The Scarlet Pimpernel (1934 film)
|The Scarlet Pimpernel|
theatrical release lobby card
|Directed by||Harold Young|
|Produced by||Alexander Korda|
|Written by||Scenario, continuity & dialogue:|
S. N. Behrman
Robert E. Sherwood
Baroness Emmuska Orczy (uncredited)
Alexander Korda (contributing writer, uncredited)
|Based on||The Scarlet Pimpernel|
(1905 play) by
Baroness Emmuska Orczy and Montagu Barstow
and The Scarlet Pimpernel
by Baroness Orczy
|Music by||Arthur Benjamin|
|Edited by||William Hornbeck|
|Distributed by||United Artists|
The Scarlet Pimpernel is a 1934 British adventure film directed by Harold Young and starring Leslie Howard, Merle Oberon, and Raymond Massey. Based on the 1905 play by Baroness Orczy and Montagu Barstow and the classic 1908 adventure novel by Baroness Orczy, the film is about an eighteenth-century English aristocrat who leads a double life, appearing as an effete aristocrat while engaged in an underground effort to free French nobles from Robespierre's Reign of Terror. The film was produced by Alexander Korda.
In 1792, at the bloody height of the French Revolution's Reign of Terror, vengeful French mobs are outraged when again and again French aristocrats are saved from death by the audacious "Band of the Scarlet Pimpernel", a secret society of 20 English noblemen, "one to command, and nineteen to obey". Among the latest scheduled for execution are the Count de Tournay, former ambassador to Great Britain, and his family. However, one of the Scarlet Pimpernel's men visits them in prison disguised as a priest and gives them a message of hope. As the prisoners are being escorted to the cart to be taken to the guillotine, the guards take the count away; French leader Maximilien Robespierre wishes to question him further. The countess and her daughter are rescued and spirited away to England.
Back in Paris, Robespierre meets with Chauvelin, the republic's new ambassador to Britain, to discuss the problem of the Scarlet Pimpernel. Summoning the Count de Tournay, they offer him his life in return for information from his English contacts as to the Pimpernel's true identity. The Scarlet Pimpernel is Sir Percy Blakeney, a wealthy English baronet and friend of the Prince of Wales. Sir Percy cultivates the image of a fop in order to throw off suspicion. His pose is so successful that not even his French wife Marguerite suspects the truth. Though the two are in love, Sir Percy no longer trusts his wife because of her past denunciation of the Marquis de St. Cyr, which led to the execution of the marquis and his family.
Through his network of spies, Chauvelin discovers that Armand St. Just, Marguerite's brother is one of the Scarlet Pimpernel's agents. Chauvelin orders Armand's arrest, then uses the threat of his execution to force Marguerite into helping him discover the identity of the Pimpernel, who he knows will be at an upcoming ball. At the ball, Marguerite intercepts a message given to Sir Andrew Ffoulkes, a member of the Pimpernel's band, stating that the Pimpernel will be in the library at midnight. She passes the information along to Chauvelin, who goes to the library to find only Percy, apparently asleep. While waiting, Chauvelin falls asleep; when he wakes up, he finds a message from the Pimpernel mocking him.
The next morning, Percy and Marguerite travel to their house in the country. There, Marguerite breaks down and tells her husband of Armand's arrest and her deal with Chauvelin. Confronting her, Percy learns the truth behind the denunciation of the marquis; he had her imprisoned for consorting with his son. After the revolution freed her, she told her friend Chauvelin, who was the one who denounced them. Promising to use his influence at court on Armand's behalf, Percy leaves for London. Afterward, Marguerite notices a detail on a portrait of the 1st baronet hanging in the library – on his finger is a ring decorated by a pimpernel. Realizing that she has inadvertently betrayed her own husband, she rushes out of the room, only to be presented a letter from Chauvelin announcing that he had discovered the Pimpernel's true identity as well. Racing back to London, she warns Ffoulkes that Percy's life is in danger. Ffoulkes agrees to mobilise the band to warn Percy.
To lure Percy into his trap, Chauvelin has both Armand and the Count de Tournay transferred to Boulogne-sur-Mer. Despite the vigilance of Chauvelin's men, the Pimpernel frees the two men from prison through bribery. However, one of the prison guards tells Chauvelin that the Pimpernel will be at a certain tavern (the Lion d'Or) that evening. Marguerite goes there to warn Percy, only to be arrested by Chauvelin and his troops. Percy arrives at the appointed time and is met by a gloating Chauvelin. Percy distracts him long enough for Armand and the count to board the ship, but as he prepares to leave, Chauvelin announces that he has Marguerite in custody. Percy surrenders on the condition that she be freed. He is led away by soldiers to be shot by a waiting firing squad. Chauvelin exults at the sound of gunfire, but Percy returns to the tavern very much alive, revealing that the men in uniform are in fact his. After securing Chauvelin in the basement, Percy joins his wife on the ship back to England.
Those Frenchies seek him everywhere.
Is he in Heaven? Is he in Hell?
That damned, elusive Pimpernel.
Alexander Korda, a Hungarian who had been born in a town not far from Baroness Orczy's farm, had recently had great success with the actor Charles Laughton in the film The Private Life of Henry VIII, so he asked Laughton to play the role of Sir Percy. When the announcement went out to the press, the reaction from the Pimpernel's many fans was negative; the pug-nosed Laughton was thought inappropriate to play the suave Sir Percy.
The Scarlet Pimpernel was the sixth most popular film at the British box office during 1935–36.
- "The Scarlet Pimpernel". TCM. Retrieved 28 December 2013.
- "The Film Business in the United States and Britain during the 1930s" by John Sedgwick and Michael Pokorny, The Economic History Review New Series, Vol. 58, No. 1 (Feb., 2005), pp. 79–112