved with an Arkansas millionairess, her pet dog, and a piece of microfilm. (Other than the Police Woman episode "The Melting Block Of Ice", this is Robert Vaughn's only directorial credit; it is also the only episode of any Gerry Anderson series directed by a member of the cast.)|
|25||"The First Circle"||Don Chaffey||Tony Barwick||23 March 1973||15|
|Vietnam War veteran John Hunter (Ed Bishop), deranged by his experiences, goes berserk.|
|26||"A Case for the Right"||Michael Lindsay-Hogg||Jesse & Pat Lasky||30 March 1973||21|
Series 2 (1973–74)
|No.||Title||Directed by||Writer||Original air date||Production
|1||"Quin"||Don Leaver||Trevor Preston||21 September 1973||4|
|A notorious mercenary, Quin, has recruited Jimmy, the brother of Laura Sutton, who contacts the Protectors when Jimmy disappears. A trail of evidence leads Harry and Caroline from Marseilles to Madrid, where Harry is abducted by Quin's cronies.|
|2||"Bagman"||John Hough||Terry Nation||28 September 1973||1|
|3||"Fighting Fund"||Jeremy Summers||John Kruse||5 October 1973||3|
|4||"The Last Frontier"||Charles Crichton||Jean Morris||12 October 1973||8|
|5||"Baubles, Bangles and Beads"||Jeremy Summers||Terry Nation||19 October 1973||9|
|6||"Petard"||Cyril Frankel||Tony Barwick||26 October 1973||10|
|7||"Goodbye George"||Michael Lindsay-Hogg||Brian Clemens||2 November 1973||6|
|Caroline is hired to locate the missing son of a millionaire. (This and "The Tiger And The Goat" are the only episodes in which Robert Vaughn does not appear.)|
|8||"WAM (Part One)"||Jeremy Summers||Tony Barwick||9 November 1973||13|
|9||"WAM (Part Two)"||Jeremy Summers||Tony Barwick||16 November 1973||14|
|10||"Implicado"||Jeremy Summers||Tony Barwick||23 November 1973||7|
|11||"Dragon Chase"||Charles Crichton||John Kruse||30 November 1973||15|
|12||"Decoy"||Michael Lindsay-Hogg||Brian Clemens||7 December 1973||17|
|13||"Border Line"||Charles Crichton||Anthony Terpiloff||14 December 1973||12|
|14||"Zeke's Blues"||Jeremy Summers||Shane Rimmer||21 December 1973||16|
|15||"Lena"||Don Leaver||Trevor Preston||28 December 1973||5|
|16||"The Bridge"||Jeremy Summers||Tony Barwick||4 January 1974||2|
|17||"Sugar and Spice"||Charles Crichton||David Butler||11 January 1974||20|
|18||"Burning Bush"||Don Leaver||Trevor Preston||18 January 1974||11|
|19||"The Tiger and the Goat"||Jeremy Summers||Trevor Preston||25 January 1974||23|
|20||"Route 27"||Don Leaver||Terry Nation||1 February 1974||26|
|21||"Trial"||Charles Crichton||Robert Banks Stewart||8 February 1974||25|
|22||"Shadbolt"||John Hough||Tony Barwick||15 February 1974||19|
|23||"A Pocketful of Posies"||Cyril Frankel||Terry Nation||22 February 1974||18|
|Famous singer Carrie Blaine (Eartha Kitt in a role for which Shirley Bassey was originally cast) fears she's losing her mind when peculiar things start happening around her.|
|24||"Wheels"||David Tomblin||Tony Barwick||1 March 1974||22|
|25||"The Insider"||Don Leaver||Trevor Preston||8 March 1974||24|
|26||"Blockbuster"||Jeremy Summers||Shane Rimmer||15 March 1974||21|
ITV Studios Home Entertainment released the entire series on DVD in Region 2 in 2002/2003.
Network DVD released a seven-disc Region 2 DVD set in 2010, comprising both series.
On 10 September 2014 it was announced that Visual Entertainment had acquired the rights to the series in Region 1, and would re-release all 52 episodes on DVD on 4 November 2014.
In 2009 Network released a five-disc set of music recorded for the series, featuring Tony Christie's "Avenues and Alleyways", library music and scores for 13 episodes composed by John Cameron, and Eartha Kitt's rendition of "My Man's Gone Now" for the episode "A Pocketful Of Posies".
- Mews News. Lurot Brand. Published Spring 2010. Retrieved 20 September 2013.
- Sellers, Robert (2006). Cult TV: The Golden Age Of ITC. Plexus. ISBN 0859653889.
- Bentley, Chris (2008) . The Complete Gerry Anderson: The Authorised Episode Guide (4 ed.). Richmond, London: Reynolds and Hearn. ISBN 978-1-905287-74-1.
- The Protectors - Season One
- The Protectors - Season Two