The Return of the Dove to the Ark
The painting portrays a scene from the Bible. Two of Noah's daughters-in-law nurture the dove that has returned to the Ark bearing an olive branch. This is the second of Millais's paintings with biblical themes, following The Eve of the Deluge. Millais had some intention of producing a "pendant" painting titled The Dove's First Flight, but never did so.
Millais's original plan for the painting was to include the figure of Noah, as well as including several animals in the background. The final omission of these other figures is thought to have been due to his desire to have the painting ready for the Royal Academy exhibition of 1851.
The Return of the Dove to the Ark was first put on public display at the Royal Academy in April 1851. Millais was surprised to learn that some Roman Catholics who viewed it believed it to be an allegory for the return of the country to the true faith.
It was praised by John Ruskin and Théophile Gautier, among others. Ruskin was so taken with it that he wished to buy it when he first saw it, but it had already been sold to the collector Thomas Combe, superintendent of the Clarendon Press, who owned many other Pre-Raphaelite works of art. It passed to the Ashmolean as part of the Combe Bequest in 1893.
- Tate Britain: Past Exhibitions Archived 2009-09-10 at the Wayback Machine.
- Richard J. Lane (2003). Functions of the Derrida Archive: Philosophical Receptions. Akademiai Kiado. pp. 39–. ISBN 978-963-05-7947-6.
- "The Return of the Dove to the Ark | work by Millais". Encyclopedia Britannica. Retrieved 2018-03-06.
- Ashmolean Museum: Collections Online. Accessed 20 March 2013
- Thomas J. Tobin (2002). Pre-Raphaelitism in the nineteenth-century press: a bibliography. English Literary Studies, University of Victoria. ISBN 978-0-920604-81-6.
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