The Shootist

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For the bank robber nicknamed "The Shootist", see Johnny Madison Williams Jr.
The Shootist
Shootist movie poster.jpg
Theatrical release poster by Richard Amsel
Directed by Don Siegel
Produced by
Screenplay by
  • Miles Hood Swarthout
  • Scott Hale
Based on The Shootist 
by Glendon Swarthout
Music by Elmer Bernstein
Cinematography Bruce Surtees
Edited by Douglas Stewart
Distributed by
Release dates
  • August 20, 1976 (1976-08-20)
Running time
100 minutes
Country United States
Language English
Box office $13,406,138[1]

The Shootist is a 1976 Western film directed by Don Siegel and starring John Wayne in his final film role. The picture is about a dying gunfighter who spends his last days looking for a way to die with the least pain and the most dignity.[2]

The film is based on the 1975 novel of the same name by Glendon Swarthout[3] with a screenplay by Miles Hood Swarthout (the son of the author) and Scott Hale. The distinguished supporting cast features Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Harry Morgan, John Carradine, Sheree North, and Scatman Crothers.

In 1977, The Shootist received an Academy Award nomination for Best Art Direction (Robert F. Boyle, Arthur Jeph Parker), a BAFTA Film Award nomination for Best Actress (Lauren Bacall), and a Golden Globe Award nomination for Best Supporting Actor (Ron Howard), as well as the National Board of Review Award as one of the Top Ten Films of 1976.

The movie also received widespread critical acclaim, garnering a 95% positive rating on Rotten Tomatoes; the picture also was considered one of John Wayne's most 'down to earth' roles, and was a brilliant career-finishing movie.[citation needed] Many speculate that he was reluctant to choose another film in the three years left to him because this was such a perfect closing film for him.[citation needed]


After a prologue—a clip montage of scenes from Wayne's earlier Western films—summarizing the career of J.B. Books, "the most celebrated shootist extant", an aging and obviously pain-ridden Books arrives in Carson City, Nevada, on January 22, 1901. He laments that the Old West is dying—as is he. A trusted friend, "Doc" Hostetler (Stewart), confirms a Colorado doctor's prognosis of an imminent and painful death from cancer.

Books rents a room at a boarding house owned by the widow Bond Rogers (Lauren Bacall) and her teenage son Gillom (Ron Howard). Marshal Thibido (Harry Morgan), alarmed at the presence of a notorious gunfighter in his town, asks him to leave. Books explains that he is dying, and intends to die in Carson City. Thibido relents, but says, "Don't take too long to die."

Word spreads that Books is in town; profiteers, young guns, and old friends and enemies are drawn to him. A newspaperman named Dobkins (Rick Lenz) proposes a spectacular series of articles, exaggerating and glorifying Books' tumultuous career. Books kicks him out, only to be visited by an old flame, Serepta (Sheree North), who proposes marriage. He is touched, until he learns that she wants to co-write, with Dobkins, a widow's sensational "memoir". "Woman," says Books, "I still have some pride."

Hostetler prescribes laudanum to ease Books' worsening pain, and reluctantly answers his questions about what will come next: The pain will continue to build, eventually becoming unbearable. Hostetler remarks that if he had Books' courage, the death he has just described is not the one he would choose. The undertaker, Hezekiah Beckum (John Carradine) pitches a grand funeral, which Books rejects as another profiteering scheme; but he does order a headstone. Two strangers seeking notoriety try to ambush him as he sleeps, but Books kills them. Gillom is impressed; his mother, who is losing boarders, is angry.

During a buggy ride, Books tells Bond he has never killed a man who didn't deserve it; Bond says a higher power will decide that. She worries that Gillom, lacking a father's guidance, is acquiring a taste for violence and drink. Books negotiates the sale of his horse to the blacksmith, Moses (Scatman Crothers), who remarks that Gillom already tried to sell it to him, to compensate for their lost boarders. Books confronts Gillom; after they resolve their differences, Gillom asks for a shooting lesson. To Gillom's surprise, he is nearly as accurate as Books, and wonders aloud how Books won all those gunfights. Books points out that the trees don't shoot back. "It isn't always being fast or even accurate that counts," he adds. "It's being willing."

Books asks Gillom to deliver a message to three men: Mike Sweeney (Richard Boone), who has vowed to avenge his brother, killed long ago by Books; Jack Pulford (Hugh O'Brian), a professional gambler and pistol marksman; and Jay Cobb (Bill McKinney), Gillom's ill-mannered employer. Gillom informs each of them, separately, that Books will be at the Metropole Saloon on January 29, his 58th birthday. Books insists that Gillom accept his horse, which he has bought back from Moses, as a gift.

On January 29, the headstone arrives, bearing Books' name, birth date, and "Died 1901", with the day left blank. After bidding farewell to Bond, who has grown to like him, he boards a trolley for the Metropole Saloon. The room is deserted except for the four men and the bartender. Books orders a drink and raises a toast to his birthday and his three "guests".

Cobb is the first to draw his gun, but Books easily dispatches him. He then shoots Sweeney through a table he is hiding behind, but is wounded in the process. Pulford now fires, hitting Books again as he takes cover behind the bar. Pulford works his way closer, but Books sees his reflection in a glass and when he peers over the bar, shoots him dead.

