The Squaw Man (1931 film)

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For other uses, see The Squaw Man (disambiguation).
The Squaw Man
The Squaw Man (1931).jpg
Directed by Cecil B. DeMille
Produced by Cecil B. DeMille
Written by Edwin Milton Royle
Screenplay by Lucien Hubbard
Lenore J. Coffee
Elsie Janis
Based on The Squaw Man
Starring Warner Baxter
Lupe Velez
Eleanor Boardman
Music by Herbert Stothart
Cinematography Harold Rosson
Edited by Anne Bauchens
Distributed by Metro-Goldwyn-Mayer
Release dates
  • September 5, 1931 (1931-09-05)
Running time
107 minutes
Country United States
Language English

The Squaw Man (1931) is a film directed by Cecil B. DeMille. It was the third version of the same play that he filmed, and the first in sound. It stars Warner Baxter in the leading role.


A British army officer Captain James Wingate (Warner Baxter) is left disgraced when he takes the blame for his cousin Henry's (Paul Cavanagh) misappropriation of the regiment's charitable fund. He heads to the Wild West of the United States, taking over a ranch in Montana where he marries a beautiful Indian squaw Naturich (Lupe Velez) and have child Hal (Dickie Moore). Years later Henry arrives there with his wife Lady Diana (Eleanor Boardman), with whom James has been secretly in love.


Production and release[edit]

DeMille's two previous versions of the story were released in 1914 and in 1918. DeMille was keen to remake his earlier successes and was the driving force behind the project, at a time when a cycle of big-budget Western films In Old Arizona, Billy the Kid and The Big Trail were being released.

The film rights proved difficult and expensive to acquire, as MGM had to negotiate with both Paramount Pictures and Warner Brothers.[1] Many of the scenes were shot on location in Arizona. As the cost of the film escalated, MGM executive Nicholas Schenck tried to abandon the production, but he was persuaded that this would be equally costly to do and the film was finished as planned.[2] It ultimately cost over $722,000 to make and lost nearly $150,000 in its initial release.[3] In spite of its financial losses, and troubled production, the film was well-regarded by critics. This was the last film on DeMille's contract with MGM before he returned to Paramount Pictures. His next work was the enormously successful 1932 film The Sign of the Cross which kick-started his career again.


  1. ^ Birchard p.248-249
  2. ^ Birchard p.249
  3. ^ Birchard p.248


  • Birchard, Robert S. Cecil B. DeMille's Hollywood. University Press of Kentucky, 2004.

External links[edit]