||This article may require cleanup to meet Wikipedia's quality standards. (May 2009) (Learn how and when to remove this template message)|
The band debuted in early 1978 and quickly became a mainstay of the Austin, Texas scene, rapidly expanding their fan base from the early scene they spearheaded at Raul's and other early punk/new wave venues, but clubs whose audiences crossed the spectrum, including the Armadillo World Headquarters, the Continental Club, Dukes Royal Coach, Club Foot, Liberty Lunch, and many others in the late 1970s and early 80s. The band's music channeled classic garage rock influences, such as The Rolling Stones and The Who with Seventies cult figures such as the New York Dolls and The Velvet Underground, infused with a powerful guitar attack and Sublett's active, up-front electric bass, The Skunks sound is best represented by songs like "Cheap Girl" and "Push Me Around,"both of which appeared on the first Austin punk compilation album Live at Raul's.
The Skunks made their Austin debut at Raul's club in February 1978, after having played a series of dates in Dallas and Fort Worth in January of that year with another Austin band, The Violators. The original band members were Jesse Sublett on vocals and bass, "Fazz" Eddie Munoz on guitar and Billy Blackmon on drums. After recording their first eponymous album, the so-called "Black LP," Eddie Munoz left for Los Angeles at the end of 1978 and joined The Plimsouls. Jon Dee Graham replaced him on guitar in January 1979, thus forming the definitive Skunks lineup. Their first single release, "Earthquake Shake," was recorded for $10. Copies are known to fetch hundreds of dollars when they appear at auction. The Skunks were inducted into the Austin Music Hall of Fame in 2008.
Co-Headlining their opening gig at Raul's with a band called The Violators which featured, along with Jesse Sublett, Kathy Valentine who would later join the Go-Go's, Carla Olson and Marilyn Dean. The Skunks and The Violators are generally recognized as Austin's first two punk bands and this gig as the first Austin punk show. The core fan base that formed around Raul's would provide the alternative voice in an evolving Austin music scene that would eventually call its base "The Live Music Capital Of The World," spawning the SXSW and ACL festivals. Some of the other Austin connected punk bands sprouting from this scene included The Explosives, The Dicks, The Huns, The Big Boys, Terminal Mind, Sharon Tate's Baby, and Butthole Surfers.
One of the first Austin punk bands to tour nationally, The Skunks played CBGB's in August 1979 and Max's Kansas City in 1980 and opened for such national and international acts as The Ramones, The Police, Gang Of Four, Ultravox, The Clash, John Cale, The Cramps and many others. During their sets they were often joined onstage by touring artists such as Elvis Costello, Patti Smith, Joe Ely, as well as members of The Clash, Cheap Trick and Blondie.
Founders Jesse Sublett and Eddie Munoz initially played together in the glam blues band Jelly Roll from 1975 to 1977 before recruiting Billy Blackmon and forming the initial lineup of The Skunks. After Munoz's departure in 1978 he was replaced on guitar by Jon Dee Grahm who remained with the band until the summer of 1980 and was replaced by Doug Murray, formerly of Terminal Mind. Blackmon left the band in 1982 and was replaced on drums by Doug Murray's brother, Greg Murray, a lineup that lasted until 1983 when conflicting opinions within the band led to their break up during pre-production of their second LP on Republic Records. Austin rock critic Margaret Moser writes: "In Austin’s punk rock history book, the Skunks are the first page. From the time they played the original alt-rock nightspot, Raul’s, through lineup changes that eventually brought them right back to the beginning, this trio toughed it out. Bassist Jesse Sublett, guitarist Jon Dee Graham, and drummer Billy Blackmon’s muscular power punk is still as potent and danceable now as it was 20 years ago."
Jesse reunited what is considered the classic lineup of Sublett, Graham, and Blackmon in 1985 for a reunion show at Austin's Liberty Lunch. Starting in 2000 this lineup began playing annual reunion gigs at The Continental Club in Austin, Texas.
|This section is empty. You can help by adding to it. (July 2010)|
- The Skunks aka the Black Album (Rude Records, 1980)
- The Skunks aka the Purple Album (Republic, 1982)
- Earthquake Shake Live CD (Skunks Records, 2001)
- Earthquake Shake Vinyl LP (Rave Up Records, 2002)
- Live At Raul's (Raul's Records, 1979)
- Cheap Girl (Skunks Records, 1980)
- Earthquake Shake b/w Can't Get Loose (Skunks Records, 1979) (re-released by Last Laugh Records in 2011)
- The Racket b/w What Do You Want (Skunks Records, 1981)
- Austin Chronicle, December 12, 2006
- "The Skunks, the Band that Broke Austin Out of the Seventies, The Austin Chronicle, December 8, 2000
- Never the Same Again: A Rock N' Roll Gothic, Jesse Sublett, Ten Speed Press / Boaz 2004