Gillom enters and sees the bartender sneaking up behind Books with a shotgun. He shouts a warning, but the bartender blasts Books in the back with both barrels. As he reloads, Gillom picks up Books' gun and shoots the bartender, then drops the gun in disgust. Books smiles, nods approvingly, and dies. After covering Books reverently with his jacket, Gillom walks home with his mother.



The Shootist was Wayne's final film role, concluding a legendary career that began during the silent film era in 1926. At the time the movie rights were purchased, Wayne was not seriously considered for the role due to questions about his health and his ability to complete the filming. The producers had wanted George C. Scott, but Wayne actively campaigned for the role, and made completion of the film a personal mission.[citation needed]

Wayne was not, as sometimes reported, terminally ill when The Shootist was filmed in 1976. A heavy smoker for most of his life, he had been diagnosed with lung cancer in 1964, and underwent surgical removal of his left lung and several ribs. He remained clinically cancer-free until early 1979, when metastases were discovered in his stomach, intestines, and spine; he died later that year.[4]

The film was shot on location in Carson City, Nevada, and at the Warner Bros. Burbank Studios in California. In Carson City, the Krebs-Peterson House at 500 Mountain Street was used for the widow Bond Rogers' rooming house, where J. B. Books stayed.[5] The house is located three doors south of the Nevada governor's mansion. The only change to the house was a portico added on the southern side. Scenes were also shot at Washoe Lake State Park at 4855 Eastlake Boulevard in Carson City.[5]

Wayne was responsible for a number of significant changes to the script, including the location—from El Paso to Carson City—and the ending. In the book and original screenplay, Jack Pulford was shot in the back by Books, and Books, in turn, was killed by Gillom; Wayne maintained that over his entire film career, he had never shot an adversary in the back, and would not do so now. He also objected to his character being shot by Gillom, and suggested that the bartender do it, because "no one could ever take John Wayne in a fair fight".[6]

Wayne was also responsible for many casting decisions. A number of friends and past co-stars, including Bacall, Stewart, Boone, and Carradine, were cast at Wayne's request; as was the horse owned and given away by Wayne's character, a favorite sorrel gelding named Dollor that he had ridden in Big Jake, The Cowboys, True Grit, Rooster Cogburn, Chisum, and The Train Robbers. Wayne had negotiated exclusive movie rights to Dollor with the horse's owner, Dick Webb Movie Productions, and requested script changes enabling him to mention Dollor's name several times.[7]

Despite Wayne's considerable influence, director Don Siegel said that he and Wayne got along well. "He had plenty of his own ideas ... some I liked, which gave me inspirations, and some I didn't like. But we didn't fight over any of it. We liked each other and respected each other."[8]


Upon its theatrical release in June 1976, The Shootist was a minor success, grossing $13,406,138 domestically,[1] $6 million was earned as US theatrical rentals.[9] It received fair-to-excellent reviews, with enormous praise given to Wayne by many critics. It was named one of the Ten Best Films of 1976 by the National Board of Review, along with Rocky, All the President's Men, and Network. Film critic Roger Ebert of the Chicago Sun-Times ranked The Shootist number 10 on his list of the 10 best films of 1976.[10] The film was nominated for an Oscar, a Golden Globe, a BAFTA film award, and a Writers Guild of America award. The film currently has a 93% "Fresh" rating on the Review aggregator website Rotten Tomatoes.[11] The film was nominated by the American Film Institute as one of the best Western films of 2008.[12]

Awards and honors[edit]

Also in 2008, the American Film Institute nominated this film for its Top 10 Western Films list.[14]

See also[edit]


  1. ^ a b Box Office Information for The Shootist. Worldwide Box Office. Retrieved September 18, 2013.
  2. ^ "The Shootist". IMDb. Retrieved April 26, 2012. 
  3. ^ Swarthout, Glendon (1975). The Shootist, New York, New York: Doubleday. ISBN 0-385-06099-8
  4. ^ Bacon, J. "John Wayne: The Last Cowboy". Us Magazine, June 27, 1978, retrieved August 19, 2016.
  5. ^ a b "Locations for The Shootist". Internet Movie Database. Retrieved April 26, 2012. 
  6. ^ Hyams, J. The Life and Times of the Western Movie. Gallery Books (1984), pp. 214-5. ISBN 0831755458
  7. ^ Texas Couple Tend John Wayne's Horse To See That Fans Get Dollor's Worth. Texas Morning News (January 13, 1985), retrieved August 19, 2016.
  8. ^ Munn, M. John Wayne: The Man Behind the Myth. NAL (2005), p. 333
  9. ^ Box Office Information for The Shootist. The Numbers. Retrieved September 18, 2013.
  10. ^ Roger Ebert's 10 Best Lists: 1967 to present. Archived January 13, 2014, at the Wayback Machine. Roger Ebert's Journal. Retrieved September 18, 2013.
  11. ^ Movie Reviews for The Shootist. Rotten Tomatoes. Retrieved September 18, 2013.
  12. ^ "AFI's 10 Top 10 Nominees" (PDF). Retrieved 2016-08-19. 
  13. ^ "NY Times: The Shootist". NY Times. Retrieved December 30, 2008. 
  14. ^ "AFI's 10 Top 10 Nominees" (PDF). Retrieved 2016-08-20. 

External links[edit]