The Story of the Weeping Camel
|This article needs additional citations for verification. (September 2015)|
||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (September 2015)|
|The Story of the Weeping Camel
|Directed by||Byambasuren Davaa
|Produced by||Tobias Siebert|
|Written by||Byambasuren Davaa
|Music by||Marcel Leniz
|Edited by||Anja Pohl|
|Distributed by||Prokino Filmverlieh (Germany)
New Yorker Films
The Story of the Weeping Camel (Mongolian: Ингэн нулимс, Ingen nulims, "Tears of the Camel") is a 2003 German docudrama distributed by ThinkFilm. It was released internationally in 2004. The movie was directed and written by Byambasuren Davaa and Luigi Falorni. The plot is about a family of nomadic shepherds in the Gobi Desert trying to save the life of a rare white bactrian camel (Camelus bactrianus) calf after it was rejected by its mother.
During Spring, a family of nomadic shepherds assists the births of their camel herd. The last camel to calve this season has a protracted labor that persists for two days. With the assistance and intervention of the family, a rare white calf is born. This is the mother camel's first calving. Despite the efforts of the shepherds, the mother rejects the newborn, refusing it her milk and failing to establish a care-bond with it.
To restore harmony between the mother and calf, the nomadic family call upon the services of group of lamas who perform a ritual with bread or dough 'effigies' (Standard Tibetan: torma) of the mother, the calf and the individual members of the family. The rite opens with the sound of a sacred conchshell horn followed by bells in the hands of lamas, some of whom wield vajra. The rite takes place with members of the extended nomadic community and a number of lama at a sacred place that consists of one end of a log, or wooden pole, set in the earth, with the other end raised to the sky: a stylized 'victory banner' (Sanskrit: Dhvaja) with a piece of blue fabric entwined around it, functioning as a prayer flag (darchor-style). The log is supported by a cairn of rocks at its base as foundation. The ritual, however, does not re-establish harmony between the mother and calf.
The family then resolve to secure the services of an indigenous 'violinist' to play the music for a Mongolian 'Hoos' ritual. They send their two young boys on a journey through the desert to the community marketplace to locate a musician. The 'violinist' —who plays more precisely a morin khuur — is summoned to the camp and a ritual of folk music and chanting is enacted. The musician first drapes the morin khuur on the first hump of the camel to establish a sympathetic magical linkage between the mother and the state of harmony represented by the instrument. Once this is done he removes the instrument and commences playing. As the musician sounds the Mongolian 'violin', the female family member who lulled her child to sleep with a lullaby earlier in the documentary, repeatedly intones the calming sounds and beautiful melody of the 'hoos'. At this point, the mother camel starts to weep, tears visibly streaming from her eyes. Immediately after the rite the mother and calf are reconciled and the calf draws milk from her teat.
The Story of the Weeping Camel received generally positive reviews; on Rotten Tomatoes, the film holds a 94% 'fresh' rating, with the consensus "Delightful and strangely moving"; on Metacritic, which uses an average of all critics' reviews, the film has an 81/100, indicating "universal acclaim".
Honours and Awards
- International Film Critics Award, 2004 San Francisco International Film Festival
- White Camel Award, 2006 Sahara International Film Festival
- The Story of the Weeping Camel at Box Office Mojo
- The Story of the Weeping Camel at Rotten Tomatoes
- The Story of the Weeping Camel at Metacritic
- "The Story of the Weeping Camel (2003)". The New York Times. Retrieved 22 July 2012.
- Bence Nanay (2004). "The Story of the Weeping Camel. From the Periphery". The International Federation of Film Critics. Retrieved 22 July 2012.